• Title : Guilielmus Hondius, Calcographus Hagae Comitis. Ant. van Dyck pinxit, Guil. Hondius sculp
• Date : 1630-40
  
• Size: 9 3/4in x 7in (250mm x 180mm)
• Condition: (A) Very Good Condition
• Ref:  91420

Description:
This original copper-plate engraved antique print of Guillaume Hondius, was engraved by himself (Guillaume Hondius) after the famous Flemish painter Anthony van Dyck 1599 - 1641 as part of his Iconographie series of engraved portraits of famous people at the time, between 1630-40.

A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Guillaume Hondius' stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. This piece is intriguing because the subject and the engraver are one and the same, yet the image essentially is still Van Dyck's. Guillaumine Hondius engraves himself through the eyes of Van Dyck, depicted with kind eyes, a broad nose, and a pointy chin. Hondius stands with a calm demeanor, holding up his elaborately draped garment with his left hand and gazing straight out at us.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 9 3/4in x 7in (250mm x 180mm)
Plate size: - 9 3/4in x 7in (250mm x 180mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Age toning
Plate area: - Age toning
Verso: - Dark age toning

Background:
Anthony van Dyck (also spelled van Dyke) was a renowned Flemish Baroque painter born on March 22, 1599, in Antwerp, Belgium, and died on December 9, 1641, in London, England. He is widely regarded as one of the most influential portrait painters of his time, known for his elegant and refined style.

Van Dyck showed great artistic talent from a young age and began his artistic training under the guidance of Hendrick van Balen, a local painter in Antwerp. Recognizing his potential, his parents enrolled him as an apprentice with Peter Paul Rubens, the leading Flemish painter of the time. Van Dyck spent six years in Rubens' studio, absorbing the master's techniques and developing his own skills.

By the age of 19, van Dyck had already established himself as an accomplished artist and was admitted as a master to the Antwerp Guild of Saint Luke. He primarily focused on religious and mythological subjects during his early years, reflecting the influence of Rubens' style. However, van Dyck soon turned his attention to portraiture, a genre that would bring him great success and recognition.

In the early 1620s, van Dyck traveled to Italy, where he spent several years studying the works of Italian Renaissance masters such as Titian and Tintoretto. This period of Italian sojourn greatly influenced his artistic style, leading to a refinement and sophistication in his portraiture. He became particularly renowned for his ability to capture the personality and character of his sitters, employing a sensitive and flattering approach.

Upon his return to Antwerp in 1627, van Dyck's reputation as a portraitist had grown significantly, attracting commissions from aristocrats, nobles, and prominent figures of the time. His portraits exuded a sense of grandeur and elegance, often featuring his subjects in elaborate costumes and settings. Van Dyck's remarkable talent for capturing the likeness and personality of his sitters earned him patrons and clients across Europe.

In 1632, van Dyck was invited to England by King Charles I, who had heard of his remarkable skill as a portrait painter. He was appointed as the court artist and granted a knighthood, becoming Sir Anthony van Dyck. During his time in England, van Dyck produced numerous portraits of the royal family, aristocracy, and influential figures of the British court. His ability to convey grace, poise, and nobility in his subjects revolutionized the art of portraiture in England.

Van Dyck's impact on English art was profound, and he played a crucial role in elevating the status of portrait painting within the art world. His influence extended beyond his lifetime, as many English portraitists were inspired by his style and approach. Van Dyck's legacy can be seen in the works of later artists such as Thomas Gainsborough, Joshua Reynolds, and Thomas Lawrence.

Despite his success, van Dyck's life was plagued by financial troubles and personal difficulties. He led a lavish lifestyle and accumulated significant debts, which he struggled to repay. Moreover, his health deteriorated in his later years, possibly due to the strain of his extensive work. Van Dyck passed away in London at the age of 42, leaving behind a rich artistic legacy.

Anthony van Dyck's mastery of portraiture, characterized by his skillful rendering of his subjects' individuality and his elegant style, has made him one of the most celebrated painters in art history. His works continue to be admired and studied, serving as a testament to his enduring influence and artistic brilliance.

Hondius, Guillaume or Willem (1598/9 - 1658/60)
Willem Hondius was one of seven children of Hendrik Hondius the Elder (1573 – c. 1649) and Sara Jansdochter. His father was one of the most important Dutch reproductive printmakers and publishers in the early 17th century. A connection with the Hondius family of cartographers in Amsterdam is possible but has not been established.
In 1636 Willem visited Danzig in Poland. In 1641 he moved there from The Hague for good. Hondius was supported at the royal court of King Władysław IV Waza. The King awarded him the title of Chalcographus privilegialus (privileged engraver) and Chalcographus Regius (Royal engraver).
He was married twice, first in 1632 in The Hague to Kornelia van den Enden, secondly in 1646 in Danzig to Anna Mackensen, daughter of the Royal Goldsmith.
In August 1651, in the wake of the Khmelnytsky Uprising, Hondius joined the army of Janusz Radziwiłł conquering Kiev. The first ever portrait of the famous Cossack leader Bohdan Khmelnytsky was engraved during this campaign.
Nothing is known of Hondius after 1652, though he may have lived until 1658.

• Title : Charta ofver Upgaende Grunden Jemte Opningarne Till Saint George, Bristols och Engelska Canalerne Gustaf af Klint Stockholm 1801
  
• Ref #:  35615
• Condition: (A+) Fine Condition
  
• Size: 39 1/2in x 27in (990mm x 685mm)
• Date : 1801

Description:
This very large original copper plate engraved map a sea chart of The Celtic Sea, from southern Ireland to the Bristol Channel, Cornwall & The Scilly Islands was by the Swedish naval officer and cartographer Gustaf af Klint was engraved and published in 1801, dated.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 39 1/2in x 27in (990mm x 685mm)
Plate size: - 39 1/2in x 27in (990mm x 685mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The Celtic Sea is an area of the Atlantic Ocean that stretches from the southern coast of Ireland to the western coast of Brittany in France. It is named after the Celtic culture that was once dominant in the region. The sea is bordered by several countries including Ireland, the United Kingdom, and France. It is a busy shipping route, with commercial vessels transporting goods between ports in Europe and North America. The sea is also important for fishing, with a variety of fish species, such as mackerel, herring, and cod, found in its waters. Additionally, the Celtic Sea is known for its rich marine biodiversity, with numerous species of dolphins, whales, and seabirds inhabiting the area.

Klint, Gustaf af 1774 - 1840
Gustaf af Klint was a Swedish naval officer born on September 14, 1772, in Örebro, Sweden. He began his naval career at the age of 16, joining the Swedish Navy in 1788. Over the years, he served in various positions and rose through the ranks, becoming a captain in 1801.
In addition to his naval career, Gustaf af Klint was also a skilled cartographer. He produced several detailed maps of the Swedish coast and Baltic Sea, which were widely used by sailors and navigators at the time. His maps were known for their accuracy and attention to detail, making them an essential tool for safe navigation in the often treacherous waters of the Baltic Sea.
One of Gustaf af Klint's most significant contributions to cartography was his work on the "Sea Atlas of the Baltic Sea," which he began in 1806. The atlas contained detailed maps of the entire Baltic Sea region, including the coasts of Sweden, Finland, Russia, Estonia, Latvia, and Lithuania. The maps were meticulously drawn, with precise soundings, navigational hazards, and coastal features clearly marked.
Gustaf af Klint retired from the Swedish Navy in 1824, having reached the rank of Rear Admiral. He continued to work on his sea atlas until his death in 1840, leaving behind a lasting legacy as one of Sweden's most accomplished naval officers and cartographers. Today, his maps are considered a valuable historical record of the Baltic Sea region and are sought after by collectors and historians alike.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : (Nagasaki Zu)
• Date : 1801
  
• Size: 17 1/2in x 13 1/2in (445mm x 343mm)
• Condition: (A+) Fine Condition
• Ref:  20406

Description:
Incredibly rare original hand coloured wood block engraved antique map of Nagasaki and Port (Nagasaki Zu) Japan by Kinbei Tadamasa was published in 1801.

Kinbei Tadamasa was a Japanese cartographer and publisher who lived in Nagasaki during the Edo period (1603-1868). He was known for his maps of Nagasaki and the surrounding areas, as well as his publications on astronomy and geography.
The Nagasaki Zu map depicts the city of Nagasaki as it appeared in the mid-18th century, including its streets, buildings, and landmarks. The map is oriented with north to the right, and is presented in a bird's-eye view format, which was common for maps of Japanese cities during this time. The map also includes a key to important locations in the city, such as temples, shrines, and government buildings.
Nagasaki Zu is considered an important historical document, as it provides a detailed view of Nagasaki during a time of significant cultural exchange between Japan and the West. Nagasaki was one of the few Japanese ports open to foreign trade during the Edo period, and as a result, it became an important center for the exchange of ideas and goods between Japan, China, and Europe. The map depicts the presence of Western-style buildings and fortifications in the city, reflecting the influence of European and Chinese traders on the local culture.
Today, Nagasaki Zu is held in the collections of several museums and libraries in Japan, including the Nagasaki City Museum and the National Diet Library. It is a valuable resource for scholars and historians studying the history and culture of Nagasaki and Japan during the Edo period.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, yellow, green
General color appearance: - Authentic
Paper size: - 17 1/2in x 13 1/2in (445mm x 343mm)
Plate size: - 17 1/2in x 13 1/2in (445mm x 343mm)
Margins: - Min 0in (0mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
During the 18th and 19th centuries, Japanese cartographers continued to produce maps of Nagasaki, reflecting the citys growth and changes over time.
One notable example of 18th century Japanese cartography of Nagasaki is the Nagasaki Zu or Map of Nagasaki, created by a Japanese cartographer named Kinbei Tadamasa in 1801. The map was produced using traditional Japanese cartographic techniques and features detailed illustrations of the citys streets, buildings, and landmarks. The map also includes annotations in Japanese, indicating the locations of various temples, shrines, and other landmarks.
Another important map of Nagasaki is the Nagasaki Ezu or Map of Nagasaki, created by a Japanese cartographer named Yamanouchi Tatsunosuke in 1853. The map was produced using a combination of traditional Japanese and Western cartographic techniques and features detailed illustrations of the citys streets, buildings, and waterways. The map also includes annotations in both Japanese and Dutch, indicating the locations of various landmarks and buildings.
In the late 19th century, the Japanese government began to adopt Western-style cartographic techniques, resulting in the production of maps such as the Nagasaki-shi Eiri Chizu or Map of Nagasaki City, created by the Geographical Survey Institute in 1893. The map was produced using a combination of Western and Japanese cartographic techniques and features a more modern, topographical view of the city.
These maps of Nagasaki provide valuable insight into the history and development of the city, as well as the evolution of Japanese cartographic techniques over time. They offer a unique perspective on the citys layout, architecture, and landmarks during the 18th and 19th centuries, reflecting the changes that occurred as Nagasaki became an important center of trade and commerce.

Tadamasa, Kinbei
Kinbei Tadamasa was a Japanese cartographer, astronomer, and publisher who lived in Nagasaki during the Edo period (1603-1868). He was born in 1729 in Nagasaki and worked as a surveyor and astronomer for the Nagasaki Domain. Tadamasa is known for his detailed maps of Nagasaki and its surrounding areas, as well as his publications on astronomy and geography.
In 1775, Tadamasa published his most famous work, "Nagasaki Zu," a detailed map of the city of Nagasaki. The map is oriented with north to the right and presented in a bird's-eye view format, which was common for maps of Japanese cities during this time. It is considered an important historical document as it provides a detailed view of Nagasaki during a time of significant cultural exchange between Japan and the West.
Tadamasa was also a prominent publisher and bookseller, and his shop, Bunkindo, became well known for its publications on astronomy, geography, and literature. Tadamasa's publications were known for their high quality and accuracy, and he was recognized as an important figure in the development of scientific knowledge and cartography in Japan during the Edo period.
Today, Tadamasa's maps and publications are held in the collections of several museums and libraries in Japan, including the Nagasaki City Museum and the National Diet Library. He is considered one of the most important cartographers and publishers of his time, and his work remains an important resource for scholars and historians studying the history and culture of Japan during the Edo period.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : Nova Totius Terrarum; America Noviter Delineata; Africae Nova Tabula; Asia recens summa; Europa Exactissime.
• Date : 1630-31
  
• Size: 22 1/2in x 20in (520mm x 505mm) ea
• Condition: (A & A+) Very Good & Fine Condition
• Ref:  43164; 43157; 43158; 43160; 43159

Description:
These 5 original, hand coloured copper plate engraved world and 4 continental maps, engraved by Henricus Hondius between 1630 and 1631 were published in the same 1639 edition of the Hondius/Mercator Atlas.

Henricus Hondius' World and Four Continent Maps are a series of highly detailed and beautifully illustrated and hand coloured maps that represent some of the finest examples of 17th-century cartography & artistry. The world map features ornate illustrations of ships, sea monsters, and mythological creatures, as well as depictions of important cities and landmarks around the globe. The four continent maps - Europe, Asia, Africa, and the Americas - are similarly detailed and feature intricate illustrations of people, animals, and mythological figures from each region. These maps are notable for their use of the Mercator projection and their accuracy in depicting the size and shape of the continents. Henricus Hondius' maps were highly valued during his lifetime and continue to be prized by collectors and scholars today for their historical significance and artistic beauty.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - Please see background description below
Plate size: - Please see background description below
Margins: - Please see background description below

Imperfections:
Margins: - Please see background description below
Plate area: - Please see background description below
Verso: - Please see background description below

Background:
Nova Totius Terrarum: Dated 1630. Beautiful original hand colour, strong clean paper, original margin size. General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink, red
General color appearance: - Authentic
Paper size: - 22 1/2in x 20in (520mm x 505mm)
Plate size: - 21 1/2in x 15in (545mm x 380mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - Old expert re-enforcement of margins front & verso. 4 small wormholes to margins
Plate area: - Creasing, slight separation of centerfold on bottom section of map
Verso: - Centerfold re-enforced
Overall condition: - VG

America Noviter Delineata: Dated 1631. Beautiful original hand colour, strong clean paper, original margins.
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink, red
General color appearance: - Authentic
Paper size: - 22 1/2in x 20in (520mm x 505mm)
Plate size: - 19 3/4in x 15in (500mm x 380mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - Light age toning
Plate area: - Light creasing along centerfold
Verso: - Bottom margin of centerfold re-enforced
Overall condition: - Fine

Africae Nova Tabula: Dated 1631. Beautiful original hand colour, strong clean paper, original margins.
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink, red
General color appearance: - Authentic
Paper size: - 22 1/2in x 20in (520mm x 505mm)
Plate size: - 19 3/4in x 15in (500mm x 380mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - Light age toning
Plate area: - Slight separation to bottom of centerfold
Verso: - Bottom margin of centerfold re-enforced
Overall condition: - Fine

Asia recens summa: Dated 1631. Beautiful original hand colour, strong clean paper, original margins.
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink, red
General color appearance: - Authentic
Paper size: - 22 1/2in x 20in (520mm x 505mm)
Plate size: - 19 3/4in x 15in (500mm x 380mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - Light age toning
Plate area: - Light creasing along centerfold
Verso: - Bottom centerfold & left corner margin re-enforced
Overall condition: - Fine

Europa Exactissime: Dated 1631. Beautiful original hand colour, strong clean paper, original margins.
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink, red
General color appearance: - Authentic
Paper size: - 22 1/2in x 20in (520mm x 505mm)
Plate size: - 19 3/4in x 15in (500mm x 380mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - Light age toning
Plate area: - Light creasing along centerfold
Verso: - Bottom margin re-enforced
Overall condition: - Fine

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : Carte De La Louisiane Cours Du Mississipi et Pais Voisins...N Bellin 1744
• Date : 1744
  
• Size: 23in x 16 1/4in (585mm x 415mm)
• Condition: (A) Very Good Condition
• Ref:  27094

Description:
This important, original hand coloured copper plate engraved antique map of North America and the colonial states by Nicolas Bellin in conjunction with Jean-Frédéric Phélypeaux, the Comte de Maurepas, was engraved and published in 1744, dated.

This detailed map depicts the region of Louisiana and the Mississippi River, as well as neighboring territories such as Florida, the Great Lakes, and the Gulf of Mexico. The map is richly decorated with a detailed cartouche featuring a Native American figure, various animals, and a scale bar.
The map is highly detailed and accurate, with the major waterways, coastlines, and settlements clearly marked. The topographical features such as mountains, forests, and swamps are also depicted in great detail. The map includes annotations in French, indicating the locations of various Native American tribes and European settlements.
One interesting feature of the map is the depiction of the river system, with numerous tributaries branching out from the Mississippi River. The map also includes illustrations of the mouth of the Mississippi River and various settlements along its banks.
Overall, Carte De La Louisiane Cours Du Mississipi et Pais Voisins is a beautiful and informative example of 18th-century cartography. Bellin's map reflects the geopolitical tensions of the era, as France and England were competing for control over the region, and it remains a valuable resource for historians and collectors alike.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 23in x 16 1/4in (585mm x 415mm)
Plate size: - 23in x 16 1/4in (585mm x 415mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Right margin extended from border
Plate area: - Folds as issued
Verso: - Folds as issued

Background:
The Comte de Maurepas and Nicolas Bellin were both influential figures in the French Navy during the 18th century, and they worked closely together on several important projects.
Jean-Frédéric Phélypeaux, the Comte de Maurepas, was a French statesman who served as Secretary of State for the Navy under Louis XV. He was a strong supporter of naval exploration and cartography, and he played a key role in promoting the work of cartographers such as Nicolas Bellin.
Nicolas Bellin, as mentioned earlier, was a French cartographer, hydrographer, and engineer who produced numerous maps and atlases that were highly regarded for their accuracy and detail. Bellin worked closely with the Comte de Maurepas on several projects, including the creation of the Neptune François, a collection of maps and nautical charts of the world's oceans.
The Neptune François was a major undertaking that involved the collaboration of numerous cartographers and hydrographers, including Bellin. The project was overseen by the Comte de Maurepas and was intended to provide French sailors with the most up-to-date and accurate information about the world's oceans.
Bellin's contributions to the Neptune François were extensive, and he was responsible for creating numerous maps and charts that covered a wide range of regions, including the Mediterranean, the Caribbean, and North America. His work on the project helped establish him as one of the leading cartographers of his time.
Overall, the Comte de Maurepas and Nicolas Bellin were both instrumental in advancing the field of cartography during the 18th century. Through their collaboration on projects such as the Neptune François, they helped to establish the French Navy as a leading authority on maritime exploration and mapping.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : China Veteribus Sinarum Regio nune Incolis Tame dicta
• Date : 1646
  
• Size: 22 1/2in x 18in (570mm x 455mm)
• Condition: (A+) Fine Condition
• Ref:  35601

Description:
This incredibly important, original hand coloured copper plate engraved antique map of China by Jan Jansson was published in the 1646 French edition of Janssonius Atlas Nouvs

This antique map Jansson is a stunning example of 17th-century cartography. The map depicts China, Taiwan, and parts of Korea and Japan in intricate detail, with mountains, rivers, and cities clearly labeled and illustrated. The map is adorned with decorative elements, including a detailed cartouche featuring a Chinese dragon and two figures in traditional dress. The title of the map, translated as "China, formerly known as Sina, now inhabited by the Tame," highlights the historical significance of the region and its changing cultural identity over time. Overall, this map is a beautiful and informative representation of China during a pivotal period in its history.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22 1/2in x 18in (570mm x 455mm)
Plate size: - 20in x 16 1/2in (508mm x 415mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - Bottom centerfold re-joined, not affecting the image

Background:
This antique map of China, Japan & Korea was created by Johannes Janssonius (Jansson), a prominent Dutch cartographer of the 17th century. The map was published in Amsterdam in the mid 17th century and is considered one of the most important early maps of China.
The map shows China as it was known at the time, including its various provinces, rivers, and mountain ranges. It also depicts neighboring regions such as Korea, Japan, and parts of Southeast Asia. The map is rich in detail and includes various cities and towns, as well as important landmarks such as the Great Wall of China.
Jansson based his map on earlier maps of China, including those produced by the Jesuit missionary Matteo Ricci and the Dutch explorer Jan Huygen van Linschoten. However, Jansson added his own cartographic touches, such as more precise depictions of the rivers and mountain ranges.
The map's title, China Veteribus Sinarum Regio nune Incolis Tame dicta, translates to China, the ancient land of the Sinae, now known to its inhabitants as Tame. The term Sinae was a term used by ancient Greek and Roman geographers to refer to the Chinese people, while Tame was the name used by the Chinese themselves to refer to their country.
This Map was highly prized by collectors and scholars in Europe during the 17th century. It remains a valuable resource for historians, geographers, and anyone interested in the history of China and cartography.

Jansson, Jan (Janssonius) 1588-1664
Johannes Janssonius, more commonly known to us as Jan Jansson, was a Dutch cartographer and publisher who made significant contributions to the field of cartography during the 17th century.
Born in Arnhem, Netherlands, Janssonius was the son of a bookseller and publisher, who introduced him to the world of publishing and cartography. After studying in Amsterdam, Janssonius took over his father's business and began to publish maps and atlases, many of which were based on the work of famous cartographers like Gerard Mercator.
In 1621, Janssonius formed a partnership with his brother-in-law, Henricus Hondius, and together they published atlases, maps, and globes under the name "Hondius-Janssonius". This partnership lasted until Hondius' death in 1651, after which Janssonius continued to publish under his own name.
Janssonius' maps and atlases were highly regarded for their accuracy and detail, and his work was widely distributed throughout Europe. His maps covered a wide range of regions, including Europe, Asia, Africa, and the Americas.
Janssonius also contributed to the development of the engraving and printing techniques used in cartography, which allowed for more precise and detailed maps to be produced.
Jan Janssonius died in Amsterdam in 1664, but his legacy lived on through his maps and atlases, which remained popular among cartographers and collectors for centuries to come. Today, Janssonius is remembered as one of the most important cartographers of the 17th century, and his work continues to be studied and admired by scholars and enthusiasts around the world.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : Amerique Septentrionale Suivant la Carte de Pople....A Paris....Le Rouge...1742
• Date : 16742
  
• Size: 24 1/2in x 22 1/2in (625mm x 570mm)
• Condition: (A) Very Good Condition
• Ref:  27093

Description:
This incredibly important, original hand coloured copper plate engraved antique map of North America by George Le Rouge, after Henry Popples famous North America map, was published in 1742 - dated.

A handsome key sheet from a French edition of the first large-scale map of colonial North America. Among the 18 inset maps along the right border are ones of Bermuda, Boston, New York City, and Charleston. Popple's original, 1733 map ran to 20 sheets, hence the necessity of a key sheet. It was a semi-official undertaking intended to depict for British colonial administrators the respective North American territories of England, France and Spain. This French-published version, as expected, greatly exaggerates French territory at the expense of both England and Spain.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original & later
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 24 1/2in x 22 1/2in (625mm x 570mm)
Plate size: - 20 3/4in x 19 3/4in (525mm x 500mm)
Margins: - Min 1in (30mm)

Imperfections:
Margins: - Light creasing along margins
Plate area: - Light creasing
Verso: - Re-enforced along centerfold

Background:
In 1730, the English Board of Trade & Plantations issued a request for maps of the British, French, and Spanish territorial claims in the New World, as ongoing boundary conflicts hindered economic development in the colonies. A former employee, Henry Popple, created an incredible 20-sheet map first published in 1733 that covered a broad region between Hudson Bay and the northern coast of South America and inland as far as the Rio Grande. It would become tremendously influential diplomatically as disputes among European powers increased dramatically in subsequent decades.
Accompanying the monumental production was a keymap, seen here as a later French edition issued by Georges Louis Le Rouge in 1742. With the exception of the language, decorative elements, annotations, and a missing vignette in the upper left corner, the image is largely the same as the original. It’s surprisingly accurate, as Popple was studious in his use of the latest available sources, though several geographic features have been enlarged or distorted and a large mysterious lake filled with islands appears near the western edge of the sheet.
It’s likely this is a remnant of the great saline sea speculated by Baron Lahontan, a French military officer who traveled extensively throughout the Great Lakes region from 1684 -1689. He later wrote several popular travel volumes that included reports of a Long (or Longue) River that branched from the Missippi westward, eventually reaching a large salt lake at the foot of a mountain range. The geographic influences of his story would be reflected in subsequent cartographic efforts throughout the 18th and into the early 19th century, and speculation on Lahontan’s travels persists to this day.
Elsewhere in the image, the topography is depicted pictorially and shows a prominent Appalachian Mountain range as well as a curious plateau in Michigan that Lewis Karpinski describes as a “fanciful creation.” Native American and European settlements are identified throughout and geographic features are labeled according to the key in the upper right. Seventeen inset plans of prominent port cities and islands can be seen in the lower right; including Boston, Charleston, New York, St. Augustine, Havana, and Cartagena.

Popple, Henry 1680 - 1743
Henry Popple was a British cartographer active in the early part of the 18th century. Popple was a clerk with the Board of Trade and Plantations, the organization that governed Britain's colonies in America. With his father, grandfather, and brother all being employed the board of trade, the Popple family had a long history of association with the British colonial administration. Popple received his commission as a clerk at the board of trade in 1727, but resigned in the same year. Curiously this is the same year he began work on his signature production, the Popple of North America, he resigned from the board to take a position as the Cashier to Queen Anne. Nonetheless he continued to work on his great maps and a manuscript version of the Popple Map appeared in this very year. Subsequently, Popple continued to update and refine the map until 1733 when it was finally printed. The Board of trade intended the Popple map to be a British response to Delisle's French mapping of North America, which presented boundaries that conflicted with British colonial ambitions. However, since Popple in fact based much of his map on Delisle's superior cartography, he also managed to copy many of the French political boundaries - to the detriment of the Board of Trade and its expansionist intentions. Although Popple's map was never approved by the Board, examples were rushed to each colonial governor and the map played a significant role in the cartographic history of North America. Popple cartographic endeavor began and ended with this singular map however, it significance was such that he must be considered in any list of significant British mapmakers.

George Louis Le Rouge fl. 1740-80
A military engineer by profession, le Rouge took up cartography and over a long period from about 1740 to 1780 produced many attractive works covering a wide range of subjects including plans of fortifications, military campaigns, town plans as well as the more usual atlases and sea charts.

• Title : Midle-sex Described with the most Famous Cities of London and Westminster
• Date : 1676
  
• Size: 21in x 16in (535mm x 405mm)
• Condition: (A) Very Good Condition
• Ref:  35602

Description:
This original hand coloured copper plate engraved antique map & views of London and the English county of Middlesex by John Speed was published in the 1676 Bassett & Chiswell edition of Speeds famous atlas The Theatre of the Empire of Great Britaine.
The map is embellished with the famous birds-eye views of London, Westminster and the churches of St Peters (Westminster Abbey) and old St Pauls before the great fire of London in 1666. English descriptive text of London on the verso.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, yellow, green, pink
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 405mm)
Plate size: - 20 1/2in x 15 1/2in (520mm x 395mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - Light age toning
Plate area: - Re-enforced along centerfold, light uplift
Verso: - Re-enforced along centerfold, two small repair to top of map, no affect to image

Background:
This county map of Middlesex, now greater London, illustrates the market towns of Enfield, Pancras, Osterley and Staines. The map is dominated by four large vignettes with the environs of London and the county situated in the central portion of the map. The actual cartography is based on the surveys performed by John Norden, the earlier English antiquary and map maker, who unsuccessfully attempted to publish an updated county atlas of the United Kingdom before Speed. Norden also lived most of his life in Middlesex, thus becoming an obvious source for the map.
The City of London is clearly shown on the lower right of the map with villages such as Hamsted, Pancras, Kensington and Paddington marked around the city. To the lower centre of the map is an acknowledgement to the original survey by Norden, augmented by Speed himself.
Although the cartography is of some note, it is the vignettes for which this map is justly famous. To the two bottom corners are the famous Churchs of St. Peter (Westminster Abbey) Westminster on the left and St. Pauls to the right. This is the medieval Cathedral of St. Pauls, just after it had lost its spire in 1561 and before the Great Fire of 1666, in which it was destroyed then rebuilt in its present form by Sir Christopher Wren. Above these two church vignettes are two text panels in the form of books, the one on the left describing the two churches and the other on the right with a description of London itself.
Finally, two large vignettes on the upper left and right corners depict the two cities of Westminster and London respectively. It is believed that Speed was not responsible for either of these images, more likely drawing from Norden, although there are no surviving evidence of this, to date yet to be found. There are also theories that these two views may have come from either a German sources or other lost birds-eye views of London by unknown persons.
Due to modern growth of London and border changes, the county of Middlesex no longer exists, but there is little doubt this is the most the best map of London and Middlesex published in the 17th century. English text on verso

• Title : An Essay of a New and Complet Map Containing the Known Part of the Terrestial Globe by N Bellin....MDDCL
• Date : 1750
  
• Size: 30 1/2in x 22 1/2in (825mm x 570mm)
• Condition: (A) Very Good Condition
• Ref:  27091

Description:
This large original hand coloured copper-plate engraved antique World Map, on Mercators Projection by Jacques Nicolas Bellin was engraved by Jacobus van der Schley in 1750 - dated in the title - and was published in Dutch/English by Pierre d Hondt, publisher, operated out of the Hague.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Blue, yellow, green, pink
General color appearance: - Authentic
Paper size: - 30 1/2in x 22 1/2in (825mm x 570mm)
Plate size: - 27 1/2in x 20 1/2in (700mm x 520mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Bottom left margin extended from plate -mark
Plate area: - Folds as issued
Verso: - Folds as issued

Background:
First edition of Bellins large mid-18th century world map, published in Paris. This map pre-dates the major world discoveries of the late 18th century including the North West coast of America, the Sandwich Islands, and the Voyages of Capt Cook soon to map the East Coast of Australia & NZ.
This edition is most noteworthy for its marvelous early projection of Australia and New Zealand, each with largely speculative coastlines. Australia is still attached to New Guinea and has several notes of early exploration shown. New Zealand is barely known and with only a portion of its western coastline.
No sign of Antarctica and the NW Coast of America includes the first notes of Russian exploration.
In North America Bellin identifies the semi-mythical civilizations of Quivira and Teguayo, both associated with legends of the Seven Cities of Gold, in what is modern day Utah, California, and Nevada. Along the western coast the strait discovered by Martin Aguilar is noted. Further north still the River of the West (Fl. de l’Ouest) extends from the west coast to the Lake of the Woods (Lac de Bois) and thence via additional waterways to the Great Lakes and the Atlantic. The River of the West appeared in many 18th century maps of the Americas and is reflective of French hopes for a water route from their colonies in Canada and Louisiana to the Pacific. Still further north the coastline becomes extremely vague, in places vanishing altogether. The Aleutians are vaguely rendered according to various sightings by Vitus Jonassen Bering and Aleksei Chirikov in the 1740s and identified as the “Archipel de Nord”.
In the Pacific, various Polynesian Island groups are noted though many are slightly or significantly misplaced. The Solomon Islands are vastly oversized referencing the early 17th claims of Quiros. The other lands discovered and erroneously mapped by Quiros in 1606 and Davis in 1686 during their search of the great southern continent are also noted. Hawaii, as yet undiscovered, is absent. New Zealand is rendered twice though is accurate in its form and position. Australia, here labelled “Nouvelle Holland”, has part of its southern coastline ghosted in and Van Diemen’s Land (Tasmania) is attached to the mainland. The southern coast of New Guinea is similarly ghosted in, suggesting its unexplored state. (Ref: Tooley; M&B)

• Title : Essay d une Carte Reduite Contenant les parties connuees Du Globe Terrestre...1748
• Date : 1748
  
• Size: 28 1/2in x 21in (725mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  27007

Description:
This large original hand coloured copper-plate engraved antique World Map, on Mercators Projection was engraved in 1748 by Jacques Nicolas Bellin - dated in the title.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Blue, yellow, green, pink
General color appearance: - Authentic
Paper size: - 28 1/2in x 21in (725mm x 535mm)
Plate size: - 26in x 20 1/2in (710mm x 520mm)
Margins: - Min 1/4in (5mm)

Imperfections:
Margins: - Bottom left margin extended from plate -mark
Plate area: - Folds as issued
Verso: - Folds as issued

Background:
First edition of Bellins large mid-18th century world map, published in Paris. This map pre-dates the major world discoveries of the late 18th century including the North West coast of America, the Sandwich Islands, and the Voyages of Capt Cook soon to map the East Coast of Australia & NZ.
This edition is most noteworthy for its marvelous early projection of Australia and New Zealand, each with largely speculative coastlines. Australia is still attached to New Guinea and has several notes of early exploration shown. New Zealand is barely known and with only a portion of its western coastline.
No sign of Antarctica and the NW Coast of America includes the first notes of Russian exploration.
In North America Bellin identifies the semi-mythical civilizations of Quivira and Teguayo, both associated with legends of the Seven Cities of Gold, in what is modern day Utah, California, and Nevada. Along the western coast the strait discovered by Martin Aguilar is noted. Further north still the River of the West (Fl. de l’Ouest) extends from the west coast to the Lake of the Woods (Lac de Bois) and thence via additional waterways to the Great Lakes and the Atlantic. The River of the West appeared in many 18th century maps of the Americas and is reflective of French hopes for a water route from their colonies in Canada and Louisiana to the Pacific. Still further north the coastline becomes extremely vague, in places vanishing altogether. The Aleutians are vaguely rendered according to various sightings by Vitus Jonassen Bering and Aleksei Chirikov in the 1740s and identified as the “Archipel de Nord”.
In the Pacific, various Polynesian Island groups are noted though many are slightly or significantly misplaced. The Solomon Islands are vastly oversized referencing the early 17th claims of Quiros. The other lands discovered and erroneously mapped by Quiros in 1606 and Davis in 1686 during their search of the great southern continent are also noted. Hawaii, as yet undiscovered, is absent. New Zealand is rendered twice though is accurate in its form and position. Australia, here labelled “Nouvelle Holland”, has part of its southern coastline ghosted in and Van Diemen’s Land (Tasmania) is attached to the mainland. The southern coast of New Guinea is similarly ghosted in, suggesting its unexplored state. (Ref: Tooley; M&B)

• Title : Essay d une Carte Reduite Contenant les parties connuees Du Globe Terrestre...1748
• Date : 1748
  
• Size: 25 3/4in x 19in (705mm x 480mm)
• Condition: (A) Very Good Condition
• Ref:  17011

Description:
This large original hand coloured copper-plate engraved 4 sheet joined, antique World Map on Mercators Projection was engraved in 1748 by Jacques Nicolas Bellin - dated in the title.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Later
Colors used: - Blue, yellow, green, pink
General color appearance: - Authentic
Paper size: - 25 3/4in x 19in (705mm x 480mm)
Plate size: - 25 3/4in x 19in (705mm x 480mm)
Margins: - Min 1/4in (5mm)

Imperfections:
Margins: - Margins extended from border
Plate area: - Light creasing
Verso: - Light creasing

Background:
First edition of Bellins large mid-18th century world map, published in Paris. This map pre-dates the major world discoveries of the late 18th century including the North West coast of America, the Sandwich Islands, and the Voyages of Capt Cook soon to map the East Coast of Australia & NZ.
This edition is most noteworthy for its marvelous early projection of Australia and New Zealand, each with largely speculative coastlines. Australia is still attached to New Guinea and has several notes of early exploration shown. New Zealand is barely known and with only a portion of its western coastline.
No sign of Antarctica and the NW Coast of America includes the first notes of Russian exploration.
In North America Bellin identifies the semi-mythical civilizations of Quivira and Teguayo, both associated with legends of the Seven Cities of Gold, in what is modern day Utah, California, and Nevada. Along the western coast the strait discovered by Martin Aguilar is noted. Further north still the River of the West (Fl. de l’Ouest) extends from the west coast to the Lake of the Woods (Lac de Bois) and thence via additional waterways to the Great Lakes and the Atlantic. The River of the West appeared in many 18th century maps of the Americas and is reflective of French hopes for a water route from their colonies in Canada and Louisiana to the Pacific. Still further north the coastline becomes extremely vague, in places vanishing altogether. The Aleutians are vaguely rendered according to various sightings by Vitus Jonassen Bering and Aleksei Chirikov in the 1740s and identified as the “Archipel de Nord”.
In the Pacific, various Polynesian Island groups are noted though many are slightly or significantly misplaced. The Solomon Islands are vastly oversized referencing the early 17th claims of Quiros. The other lands discovered and erroneously mapped by Quiros in 1606 and Davis in 1686 during their search of the great southern continent are also noted. Hawaii, as yet undiscovered, is absent. New Zealand is rendered twice though is accurate in its form and position. Australia, here labelled “Nouvelle Holland”, has part of its southern coastline ghosted in and Van Diemen’s Land (Tasmania) is attached to the mainland. The southern coast of New Guinea is similarly ghosted in, suggesting its unexplored state. (Ref: Tooley; M&B)

• Title : (Amerique Septentrionale Publiee sous les Auspices de Monseigneur le Duc d Orleans.. Par Le Snr. D Anville MDCCXLVI)
• Date : 1756
  
• Size: 36in x 22in (915mm x 560mm)
• Condition: (A+) Fine Condition
• Ref:  93518

Description:
This large important original copper plate engraved antique map, bottom sheets of 4 sheets, of North America was engraved in 1746 and was published by Jean-Baptiste Bourguinon D Anville in his Elephant Folio Atlas Generale. (I have included an image of the map of the map when it is complete)
This map was instrumental in instructing the European Colonial powers of the time, England France & Spain the importance of dominating the New World, that ultimately led to the French and Indian War of 1754–63. This conflict determined the political direction of North America leading to the American War of Independence in 1775 and ultimately the formation of The United States of America.

To illustrate the importance of cartography in the mid eighteenth century, especially that of North America, a J B D Anville map is essential. D Anville dominated 18th century European cartography with many of his cartographical achievements, especially in North America, copied by many of his contemporaries such as Kitchen, Sayer, Homann, Seutter, Mitchell and others .
He was one of the first to leave blank spaces in his maps, where knowledge was scant or insufficient. His representation of the great lakes is superior to that of his contemporary John Mitchell, responsible for publishing one of the most famous mid 18th century maps of North America, A Map of the British and French Dominions in North America on 8 sheets in 1755 and remained the standard map of North America up until the end of the 18th century. (Ref: Tooley, Printed maps of America, 104; The Mapping of America 316)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 36in x 22in (915mm x 560mm)
Plate size: - 34 1/2in x 17in (880mm x 430mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Small right side of margin & border restored
Plate area: - Folds as issued, small dis-colouration to bottom centerfold
Verso: - Folds as issued, several small repairs not affecting image

Background:
The French and Indian War (1754–63) comprised the North American theatre of the worldwide Seven Years War of 1756–63. It pitted the colonies of British America against those of New France. Both sides were supported by military units from their parent countries, as well as by American Indian allies. At the start of the war, the French North American colonies had a population of roughly 60,000 settlers, compared with 2 million in the British North American colonies. The outnumbered French particularly depended on the Indians. The European nations declared war on one another in 1756 following months of localized conflict, escalating the war from a regional affair into an intercontinental conflict.
The name French and Indian War is used mainly in the United States. It refers to the two enemies of the British colonists, the royal French forces and their various American Indian allies. The British colonists were supported at various times by the Iroquois, Catawba, and Cherokee, and the French colonists were supported by Wabanaki Confederacy members Abenaki and Mikmaq, and Algonquin, Lenape, Ojibwa, Ottawa, Shawnee, and Wyandot.
British and other European historians use the term the Seven Years War, as do English-speaking Canadians. French Canadians call it La guerre de la Conquête (the War of the Conquest) or (rarely) the Fourth Intercolonial War.
Fighting took place primarily along the frontiers between New France and the British colonies, from Virginia in the south to Newfoundland in the north. It began with a dispute over control of the confluence of the Allegheny River and Monongahela River called the Forks of the Ohio, and the site of the French Fort Duquesne in Pittsburgh, Pennsylvania. The dispute erupted into violence in the Battle of Jumonville Glen in May 1754, during which Virginia militiamen under the command of 22-year-old George Washington ambushed a French patrol.
In 1755, six colonial governors in North America met with General Edward Braddock, the newly arrived British Army commander, and planned a four-way attack on the French. None succeeded, and the main effort by Braddock proved a disaster; he lost the Battle of the Monongahela on July 9, 1755 and died a few days later. British operations failed in the frontier areas of Pennsylvania and New York during 1755–57 due to a combination of poor management, internal divisions, effective Canadian scouts, French regular forces, and Indian warrior allies. In 1755, the British captured Fort Beauséjour on the border separating Nova Scotia from Acadia, and they ordered the expulsion of the Acadians (1755–64) soon afterwards. Orders for the deportation were given by William Shirley, Commander-in-Chief, North America, without direction from Great Britain. The Acadians were expelled, both those captured in arms and those who had sworn the loyalty oath to His Britannic Majesty. Indians likewise were driven off the land to make way for settlers from New England.
The British colonial government fell in the region of modern Nova Scotia after several disastrous campaigns in 1757, including a failed expedition against Louisbourg and the Siege of Fort William Henry; this last was followed by Indians torturing and massacring their British victims. William Pitt came to power and significantly increased British military resources in the colonies at a time when France was unwilling to risk large convoys to aid the limited forces that they had in New France, preferring to concentrate their forces against Prussia and its allies in the European theater of the war. Between 1758 and 1760, the British military launched a campaign to capture the Colony of Canada (part of New France). They succeeded in capturing territory in surrounding colonies and ultimately the city of Quebec (1759). The British later lost the Battle of Sainte-Foy west of Quebec (1760), but the French ceded Canada in accordance with the Treaty of Paris (1763).
The outcome was one of the most significant developments in a century of Anglo-French conflict. France ceded to Great Britain its territory east of the Mississippi. It ceded French Louisiana west of the Mississippi River (including New Orleans) to its ally Spain in compensation for Spains loss to Britain of Florida. (Spain had ceded Florida to Britain in exchange for the return of Havana, Cuba.) Frances colonial presence north of the Caribbean was reduced to the islands of Saint Pierre and Miquelon, confirming Great Britains position as the dominant colonial power in eastern North America.

• Title : (Amerique Septentrionale Publiee sous les Auspices de Monseigneur le Duc d Orleans.. Par Le Snr. D Anville MDCCXLVI)
• Date : 1756
  
• Size: 35in x 19in (890mm x 485mm)
• Condition: (A) Very Good Condition
• Ref:  61147

Description:
This large important original copper plate engraved antique map, bottom sheets of 4 sheets, of North America was engraved in 1746 and was published by Jean-Baptiste Bourguinon D Anville in his Elephant Folio Atlas Generale. (I have included an image of the map of the map when it is complete)
This map was instrumental in instructing the European Colonial powers of the time, England France & Spain the importance of dominating the New World, that ultimately led to the French and Indian War of 1754–63. This conflict determined the political direction of North America leading to the American War of Independence in 1775 and ultimately the formation of The United States of America.

To illustrate the importance of cartography in the mid eighteenth century, especially that of North America, a J B D Anville map is essential. D Anville dominated 18th century European cartography with many of his cartographical achievements, especially in North America, copied by many of his contemporaries such as Kitchen, Sayer, Homann, Seutter, Mitchell and others .
He was one of the first to leave blank spaces in his maps, where knowledge was scant or insufficient. His representation of the great lakes is superior to that of his contemporary John Mitchell, responsible for publishing one of the most famous mid 18th century maps of North America, A Map of the British and French Dominions in North America on 8 sheets in 1755 and remained the standard map of North America up until the end of the 18th century. (Ref: Tooley, Printed maps of America, 104; The Mapping of America 316)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 35in x 19in (890mm x 485mm)
Plate size: - 34 1/2in x 17in (880mm x 430mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Small right side of margin & border restored
Plate area: - Folds as issued, small dis-colouration to bottom centerfold
Verso: - Folds as issued, several small repairs not affecting image

Background:
The French and Indian War (1754–63) comprised the North American theatre of the worldwide Seven Years War of 1756–63. It pitted the colonies of British America against those of New France. Both sides were supported by military units from their parent countries, as well as by American Indian allies. At the start of the war, the French North American colonies had a population of roughly 60,000 settlers, compared with 2 million in the British North American colonies. The outnumbered French particularly depended on the Indians. The European nations declared war on one another in 1756 following months of localized conflict, escalating the war from a regional affair into an intercontinental conflict.
The name French and Indian War is used mainly in the United States. It refers to the two enemies of the British colonists, the royal French forces and their various American Indian allies. The British colonists were supported at various times by the Iroquois, Catawba, and Cherokee, and the French colonists were supported by Wabanaki Confederacy members Abenaki and Mikmaq, and Algonquin, Lenape, Ojibwa, Ottawa, Shawnee, and Wyandot.
British and other European historians use the term the Seven Years War, as do English-speaking Canadians. French Canadians call it La guerre de la Conquête (the War of the Conquest) or (rarely) the Fourth Intercolonial War.
Fighting took place primarily along the frontiers between New France and the British colonies, from Virginia in the south to Newfoundland in the north. It began with a dispute over control of the confluence of the Allegheny River and Monongahela River called the Forks of the Ohio, and the site of the French Fort Duquesne in Pittsburgh, Pennsylvania. The dispute erupted into violence in the Battle of Jumonville Glen in May 1754, during which Virginia militiamen under the command of 22-year-old George Washington ambushed a French patrol.
In 1755, six colonial governors in North America met with General Edward Braddock, the newly arrived British Army commander, and planned a four-way attack on the French. None succeeded, and the main effort by Braddock proved a disaster; he lost the Battle of the Monongahela on July 9, 1755 and died a few days later. British operations failed in the frontier areas of Pennsylvania and New York during 1755–57 due to a combination of poor management, internal divisions, effective Canadian scouts, French regular forces, and Indian warrior allies. In 1755, the British captured Fort Beauséjour on the border separating Nova Scotia from Acadia, and they ordered the expulsion of the Acadians (1755–64) soon afterwards. Orders for the deportation were given by William Shirley, Commander-in-Chief, North America, without direction from Great Britain. The Acadians were expelled, both those captured in arms and those who had sworn the loyalty oath to His Britannic Majesty. Indians likewise were driven off the land to make way for settlers from New England.
The British colonial government fell in the region of modern Nova Scotia after several disastrous campaigns in 1757, including a failed expedition against Louisbourg and the Siege of Fort William Henry; this last was followed by Indians torturing and massacring their British victims. William Pitt came to power and significantly increased British military resources in the colonies at a time when France was unwilling to risk large convoys to aid the limited forces that they had in New France, preferring to concentrate their forces against Prussia and its allies in the European theater of the war. Between 1758 and 1760, the British military launched a campaign to capture the Colony of Canada (part of New France). They succeeded in capturing territory in surrounding colonies and ultimately the city of Quebec (1759). The British later lost the Battle of Sainte-Foy west of Quebec (1760), but the French ceded Canada in accordance with the Treaty of Paris (1763).
The outcome was one of the most significant developments in a century of Anglo-French conflict. France ceded to Great Britain its territory east of the Mississippi. It ceded French Louisiana west of the Mississippi River (including New Orleans) to its ally Spain in compensation for Spains loss to Britain of Florida. (Spain had ceded Florida to Britain in exchange for the return of Havana, Cuba.) Frances colonial presence north of the Caribbean was reduced to the islands of Saint Pierre and Miquelon, confirming Great Britains position as the dominant colonial power in eastern North America.

• Title : Western Australia Swan River
• Date : 1851
  
• Size: 14in x 11in (355mm x 280mm)
• Condition: (A+) Fine Condition
• Ref:  35523

Description:
This original hand coloured, steel plate engraved antique map of Western Australia or The Swan River Settlement, Australia with vignettes of Perth, Fremantle, Aboriginals and settlers was engraved by John Rapkin and published by John Tallis in 1851.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue
General color appearance: - Authentic
Paper size: - 14in x 11in (355mm x 280mm)
Plate size: - 14in x 11in (355mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The firm of Tallis & Company flourished from 1835 to 1860 with varying imprints. Their illustrated Atlas of 1850-51 was one of the last decorative atlases, all the maps being engraved on steel and all adorned with small vignettes. (Ref: Tooley; M&B)

• Title : Van Diemens Land or Tasmania
• Date : 1851
  
• Size: 14in x 11in (355mm x 280mm)
• Condition: (A+) Fine Condition
• Ref:  35519

Description:
This original hand coloured, steel plate engraved antique map of Tasmania, Australia with vignettes of Hobart and Tasmanian Tiger was engraved by John Rapkin and published by John Tallis in 1851.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue
General color appearance: - Authentic
Paper size: - 14in x 11in (355mm x 280mm)
Plate size: - 14in x 11in (355mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The firm of Tallis & Company flourished from 1835 to 1860 with varying imprints. Their illustrated Atlas of 1850-51 was one of the last decorative atlases, all the maps being engraved on steel and all adorned with small vignettes. (Ref: Tooley; M&B)

• Title : Victoria or Port Phillip
• Date : 1851
  
• Size: 14in x 11in (355mm x 280mm)
• Condition: (A+) Fine Condition
• Ref:  35503

Description:
This original hand coloured, steel plate engraved antique map of Victoria, Australia with vignettes of Glenelg River, Aboriginals and Kangaroos was engraved by John Rapkin and published by John Tallis in 1851.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue
General color appearance: - Authentic
Paper size: - 14in x 11in (355mm x 280mm)
Plate size: - 14in x 11in (355mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The firm of Tallis & Company flourished from 1835 to 1860 with varying imprints. Their illustrated Atlas of 1850-51 was one of the last decorative atlases, all the maps being engraved on steel and all adorned with small vignettes. (Ref: Tooley; M&B)

• Title : Australia
• Date : 1851
  
• Size: 14in x 11in (355mm x 280mm)
• Condition: (A+) Fine Condition
• Ref:  35511

Description:
This original hand coloured, steel plate engraved antique map of Australia with vignettes of Sydney Harbour, Aboriginals, Parrots and Kangaroos was engraved by John Rapkin and published by John Tallis in 1851.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue
General color appearance: - Authentic
Paper size: - 14in x 11in (355mm x 280mm)
Plate size: - 14in x 11in (355mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The firm of Tallis & Company flourished from 1835 to 1860 with varying imprints. Their illustrated Atlas of 1850-51 was one of the last decorative atlases, all the maps being engraved on steel and all adorned with small vignettes. (Ref: Tooley; M&B)

• Title : New South Wales
• Date : 1851
  
• Size: 14in x 11in (355mm x 280mm)
• Condition: (A+) Fine Condition
• Ref:  1554

Description:
This original hand coloured, steel plate engraved antique map of New South Wales, Australia with vignettes of Sydney Harbour and The Murray was engraved by John Rapkin and published by John Tallis in 1851.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue
General color appearance: - Authentic
Paper size: - 14in x 11in (355mm x 280mm)
Plate size: - 14in x 11in (355mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The firm of Tallis & Company flourished from 1835 to 1860 with varying imprints. Their illustrated Atlas of 1850-51 was one of the last decorative atlases, all the maps being engraved on steel and all adorned with small vignettes. (Ref: Tooley; M&B)

• Title : North Pacific Ocean Southern Portion Eastern Sheet, Compiled from the United States and the British Charts to 1939
• Date : 1939
  
• Size: 43in x 30in (1.090m x 760mm)
• Condition: (A+) Fine Condition
• Ref:  27101

Description:
This original very large lithograph map, a sea chart, with depth soundings, of The Central Pacific, centering on the Hawaiian Islands was complied by the Maritime Safety Agency Japan (MSAJ) from American & British charts. The maps centers on the Hawaiian Islands east to California and south to the Christmas Islands.

The importance of this map cannot be overstated in the context of time and would have no doubt been used by the Japanese carrier group and their attack on Pearl Harbour in 1941.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue
General color appearance: - Authentic
Paper size: - 43in x 30in (1.090m x 760mm)
Plate size: - 43in x 30in (1.090m x 760mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The attack on Pearl Harbor was a surprise military strike by the Imperial Japanese Navy Air Service upon the United States against the U.S. naval base at Pearl Harbor in Honolulu, Hawaii, just before 8:00 a.m. (local time) on Sunday, December 7, 1941. The United States was a neutral country at the time; the attack led to its formal entry into World War II on the side of the Allies the next day. The Japanese military leadership referred to the attack as the Hawaii Operation and Operation AI, and as Operation Z during its planning.
The attack was preceded by months of negotiations between the U.S. and Japan over the future of the Pacific. Japanese demands included that the U.S. end its sanctions against Japan, cease aiding China in the Second Sino-Japanese war, and allow Japan to access the resources of the Dutch East Indies. Anticipating a negative response from the US, Japan sent out its naval attack groups in November 1941 just prior to receiving the Hull note—the U.S. demand that Japan withdraw from China and French Indochina.
Japan intended the attack as a preventive action. Its aim was to prevent the United States Pacific Fleet from interfering with its planned military actions in Southeast Asia against overseas territories of the United Kingdom, the Netherlands, and those of the United States. Over the course of seven hours there were coordinated Japanese attacks on the U.S.-held Philippines, Guam, and Wake Island and on the British Empire in Malaya, Singapore, and Hong Kong.
The attack commenced at 7:48 a.m. Hawaiian Time (6:18 p.m. GMT). The base was attacked by 353 Imperial Japanese aircraft (including fighters, level and dive bombers, and torpedo bombers) in two waves, launched from six aircraft carriers. Of the eight U.S. Navy battleships present, all were damaged, with four sunk. All but USS Arizona were later raised, and six were returned to service and went on to fight in the war. The Japanese also sank or damaged three cruisers, three destroyers, an anti-aircraft training ship, and one minelayer. More than 180 US aircraft were destroyed. A total of 2,403 Americans were killed and 1,178 others were wounded, making it the deadliest event ever recorded in Hawaii. Important base installations such as the power station, dry dock, shipyard, maintenance, and fuel and torpedo storage facilities, as well as the submarine piers and headquarters building (also home of the intelligence section) were not attacked. Japanese losses were light: 29 aircraft and five midget submarines lost, and 64 servicemen killed. Kazuo Sakamaki, the commanding officer of one of the submarines, was captured.
Japan announced declarations of war on the United States and the British Empire later that day (December 8 in Tokyo), but the declarations were not delivered until the following day. The British government declared war on Japan immediately after learning that their territory had also been attacked, while the following day (December 8) the United States Congress declared war on Japan. On December 11, though they had no formal obligation to do so under the Tripartite Pact with Japan, Germany and Italy each declared war on the U.S., which responded with a declaration of war against Germany and Italy. There were numerous historical precedents for the unannounced military action by Japan, but the lack of any formal warning (required by part III of the Hague Convention of 1907), particularly while negotiations were still apparently ongoing, led President Franklin D. Roosevelt to proclaim December 7, 1941, a date which will live in infamy. Because the attack happened without a declaration of war and without explicit warning, the attack on Pearl Harbor was later judged in the Tokyo Trials to be a war crime.

• Title : Galliae supera omnes in hac...auctore Henrico Hondio
• Date : 1639
  
• Size: 22 1/2in x 18in (570mm x 455mm)
• Condition: (A+) Fine Condition
• Ref:  17039

Description:
This original hand coloured copper plate engraved antique map of France was published by Henricus Hondius & Jan Jansson in the 1639 French edition of Gerard Mercators Atlas.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Pink, blue, green, yellow
General color appearance: - Authentic
Paper size: - 22 1/2in x 18in (570mm x 455mm)
Plate size: - 19 1/2in x 14 1/2in (500mm x 375mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

• Title : Gallia Vetus...Abrah Ortelii
• Date : 1638
  
• Size: 23in x 20in (585mm x 510mm)
• Condition: (A+) Fine Condition
• Ref:  70606

Description:
This original beautifully hand coloured copper-plate engraved antique map of France, after Abraham Ortelius, was published by Joan Blaeu in the 1638 French edition of Atlas Nouvs,.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Pink, blue, green, yellow
General color appearance: - Authentic
Paper size: - 23in x 20in (585mm x 510mm)
Plate size: - 19 1/2in x 15in (500mm x 380mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

• Title : An Accurate Map of Dorsetshire, Divided into its Hundreds. Drawn from the best Authorities, assisted by the most approved Maps and Charts with various Improvements illustrated with Historical Extracts relative to its Natural Produce, Manufactures, Trade, present state of it’s principal Towns and Sea Ports, by Eman Bowen geographer to His Majesty. 
• Date : 1760
  
• Size: 29in x 22 1/2in (750mm x 570mm)
• Condition: (A+) Fine Condition
• Ref:  35614

Description:
This large original beautifully hand coloured antique map of the English County of Dorset Shire by Emmanuel Bowen was published by Carrington Bowles in the 1760 edition of The Large English Atlas. (Ref: Tooley; M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Pink, blue, green, yellow
General color appearance: - Authentic
Paper size: - 29in x 22 1/2in (750mm x 570mm)
Plate size: - 27 1/2in x 21 1/2in (700mm x 545mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light age toning in margins
Plate area: - None
Verso: - None

Background:
The Large English Atlas was, as its name suggests, a large folio series of county maps conceived in about 1749 but, because of financial problems, not completed until 1760. Hodson describes the atlas as by far the most important eighteenth-century English atlas to be published before the appearance of John Carys New And Correct English Atlas in 1787. Earlier county atlases were predominantly derivative, using old survey work, many in fact, traceable back to Saxtons work of the sixteenth century. The Large English Atlas maps were drawn from the most up-to-date surveys, and so mark an important stage in the development of the county atlas (Hodson). Through its commercial success, this atlas encouraged a new generation of county atlases, of both large and small scales, but of greater precision than before. The maps, drawn either by Emanuel Bowen or Thomas Kitchin, are finely produced. A particular feature is the vast amount of additional detail engraved in the blank areas around the map, lists of the landed gentry, descriptions of the towns, produce and other notable features of each county, and in some cases, fine insets of the county town. All have elaborate title cartouches, illustrating the produce of the county, rural scenes and so on, many signed by Antony Walker Jr. Besides the separately published multi-sheet maps of various counties these are the most detailed and most interesting county maps of the eighteenth century.

• Title : Midlesex
• Date : 1722
  
• Size: 17 1/2in x 15 1/2in (445mm x 395mm)
• Condition: (A+) Fine Condition
• Ref:  35603

Description:
This original hand coloured copper-plate engraved antique map of the county of Middlesex and London by Robert Morden was published in the 1722 edition of Camdens Britannia.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Pink, blue, green, yellow
General color appearance: - Authentic
Paper size: - 17 1/2in x 15 1/2in (445mm x 395mm)
Plate size: - 17 1/2in x 15 1/2in (445mm x 395mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
These maps are the first county maps to show roads (based on Ogilby’s road maps) and show three scales representing great, middle and small miles as different scales were used in different parts of the country. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, Seller, Palmer and the coastal charts of Captain Grenville Collins. One innovation was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. Gibson said:' Where actual Surveys could be had, they were purchased at any rate; and for the rest, one of the best Copies extanct was sent to some of the most knowing Gentlemen in each County; with a request to supply the defects, rectified the positions, and correct the false spellings. And that nothing might be wanting to render them as complete and accurate as might be, this whole business was commited to Mr Robert Morden, a person of know abilities in these matters'..from the Preface of the Britannia.

• Title : The Evening News London "Tube Map"
• Date : 1907-10
  
• Size: 24in x 20in (610mm x 510mm)
• Condition: (A) Very Good Condition
• Ref:  27100

Description:
This original folding lithograph London Underground Antique Map was designed by the London Geographical Institute & printed by George Philip & Son for the Evening News, London between 1907 to 1910. On the verso is the London Tram Map.

The Evening News London Tube map & Guide ran from 1907-1910. At its release in 1907 it predated the first official 'unified' London Underground map (published in 1908). The EN Tube map was the first to refer to the wider network of Underground Railways as the 'Tube'; it was among the first to apply colour-coding for the lines and is widely believed to be the origin of the name 'Bakerloo' for the Baker Street & Waterloo Railway.
This map design would later be used as a basis for the official London Underground Railways pocket map in 1912.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, red, yellow, purple, green
General color appearance: - Authentic
Paper size: - 24in x 20in (610mm x 510mm)
Plate size: - 24in x 20in (610mm x 510mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Creasing in margings
Plate area: - Light wear along folds
Verso: - Light wear along folds

Background:
As Londons early transport system was operated by a variety of independent companies, there were no complete maps of the network, just for the individual companies routes. The maps were not typically schematic and were simply the line overlaid on a regular city map. There was no integration of the companies services or any co-operation in advertising.
In 1907, The Evening News commissioned a pocket map, The Evening News London Tube Map. It was the first map to show all of the lines with equal weight being given to each line, and it was the first map to use a different colour for each line.
Another early combined map was published in 1908 by the Underground Electric Railways Company of London (UERL) in conjunction with four other underground railway companies that used the Underground brand as part of a common advertising factor.
The map showed eight routes – four operated by the UERL and one from each of the other four companies:
UERL lines:
Bakerloo Railway – brown
Hampstead Railway – indigo
Piccadilly Railway – yellow
District Railway – green
Other lines:
Central London Railway – blue
City and South London Railway – black
Great Northern and City Railway – orange
Metropolitan Railway – red
A geographical map presented restrictions since for sufficient clarity of detail in the crowded central area of the map required the extremities of the District and Metropolitan lines to be omitted and so a full network diagram was not provided. The problem of truncation remained for nearly half a century. Although all of the western branches of the District and Piccadilly lines were included for the first time in 1933 with Harry Becks first proper Tube map, the portion of the Metropolitan line beyond Rickmansworth did not appear until 1938, and the eastern end of the District line did not appear until the mid-1950s.
The route map continued to be developed and was issued in various formats and artistic styles until 1920, when, for the first time, the geographic background detail was omitted in a map designed by MacDonald Gill. That freed the design to enable greater flexibility in the positioning of lines and stations. The routes became more stylised but the arrangement remained, largely, geographic in nature. The 1932 edition was the last geographic map to be published before Becks diagrammatic map was introduced.
The first diagrammatic map of Londons rapid transit network was designed by Harry Beck in 1931. He was a London Underground employee who realised that because the railway ran mostly underground, the physical locations of the stations were largely irrelevant to the traveller wanting to know how to get from one station to another; only the topology of the route mattered. That approach is similar to that of electrical circuit diagrams although they were not the inspiration for Becks map. His colleagues pointed out the similarities, however, and he once produced a joke map with the stations replaced by electrical circuit symbols and names, with terminology such as Bakerlite for the Bakerloo line.
To that end, Beck devised a simplified map with stations, straight-line segments connecting them, and the River Thames; and lines running only vertically, horizontally, or on 45° diagonals. To make the map clearer and to emphasise connections, Beck differentiated between ordinary stations, marked with tick marks, and interchange stations, marked with diamonds. London Underground was initially sceptical of his proposal since it was an uncommissioned spare-time project and was tentatively introduced to the public in a small pamphlet in 1933. However, it immediately became popular, and the Underground has used topological maps to illustrate the network ever since.
Despite the complexity of making the map, Beck was paid just ten guineas for the artwork and design of the card edition (five guineas for the poster). After its initial success, he continued to design the Tube map until 1960, a single (and unpopular) 1939 edition by Hans Scheger being the only exception. Meanwhile, as well as accommodating new lines and stations, Beck continually altered the design, such as changing the interchange symbol from a diamond to a circle and altering the line colours of the Central line from orange to red and of the Bakerloo line from red to brown. Becks final design, in 1960, bears a strong resemblance to the current map. Beck lived in Finchley, North London, and one of his maps is still preserved on the southbound platform at Finchley Central station, on the Northern line.
In 1997, Becks importance was posthumously recognised, and as of 2021, this statement is printed on every Tube map: This diagram is an evolution of the original design conceived in 1931 by Harry Beck.

• Title : Map Showing Coal Laterals of the Philadelphia & Reading Rail Raod company William Lorenz Chief Eng. 1879
• Date : 1879
  
• Size: 29in x 19 1/2in (735mm x 495mm)
• Condition: (A) Very Good Condition
• Ref:  93520

Description:
This original, large folding rare lithograph map of the Coal Fields of Schuylkill County, Pennsylvania, owned at the time by the Pennsylvania & Reading Railroad Company by William Lorenz was engraved and published in 1879 - dated.

The Definition of a Coalseam lateral is any system of development in coal seams or thick orebodies in which headings are driven horizontally across the coal or ore and connected to main haulage drifts, entries, or shafts. There are many variations and modifications depending on the thickness, shape, and inclination of the deposit.(Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Pink, blue
General color appearance: - Authentic
Paper size: - 29in x 19 1/2in (735mm x 495mm)
Plate size: - 29in x 19 1/2in (735mm x 495mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Chipping to map edges not affecting the image
Plate area: - Light wear along sectioned edges
Verso: - Backed in linen

Background:
Schuylkill is a county in the Commonwealth of Pennsylvania. It is located in the heart of Pennsylvanias Coal Region and is part of Northeastern Pennsylvania. As of the 2020 census, the population was 143,049. The county seat is Pottsville.
The county was created on March 1, 1811, from parts of Berks and Northampton counties and named for the Schuylkill River, which originates in the county. On March 3, 1818, additional territory in its northeast was added from Columbia and Luzerne counties. The county is part of the Pottsville, Pennsylvania Micropolitan Statistical Area.
The lands that today constitute Schuylkill County were acquired by William Penns proprietors by treaty executed August 22, 1749, with representatives of the Six Nations and the Delaware, Shamokin and Shawnee, who received 500 pounds lawful money of Pennsylvania. The territory described included all of Schuylkill County except the northern part of Union Township, which was included in the purchase of 1768.
In the year 1754, the area that would become Schuylkill County along with the areas that today are Berks, Dauphin, Lebanon, and Lehigh counties were settled by German immigrants. The earliest settlers in southeastern Schuylkill County, which was then part of Northampton County, were primarily Moravian missionaries from Saxony. Other early settlers in southern Schuylkill County were German Palatines.
An early mill in the county was built in 1744 by John Finscher, but it later burned down. The first log church in the county was built in 1755. Native American massacres were commonplace in Schuylkill County between 1755 and 1765. Warrant for tracts of land in the vicinity of McKeansburg were in existence as early as 1750. Found by Sammy Hepler in 1789.
Anthracite coal (then called stone coal) was discovered by Necho Allen near the area where Pottsville was ultimately developed in 1790. In 1795, a blacksmith in Schuylkill County named Whetstone learned how to use the coal successfully for smithing purposes. In 1806 coal was found while the tail-race was cut of the Valley (Iron) Forge, on the Schuylkill. Daniel Berlin, another blacksmith, also used it successfully, and smiths in the neighborhood adopted using the coal.
Schuylkill County was created via an Act of Assembly on March 1, 1811, from portions of Berks and Northampton counties. More land was added to the county in 1818, from Columbia and Luzerne counties. At the time of its creation, the county had a population of about 6,000. An early book of Schuylkill County history was written by Daniel Deibert in 1802.
Orwisgsburg was the first community in Schuylkill County to be laid out. During the early years of Schuylkill County, there was an attempt to make McKeansburg the county seat; Orwigsburg was also a contender. Orwigsburg was agreed upon to be the county seat, as it was deemed to be well-suited for industries. Beginning in 1831, sentiment began to rise for moving the county seat to Pottsville. In 1846, the Legislature passed an Act that was approved by Governor Francis R. Shunk on March 13, submitting the question to the voters. The change was desired principally because the railroad and canal connections with Orwigsburg were problematic to transport the public to that town without losing valuable time while Pottsville had such facilities and was within easy access from all parts of the county.
In 1812, George Shoemaker who, with Necho Allen, had discovered stone coal at Centerville in Schuylkill County, personally delivered some coal to Philadelphia. He gave away most of the coal, intending to encourage individuals to find ways to use it. Most of the experiments failed and though Shoemaker was nearly run out of town and called an imposter, Mellon and Bishop of Delaware County successfully used it in their rolling mill. When other rolling mills also adopted the fuel, a large industrial market and demand developed.
The Schuylkill Navigation Company was chartered in 1815 to build a series of navigation improvements in the Schuylkill River. This was during a period when the much larger Erie Canal along the Mohawk River in New York also was being developed. It was well ahead of other key canals fueling the Industrial Revolution, such as the Delaware and Hudson, the Lehigh, the Chesapeake and Ohio, Delaware and Raritan, and Morris canals. The originators of the project did not count upon the coal trade to promote the success of the undertaking. They looked forward mainly to transporting the agricultural products being produced below the mountains, the lumber of Schuylkill County, and the grain and other products of the counties between the Susquehanna and Schuylkill rivers. The first shipments of coal by canal were made in 1822 when 1,480 tons were sent down the line.
With a regular supply of anthracite coal ensured, the southern anthracite coal field in Schuylkill County attracted speculators and fortune hunters. They were inspired by dreams of becoming millionaires. This was the first speculative era of the Schuylkill coal trade. Pottsville became the center of the movement. The more successful explorers revealed numerous veins of coal, extending over a vast stretch of county and with a seemingly inexhaustible quantity of coal. These discoveries brought excitement and speculation; lands were bought (and sold); roads were laid out in the forest, mines were opened and railroads projected, and innumerable town plots planned. The demand for houses was so great that the lumber for many was framed in Philadelphia and sent by canal to the burgeoning coal region.
At this stage, coal-mining firms were small and family owned. The residents and entrepreneurs of the Schuylkill region opposed the entry here of incorporated coal companies. In these years, coal mining operations in the Schuylkill region were conducted with economy, and relatively little capital was required. As the workings were all above the water level, no machinery was required for water drainage or for hoisting coal to the surface. Coal breakers and other expensive fixtures and appliances for the preparation of coal had not then been introduced. Numerous operators produced from five to six thousand tons for market annually (which was then considered a respectable business), who had never committed thousands of dollars to their enterprises, including their first land purchases of coal mines. It was commonly asserted that coal land could be bought and mines opened for less capital than the purchase and stocking of a decent farm. Such mines could be worked for less capital than that required to establish a line of stagecoaches or transportation wagons.
Eventually, railroads replaced the canals as the primary means of transporting coal to markets. Mining was taken over by major corporate business, especially after the Civil War. As a result, the Middle Coal Field was developed in the 1860s and the Philadelphia and Reading Railroad created a subsidiary (Philadelphia and Reading Coal and Iron Company) to buy or lease, and develop the expanding industrial coal trade. Consumption of coal along the Schuylkill above Philadelphia in 1839 was 30,290 tons when the Pioneer at Pottsville, the first anthracite furnace in the United States, became operational. By 1849, consumption had increased to 239,290 tons, to 554,774 tons in 1859, and to 1,787,205 tons in 1873.
The numerous jobs in the mining industry comprised a catalyst for mass immigration to Schuylkill County from the British Isles and Europe in the 19th and 20th centuries. As mines became more numerous (by 1846 there were 110 operators in the region and 142 collieries in Schuylkill County) and more complex (in 1846 there were 35 collieries below water level), mechanical breakers, steam locomotive, it became more labor-intensive both for accomplishing mining tasks and supporting minings peripheral industries. Such industries included manufacturing of explosives, metal screens, pump components, piping, and timber for support. This led to an influx of population into Schuylkill and other anthracite counties to fill these jobs. Beginning with the Irish immigration in the 1840s (fueled by the Great Famine), after the Civil War, beginning in the 1870s, newcomers arrived from Eastern Europe. Poles, Hungarians, Lithuanians, Slovaks, Rusyns and Ukrainians (Ruthenians), often from the Austro-Hungarian monarchy settled in the villages of Schuylkill County and took their place among the laborers in the coal mines. By the 1880s and 1890s, thousands of Italians immigrated for jobs related to mining.

• Title : Jamaica
• Date : 1817
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35605

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light age toning
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands: St Vincent; Barbados
• Date : 1817
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35611

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands: St Vincent; Barbados
• Date : 1817
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35610

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands: Porto Rico and Virgin Islands; Haiti, Hispaniola or St Dominigo
• Date : 1815 - dated
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35608

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands: St Christopher; St Lucia; Nevis
• Date : 1817
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35609

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands: Martinico (Cul de Sac Royal); Dominica
• Date : 1817
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35606

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands of Martinique and Dominica was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning
Verso: - Age toning

• Title : West India Islands: Grenada; Tobago; Curacao; Trinadad.
• Date : 1816
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35612

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands Grenada, Tobago, Curacao & Trinidad was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands
• Date : 1845
  
• Size: 25in x 21in (635mm x 535mm)
• Condition: (A+) Fine Condition
• Ref:  35619

Description:
This large original hand coloured steel plate engraved antique map of West Indian, Caribbean Islands, was published by W & AK Johnston in his General Atlas, 1845.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 25in x 21in (635mm x 535mm)
Plate size: - 25in x 21in (635mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

• Title : Jamaica
• Date : 1851
  
• Size: 15in x 11in (380mm x 280mm)
• Condition: (A+) Fine Condition
• Ref:  35616

Description:
This original hand coloured copper plate engraved antique map of Jamaica, with decorative vignettes of Kingston, Port Antonio, Port Royal, a sugar mill and a flying fish, was published by John Tallis in 1851.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 15in x 11in (380mm x 280mm)
Plate size: - 15in x 10in (380mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Light crease left side of image
Verso: - None

• Title : Recentis Romae Ichnographia et Hypsographia Sive Planta et Faies Ad Magnificentiam Qua Prioribus Annis Urbs Ipsa Directa Exculta et Decorata Est.
• Date : 1679
  
• Size: 26 3/4in x 18 3/4in (680mm x 475mm)
• Condition: (A+) Fine Condition
• Ref:  43188

Description:
This large, original copper plate engraved scarce left hand section of the map of Rome by Jacob Von Sandrart, after Giovanni Battista Falda map, was published in 1679.

This map is based on Giovanni Battista Falda's 12-sheet view of Rome, Nuova Pianta et alzata della citta di Roma, first published in 1676.
Sandrart's view of Rome is rare, we are aware of only 2 examples appearing at auction during the last 25 years.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 26 3/4in x 18 3/4in (680mm x 475mm)
Plate size: - 25in x 17in (635mm x 430mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Light creasing along centerfold
Verso: - None

Background:
Jacob von Sandrart's rare and exquisitely engraved view of Rome, one of the finest impressions of the 'Eternal City' made during the great Baroque Era of Art and Architecture.
This finely engraved and lavishly decorative view of Rome takes in all of the 'Eternal City', as it was encompassed by its ancient Aurelian Walls, built during the 2nd Century A.D., on the banks of the River Tiber. Numerous monuments and sites, all of which are still present today, can be seem on the view, including the Coliseum, the Pantheon, the Piazza del Popolo, the Church of San Giovanni Laterno, the Baths of Diocletian, and the Vatican, which is dominated by the Dome of St. Peter's Basilica and the Castel Sant'Angelo. Most notable is the great oval Colonnade that lines the square in front of St. Peter's, which had only been completed in 1666 by the Gianlorenzo Bernini, one of the towering figures of the Baroque Era. The quality of the engraving is exceptionally high, as is the composition of the view, which grants the observer a panoptic view over Rome, while the specific details of the cityscape remain sharply distinguishable.
In the upper left, the title cartouche is surmounted by a portrait of Pope Innocent XI (reigned 1676-89), considered to be a leader of great learning and political acumen. In the upper right corner is a montage featuring the shields of the 14 traditional districts (wards) of Rome. Flowing through the view itself, the River Tiber has its orgins in an allegorical personification of its springs.
In the lower left, a table, 'Index Aedium Antiquitatarum' identifies an amazing 253 ancient buildings and ruins throughout the city. The 'Index Ecclesiarium' in the lower right identifies an incredible 178 churches, although it is not surprising that Rome had by far more houses of worship than any other city in Europe.
In the lower center of the plan are seven views of some of the city's most prominent churches, including St. Peter's Basilica (Vatican), St. Paul's Basilica, San Sebastian Church, San Giovanni Laterno, Sacred Cross of Jerusalem Church, Basilica of St. Lawrence Outside the Walls and the Basilica of Santa Maria Maggiore.
At the time that this view was issued, Rome was enjoying a period of prosperity, and the city's population had reached over 120,000, making it one of the 10 largest cities in Europe. The Roman Catholic Church was on a high, having largely succeeded in driving the Counterreformation, and revenues were pouring in to the Vatican from around the world. This funded the great flourishing of art and architecture in Baroque Rome.
The map was engraved by Jacob von Sandrart (1630-1708), one of the leading fine art engravers of the 17th Century. Born in Frankfurt-am-Main, he apprenticed under his famous uncle Joachim von Sandrart in Amsterdam. He worked in Danzing and Regensburg, and by 1656 had established himself in Nuremberg, where he remained for the rest of his life. Sandrart was highly productive, as over 400 different engravings from his burin are known to survive, although the high quality of his work never wavered. Along with his maps, he is especially well-known for his portraits. Sandrart was the founder and first director of the Nuremberg Academy of Fine Arts (chartered 1662).

Sandrart, Jacob von 1630 - 1708
Jacob von Sandrart was a German engraver primarily active in Nuremberg.
At age ten Sandrart obtained his artistic training from his better-known uncle Joachim von Sandrart in Amsterdam. After spending time in Danzig and Regensburg, he married Regina Christina Eimart, daughter of the engraver Georg Christoph Eimart the elder, on 10 June 1654. The couple settled in Nuremberg in 1656 and remained there for the rest of their lives. His daughter Susanne Maria von Sandrart was also an artist and engraver.
Sandrart was a very prolific artist; over 400 engravings from his hand are extant. He was best known as a portraitist of prominent contemporary citizens of Nuremberg, as an engraver of maps, and as an illustrator of the literary works of Nuremberg writers, especially Sigmund von Birken. Today Sandrart is best remembered as the founder and first director of the Nuremberg Academy of Fine Arts (est. 1662).

• Title : Carte Pour L Introduction a L Historire S Angleteerre...
• Date : 1719
  
• Size: 25in x 21in (635mm x 535mm)
• Condition: (A+) Fine Condition
• Ref:  93426

Description:
This large beautifully hand coloured original antique map and illustration of Great Britain and Ireland, with text and pictorial representations of all the Kings and Queens from Egbert in 801 to Queen Anne in 1701, was published by Henri Abraham Chatelain in 1719, in his famous Atlas Historique.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, pink, blue, green
General color appearance: - Authentic
Paper size: - 25in x 21in (635mm x 535mm)
Plate size: - 25in x 21in (635mm x 535mm)
Margins: - Min 1/4in (6mm)

Imperfections:
Margins: - Top left margin extended
Plate area: - None
Verso: - None

• Title : Gold Regions of Australia
• Date : 1855
  
• Size: 13 1/2in x 10 1/2in (345mm x 270mm)
• Condition: (A+) Very Good Condition
• Ref:  27006

Description:
This original hand coloured copper-plate engraved antique early Gold Fields map of Eastern Australia was published by James Wyld in 1855.
This scarce map was published very early on, in the discovery of gold in Australia, in 1851. Once gold was discovered by Hargraves, the number of discoveries made Australia, in a short period of time, one of the richest places on earth.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, pink, blue, green
General color appearance: - Authentic
Paper size: - 13 1/2in x 10 1/2in (345mm x 270mm)
Plate size: - 13 1/2in x 10 1/2in (345mm x 270mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Bottom section of map rejoined
Verso: - None

Background:
The first gold rush in Australia began in May 1851 after prospector Edward Hargraves claimed to have discovered payable gold near Orange, at a site he called Ophir. Hargraves had been to the Californian goldfields and had learned new gold prospecting techniques such as panning and cradling. Hargraves was offered rewards by the Colony of New South Wales and the Colony of Victoria. Before the end of the year, the gold rush had spread to many other parts of the state where gold had been found, not just to the west, but also to the south and north of Sydney.
The Australian gold rushes changed the convict colonies into more progressive cities with the influx of free immigrants. These hopefuls, termed diggers, brought new skills and professions, contributing to a burgeoning economy. The mateship that evolved between these diggers and their collective resistance to authority led to the emergence of a unique national identity. Although not all diggers found riches on the goldfields, many decided to stay and integrate into these communities.
In July 1851, Victoria\'s first gold rush began on the Clunes goldfield. In August, the gold rush had spread to include the goldfield at Buninyong (today a suburb of Ballarat) 45 km (28 m) away and, by early September 1851, to the nearby goldfield at Ballarat (then also known as Yuille\'s Diggings) followed in early September to the goldfield at Castlemaine (then known as Forest Creek and the Mount Alexander Goldfield) and the goldfield at Bendigo (then known as Bendigo Creek) in November 1851. Gold, just as in New South Wales, was also found in many other parts of the state. The Victorian Gold Discovery Committee wrote in 1854:
The discovery of the Victorian Goldfields has converted a remote dependency into a country of world wide fame; it has attracted a population, extraordinary in number, with unprecedented rapidity; it has enhanced the value of property to an enormous extent; it has made this the richest country in the world; and, in less than three years, it has done for this colony the work of an age, and made its impulses felt in the most distant regions of the earth.
When the rush began at Ballarat, diggers discovered it was a prosperous goldfield. Lieutenant-Governor, Charles La Trobe visited the site and watched five men uncover 136 ounces of gold in one day. Mount Alexander was even richer than Ballarat. With gold sitting just under the surface, the shallowness allowed diggers to easily unearth gold nuggets. In 7 months, 2.4 million pounds of gold was transported from Mount Alexander to nearby capital cities.
The gold rushes caused a huge influx of people from overseas. Australia\'s total population more than tripled from 430,000 in 1851 to 1.7 million in 1871. Australia first became a multicultural society during the gold rush period. Between 1852 and 1860, 290,000 people migrated to Victoria from the British Isles, 15,000 came from other European countries, and 18,000 emigrated from the United States. Non-European immigrants, however, were unwelcome, especially the Chinese.
The Chinese were particularly industrious, with techniques that differed widely from the Europeans. This and their physical appearance and fear of the unknown led to them to being persecuted in a racist way that would be regarded as untenable today.
In 1855, 11,493 Chinese arrived in Melbourne. Chinese travelling outside of New South Wales had to obtain special re-entry certificates. In 1855, Victoria enacted the Chinese Immigration Act 1855, severely limiting the number of Chinese passengers permitted on an arriving vessel. To evade the new law, many Chinese were landed in the south-east of South Australia and travelled more than 400 km across country to the Victorian goldfields, along tracks which are still evident today.
In 1885, following a call by the Western Australian government for a reward for the first find of payable gold, a discovery was made at Halls Creek, sparking a gold rush in that state.

• Title : Nova Belgica Et Anglia Nova
• Date : 1635
  
• Size: 18 1/2in x 12in (470mm x 305mm)
• Condition: (A) Good Condition
• Ref:  16385

Description:
This original copper-plate engraved antique half right hand page map of New England & NE America by Joan Blaeu was published in the 1635 German edition of Atlas Novus.
This is the right hand, cartouche title section of this important map.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 18 1/2in x 12in (470mm x 305mm)
Plate size: - 15 1/2in x 10in (395mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Soiling, small worm hole top right margin
Plate area: - Light soiling, 4 small worm holes
Verso: - Light soiling

Background:
This important map was one of the most attractive of the Americas published at the time. It is noted for the fact that its primary source is the first manuscript figurative map of Adriaen Block from 1614. Indeed it is the first full representation of it in print. It is one of the earliest to name Nieu Amsterdam. Block, a Dutch fur trader, explored the area between Cape Cod and Manhattan, examining the bays and rivers along the way. This helped to create an accurate picture of the longitudinal scale of the coastline. His manuscript map is the first document to delineate an insular Manhattan; it also provides the earliest appearance of Manhates and Niev Nederland.
It has been noted that the time difference between 1614, the date of the manuscript, and Blaeus map whose first appearance is in 1635, appears long for such an important advance. It would seem highly feasible that Blaeu, who published many separately issued maps, would have wanted to produce one like this sooner. However, evidence points to the fact that it could not have been made before 1630. The Stokes Collection in New York possesses an example of the map on thicker paper without text on the reverse which could well be a proof issue of some kind.
There are features on Blaeus map that differ from the Block chart. Some of these could be accounted for by the fact that the surviving figurative map is not the original, and that the copyist omitted some place names that are referred to in the text of de Laets work. Block drew on Champlains map of 1612 for the depiction of the lake named after him, but it is here called Lacus Irocoisiensis. … The lack of interrelation between the Dutch or English colonies and the French, led for some time to the eastward displacement of this lake when its true position would be north of the Hudson River.
Some nomenclature has its origins in Blaeus second Paskaert of c.1630, and others, such as Manatthans, in de Laet. The colony of Nieu Pleimonth is identified. This and other English names along that part of the coast are largely derived from Smith\\\'s New England, 1616. Cape Cod is here improved over the Block manuscript by being reconnected to the mainland, the narrow strait having been removed. The coastline between here and Narragansett Bay, which can be clearly recognized, is not so accurate. Adriaen Blocx Eylandt leads us to the Versche Rivier, or Connecticut River, which Block ascended as far as was possible. t Lange Eyland is named; however, it is incorrectly too far east, being applied to what is possibly Fishers Island. De Groote bay marks Long Island Sound. The Hudson River is still not named as such, but is littered with Dutch settlements, and the failed Fort Nassau is here depicted renamed as Fort Orange. He does, however, improve on the direction of its flow. Blaeu separates the sources of the Hudson and Delaware Rivers which had been causing some confusion. Nieu Amsterdam is correctly marked as a fort at the tip of an island separated on the east side by Hellegat, or the East River. The coastline south of Sandy Hook also shows signs of improvement.
The whole map is adorned by deer, foxes, bears, egrets, rabbits, cranes and turkeys. Beavers, polecats and otters appear on a printed map for the first time. The Mohawk Indian village top right is derived from the de Bry-White engravings.

• Title : Victoria The Gold Districts are coloured (sic yellow)
• Date : 1855
  
• Size: 17 1/2in x 12 1/2in (445mm x 320mm)
• Condition: (A+) Fine Condition
• Ref:  27096

Description:
This large hand coloured & scarce antique lithograph Goldfields Map of Victoria, Australia (with an inset map of the Mt Alexander & Castlemaine regions) by John Bartholomew was published in the 1855 edition of A & C Blacks General Atlas of The World

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Green, yellow, pink
General color appearance: - Authentic
Paper size: - 17 1/2in x 12 1/2in (445mm x 320mm)
Plate size: - 17 1/2in x 12 1/2in (445mm x 320mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The first gold rush in Australia began in May 1851 after prospector Edward Hargraves claimed to have discovered payable gold near Orange, at a site he called Ophir. Hargraves had been to the Californian goldfields and had learned new gold prospecting techniques such as panning and cradling. Hargraves was offered rewards by the Colony of New South Wales and the Colony of Victoria. Before the end of the year, the gold rush had spread to many other parts of the state where gold had been found, not just to the west, but also to the south and north of Sydney.
The Australian gold rushes changed the convict colonies into more progressive cities with the influx of free immigrants. These hopefuls, termed diggers, brought new skills and professions, contributing to a burgeoning economy. The mateship that evolved between these diggers and their collective resistance to authority led to the emergence of a unique national identity. Although not all diggers found riches on the goldfields, many decided to stay and integrate into these communities.
In July 1851, Victoria\'s first gold rush began on the Clunes goldfield. In August, the gold rush had spread to include the goldfield at Buninyong (today a suburb of Ballarat) 45 km (28 m) away and, by early September 1851, to the nearby goldfield at Ballarat (then also known as Yuille\'s Diggings) followed in early September to the goldfield at Castlemaine (then known as Forest Creek and the Mount Alexander Goldfield) and the goldfield at Bendigo (then known as Bendigo Creek) in November 1851. Gold, just as in New South Wales, was also found in many other parts of the state. The Victorian Gold Discovery Committee wrote in 1854:
The discovery of the Victorian Goldfields has converted a remote dependency into a country of world wide fame; it has attracted a population, extraordinary in number, with unprecedented rapidity; it has enhanced the value of property to an enormous extent; it has made this the richest country in the world; and, in less than three years, it has done for this colony the work of an age, and made its impulses felt in the most distant regions of the earth.
When the rush began at Ballarat, diggers discovered it was a prosperous goldfield. Lieutenant-Governor, Charles La Trobe visited the site and watched five men uncover 136 ounces of gold in one day. Mount Alexander was even richer than Ballarat. With gold sitting just under the surface, the shallowness allowed diggers to easily unearth gold nuggets. In 7 months, 2.4 million pounds of gold was transported from Mount Alexander to nearby capital cities.
The gold rushes caused a huge influx of people from overseas. Australia\'s total population more than tripled from 430,000 in 1851 to 1.7 million in 1871. Australia first became a multicultural society during the gold rush period. Between 1852 and 1860, 290,000 people migrated to Victoria from the British Isles, 15,000 came from other European countries, and 18,000 emigrated from the United States. Non-European immigrants, however, were unwelcome, especially the Chinese.
The Chinese were particularly industrious, with techniques that differed widely from the Europeans. This and their physical appearance and fear of the unknown led to them to being persecuted in a racist way that would be regarded as untenable today.
In 1855, 11,493 Chinese arrived in Melbourne. Chinese travelling outside of New South Wales had to obtain special re-entry certificates. In 1855, Victoria enacted the Chinese Immigration Act 1855, severely limiting the number of Chinese passengers permitted on an arriving vessel. To evade the new law, many Chinese were landed in the south-east of South Australia and travelled more than 400 km across country to the Victorian goldfields, along tracks which are still evident today.
In 1885, following a call by the Western Australian government for a reward for the first find of payable gold, a discovery was made at Halls Creek, sparking a gold rush in that state.

• Title : Victoria. New South Wales and South Australia...Gold Deposits..
• Date : 1855
  
• Size: 17 1/2in x 12 1/2in (445mm x 320mm)
• Condition: (A+) Fine Condition
• Ref:  27097

Description:
This large hand coloured & scarce antique lithograph Goldfields Map of South Eastern Australia by John Bartholomew was published in the 1855 edition of A & C Blacks General Atlas of The World

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Green, yellow, pink
General color appearance: - Authentic
Paper size: - 17 1/2in x 12 1/2in (445mm x 320mm)
Plate size: - 17 1/2in x 12 1/2in (445mm x 320mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The first gold rush in Australia began in May 1851 after prospector Edward Hargraves claimed to have discovered payable gold near Orange, at a site he called Ophir. Hargraves had been to the Californian goldfields and had learned new gold prospecting techniques such as panning and cradling. Hargraves was offered rewards by the Colony of New South Wales and the Colony of Victoria. Before the end of the year, the gold rush had spread to many other parts of the state where gold had been found, not just to the west, but also to the south and north of Sydney.
The Australian gold rushes changed the convict colonies into more progressive cities with the influx of free immigrants. These hopefuls, termed diggers, brought new skills and professions, contributing to a burgeoning economy. The mateship that evolved between these diggers and their collective resistance to authority led to the emergence of a unique national identity. Although not all diggers found riches on the goldfields, many decided to stay and integrate into these communities.
In July 1851, Victoria\'s first gold rush began on the Clunes goldfield. In August, the gold rush had spread to include the goldfield at Buninyong (today a suburb of Ballarat) 45 km (28 m) away and, by early September 1851, to the nearby goldfield at Ballarat (then also known as Yuille\'s Diggings) followed in early September to the goldfield at Castlemaine (then known as Forest Creek and the Mount Alexander Goldfield) and the goldfield at Bendigo (then known as Bendigo Creek) in November 1851. Gold, just as in New South Wales, was also found in many other parts of the state. The Victorian Gold Discovery Committee wrote in 1854:
The discovery of the Victorian Goldfields has converted a remote dependency into a country of world wide fame; it has attracted a population, extraordinary in number, with unprecedented rapidity; it has enhanced the value of property to an enormous extent; it has made this the richest country in the world; and, in less than three years, it has done for this colony the work of an age, and made its impulses felt in the most distant regions of the earth.
When the rush began at Ballarat, diggers discovered it was a prosperous goldfield. Lieutenant-Governor, Charles La Trobe visited the site and watched five men uncover 136 ounces of gold in one day. Mount Alexander was even richer than Ballarat. With gold sitting just under the surface, the shallowness allowed diggers to easily unearth gold nuggets. In 7 months, 2.4 million pounds of gold was transported from Mount Alexander to nearby capital cities.
The gold rushes caused a huge influx of people from overseas. Australia\'s total population more than tripled from 430,000 in 1851 to 1.7 million in 1871. Australia first became a multicultural society during the gold rush period. Between 1852 and 1860, 290,000 people migrated to Victoria from the British Isles, 15,000 came from other European countries, and 18,000 emigrated from the United States. Non-European immigrants, however, were unwelcome, especially the Chinese.
The Chinese were particularly industrious, with techniques that differed widely from the Europeans. This and their physical appearance and fear of the unknown led to them to being persecuted in a racist way that would be regarded as untenable today.
In 1855, 11,493 Chinese arrived in Melbourne. Chinese travelling outside of New South Wales had to obtain special re-entry certificates. In 1855, Victoria enacted the Chinese Immigration Act 1855, severely limiting the number of Chinese passengers permitted on an arriving vessel. To evade the new law, many Chinese were landed in the south-east of South Australia and travelled more than 400 km across country to the Victorian goldfields, along tracks which are still evident today.
In 1885, following a call by the Western Australian government for a reward for the first find of payable gold, a discovery was made at Halls Creek, sparking a gold rush in that state.

• Title : Australia...Gold Areas marked thus....
• Date : 1855
  
• Size: 24in x 17 1/2in (610mm x 445mm)
• Condition: (A+) Fine Condition
• Ref:  50227

Description:
This large hand coloured & scarce antique lithograph Goldfields Map of Australia by John Bartholomew was published in the 1855 edition of A & C Blacks General Atlas of The World

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Green, yellow, pink
General color appearance: - Authentic
Paper size: - 24in x 17 1/2in (610mm x 445mm)
Plate size: - 24in x 17 1/2in (610mm x 445mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The first gold rush in Australia began in May 1851 after prospector Edward Hargraves claimed to have discovered payable gold near Orange, at a site he called Ophir. Hargraves had been to the Californian goldfields and had learned new gold prospecting techniques such as panning and cradling. Hargraves was offered rewards by the Colony of New South Wales and the Colony of Victoria. Before the end of the year, the gold rush had spread to many other parts of the state where gold had been found, not just to the west, but also to the south and north of Sydney.
The Australian gold rushes changed the convict colonies into more progressive cities with the influx of free immigrants. These hopefuls, termed diggers, brought new skills and professions, contributing to a burgeoning economy. The mateship that evolved between these diggers and their collective resistance to authority led to the emergence of a unique national identity. Although not all diggers found riches on the goldfields, many decided to stay and integrate into these communities.
In July 1851, Victoria\'s first gold rush began on the Clunes goldfield. In August, the gold rush had spread to include the goldfield at Buninyong (today a suburb of Ballarat) 45 km (28 m) away and, by early September 1851, to the nearby goldfield at Ballarat (then also known as Yuille\'s Diggings) followed in early September to the goldfield at Castlemaine (then known as Forest Creek and the Mount Alexander Goldfield) and the goldfield at Bendigo (then known as Bendigo Creek) in November 1851. Gold, just as in New South Wales, was also found in many other parts of the state. The Victorian Gold Discovery Committee wrote in 1854:
The discovery of the Victorian Goldfields has converted a remote dependency into a country of world wide fame; it has attracted a population, extraordinary in number, with unprecedented rapidity; it has enhanced the value of property to an enormous extent; it has made this the richest country in the world; and, in less than three years, it has done for this colony the work of an age, and made its impulses felt in the most distant regions of the earth.
When the rush began at Ballarat, diggers discovered it was a prosperous goldfield. Lieutenant-Governor, Charles La Trobe visited the site and watched five men uncover 136 ounces of gold in one day. Mount Alexander was even richer than Ballarat. With gold sitting just under the surface, the shallowness allowed diggers to easily unearth gold nuggets. In 7 months, 2.4 million pounds of gold was transported from Mount Alexander to nearby capital cities.
The gold rushes caused a huge influx of people from overseas. Australia\'s total population more than tripled from 430,000 in 1851 to 1.7 million in 1871. Australia first became a multicultural society during the gold rush period. Between 1852 and 1860, 290,000 people migrated to Victoria from the British Isles, 15,000 came from other European countries, and 18,000 emigrated from the United States. Non-European immigrants, however, were unwelcome, especially the Chinese.
The Chinese were particularly industrious, with techniques that differed widely from the Europeans. This and their physical appearance and fear of the unknown led to them to being persecuted in a racist way that would be regarded as untenable today.
In 1855, 11,493 Chinese arrived in Melbourne. Chinese travelling outside of New South Wales had to obtain special re-entry certificates. In 1855, Victoria enacted the Chinese Immigration Act 1855, severely limiting the number of Chinese passengers permitted on an arriving vessel. To evade the new law, many Chinese were landed in the south-east of South Australia and travelled more than 400 km across country to the Victorian goldfields, along tracks which are still evident today.
In 1885, following a call by the Western Australian government for a reward for the first find of payable gold, a discovery was made at Halls Creek, sparking a gold rush in that state.

• Title : America Septentrionalis a domino d Anville in Galiis edita nunc in Anglia coloniis in interiorem Virginiam deductis nec non fluvii Ohio cursu aucta notisq geographicis et historicis illustrata.....1756
• Ref #:  27018
• Size: 24in x 21in (610mm x 535mm)
• Date : 1756
• Condition: (A) Very Good Condition

Description:
This original hand coloured copper-plate engraved antique 1st edition map of the Colonial United States, at the beginning of the French-Indian war, was engraved in 1756 - dated in cartouche - by the Homann firm, Germany.
This map has original margins and colour on heavy clean sturdy paper.

First edition Homann map of the English Colonies in North America prior to the start of the French and Indian War. The map stretches just west of the Mississippi River to the east and from James Bay through the Great Lakes to the Gulf of Mexico. Although most of the text is in German, there is also much in English, including numerous place named annotations associated the French and Indian War, such as the locations of Fort Duquesne and Fort Necessity, both taken by the French in 1754. Thus although the cartographer credits D Anville for the basic cartography, it is clear he is drawing from English, not French, sources. Bottom right and upper left are notes offering the history of North America.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original & later
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 24in x 21in (610mm x 535mm)
Plate size: - 21in x 19in (535mm x 480mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light staining in lower margins, bottom margin centerfold rejoined with transparent archival tape
Plate area: - Light age toning along centerfold
Verso: - None

Background:
The French and Indian War (1754–63) comprised the North American theatre of the worldwide Seven Years War of 1756–63. It pitted the colonies of British America against those of New France. Both sides were supported by military units from their parent countries, as well as by American Indian allies. At the start of the war, the French North American colonies had a population of roughly 60,000 settlers, compared with 2 million in the British North American colonies. The outnumbered French particularly depended on the Indians. The European nations declared war on one another in 1756 following months of localized conflict, escalating the war from a regional affair into an intercontinental conflict.
The name French and Indian War is used mainly in the United States. It refers to the two enemies of the British colonists, the royal French forces and their various American Indian allies. The British colonists were supported at various times by the Iroquois, Catawba, and Cherokee, and the French colonists were supported by Wabanaki Confederacy members Abenaki and Mikmaq, and Algonquin, Lenape, Ojibwa, Ottawa, Shawnee, and Wyandot.
British and other European historians use the term the Seven Years War, as do English-speaking Canadians. French Canadians call it La guerre de la Conquête (the War of the Conquest) or (rarely) the Fourth Intercolonial War.
Fighting took place primarily along the frontiers between New France and the British colonies, from Virginia in the south to Newfoundland in the north. It began with a dispute over control of the confluence of the Allegheny River and Monongahela River called the Forks of the Ohio, and the site of the French Fort Duquesne in Pittsburgh, Pennsylvania. The dispute erupted into violence in the Battle of Jumonville Glen in May 1754, during which Virginia militiamen under the command of 22-year-old George Washington ambushed a French patrol.
In 1755, six colonial governors in North America met with General Edward Braddock, the newly arrived British Army commander, and planned a four-way attack on the French. None succeeded, and the main effort by Braddock proved a disaster; he lost the Battle of the Monongahela on July 9, 1755 and died a few days later. British operations failed in the frontier areas of Pennsylvania and New York during 1755–57 due to a combination of poor management, internal divisions, effective Canadian scouts, French regular forces, and Indian warrior allies. In 1755, the British captured Fort Beauséjour on the border separating Nova Scotia from Acadia, and they ordered the expulsion of the Acadians (1755–64) soon afterwards. Orders for the deportation were given by William Shirley, Commander-in-Chief, North America, without direction from Great Britain. The Acadians were expelled, both those captured in arms and those who had sworn the loyalty oath to His Britannic Majesty. Indians likewise were driven off the land to make way for settlers from New England.
The British colonial government fell in the region of modern Nova Scotia after several disastrous campaigns in 1757, including a failed expedition against Louisbourg and the Siege of Fort William Henry; this last was followed by Indians torturing and massacring their British victims. William Pitt came to power and significantly increased British military resources in the colonies at a time when France was unwilling to risk large convoys to aid the limited forces that they had in New France, preferring to concentrate their forces against Prussia and its allies in the European theater of the war. Between 1758 and 1760, the British military launched a campaign to capture the Colony of Canada (part of New France). They succeeded in capturing territory in surrounding colonies and ultimately the city of Quebec (1759). The British later lost the Battle of Sainte-Foy west of Quebec (1760), but the French ceded Canada in accordance with the Treaty of Paris (1763).
The outcome was one of the most significant developments in a century of Anglo-French conflict. France ceded to Great Britain its territory east of the Mississippi. It ceded French Louisiana west of the Mississippi River (including New Orleans) to its ally Spain in compensation for Spains loss to Britain of Florida. (Spain had ceded Florida to Britain in exchange for the return of Havana, Cuba.) Frances colonial presence north of the Caribbean was reduced to the islands of Saint Pierre and Miquelon, confirming Great Britains position as the dominant colonial power in eastern North America.

Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.

• Title : The Theatre of the Empire of Great Britaine, A Prospect of the most famous Parts of the World by John Speed...London Thomas Bassett and Richard Chiswell 1676; The Achievement of our Soveraigne King Charles the 11D.
• Date : 1676
• Size: 22 1/2in x 17 1/2in (570mm x 445mm)
• Ref #:  42005/42006
• Condition: (A+) Fine Condition
• Price: $1250.00US

Description:
This original beautifully hand coloured, copper plate engraved antique Title and Dedication Pages was published for the 1676 edition of John Speeds double atlas The Theatre of the Empire of Great Britaine & Atlas A Prospect of the most Famous Parts of the World printed by Thomas Bassett and Richard Chiswell, London.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Later
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22 1/2in x 17 1/2in (570mm x 445mm)
Plate size: - 15 1/4in x 9 3/4in (385mm x 250mm) each
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light age toning
Plate area: - Light age toning
Verso: - Light age toning

Background:
John Speeds The Theatre of the Empire of Great Britaine was published in 1610/11 by John Sudbury and George Humble, and contained the first set of individual county maps of England and Wales besides maps of Ireland and a general map of Scotland. Most, but not all, of the county maps have town plans on them; those showing a Scale of Passes being the places he had mapped himself. The county maps were the first consistent attempt to show territorial divisions, such as boundaries of hundreds, but it was Speed’s town plans that were a major innovation and probably his greatest contribution to British cartography. The Theatre was an immediate success: the first print run of around 500 copies must have sold quickly because many editions followed. Sudbury and Humble realized, given the increasing popularity of both county and world atlases and in the light of the success of Abraham Ortelius’s Theatrum Orbis Terrarum, the potential demand for an English world atlas.

In 1627, two years before his death, Speed published Prospect of the Most Famous Parts of the World with 21 finely engraved maps, which was the first world atlas produced by an Englishman. There is a fascinating text describing the areas shown on the back of the maps in English, although a rare edition of 1616 of the British maps has a Latin text – this is believed to have been produced for the Continental market. Its maps are famous for their bordering panels of national characters in local costume and panoramic views depicting the areas of major towns and cities. Much of the engraving was done in Amsterdam at the workshop of Jodocus Hondius. The maps of the world and America show California as an island and are amongst the earliest ever printed to depict this seventeenth-century cartographic myth.

• Title : Nova Anglia Novvm Belgium et Virginia
• Date : 1639
• Condition: (A+) Fine Good Condition
• Ref:  43134
• Size: 22 1/2in x 19 1/2in (570mm x 495mm)

Description:
This beautifully hand coloured, important original antique map of the north east regions of the United States from Virginia, Chesapeake Bay, to New York & New England by Jan Jansson was published in the 1639 French edition of the Jansson, Hondius Atlas.
A beautiful map with sturdy, clean paper original wide margins and beautiful original hand colouring.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, pink, red, green, yellow
General color appearance: - Authentic
Paper size: - 22 1/2in x 19 1/2in (570mm x 495mm)
Plate size: - 20in x 15 1/2in (535mm x 395mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light toning on margin edges
Plate area: - Very light offsetting
Verso: - None

Background:
A beautiful original 17th map of Virginia, New York and New England which was derived from the less well circulated Johannes de Laet map of 1630. This version is enlarged and expanded to the north and slightly east, with de Laets narrative on the verso (De Laets map is one of extreme importance, being the first printed to use the namesManbattes (Manhattan) and N. Amsterdam)
The nomenclature on this map is virtually identical to the De Laet map, with the few minor differences most likely owing to the engravers error. C of Feare is still depicted over 2° too far south. This is not Cape Fear we know of today but actually Cape lookout.
During the fiercely competitive decade of the 1630's the families of Blaeu and Jansson produced maps drawn directly from one another. Here, however, Jansson produces one that was not followed by Blaeu, relying upon the more restricted map of Nova Belgica to represent the land north of Chesapeake Bay. A sign of the Dutch influence here is that both atlas producers largely declined to include the advanced cartography of Champlain, thereby relegating it altogether.
There are three know states of this map, the first one published in 1636 - entitled Nova Anglia Novvm Belgium et Virginia.
The second edition in which the title of the map was changed to Nova Belgium et Anglia Nova (to give more weight to Dutch claims in North America) within a new square cartouche was first published in 1647.
State 3 was published in 1694 by Schenk & Valk which included new regional demarcation and a latitude and longitude grid. (Ref: Koeman; M&B; Tooley; Burden; AMPR)

• Title : Nova Anglia Novvm Belgium et Virginia
• Date : 1639
• Condition: (A+) Fine Condition
• Ref:  93508
• Size: 23in x 19in (585mm x 485mm)

Description:
This magnificent original copper plate engraved antique landmark 1st edition map of the NE region of North America, the original colonial states from Virginia to New England, was published in the 1639 French edition of Mercators Atlas
A magnificent early map of NE North America published only 19 years after the landing of the Pilgrims at Plymouth Rock, Massachusetts.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, pink, red, green, yellow
General color appearance: - Authentic
Paper size: - 23in x 19in (585mm x 485mm)
Plate size: - 20in x 15 1/4in (505mm x 384mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - Age toning, old archival tape on verso

Background:
This influential map is derived from the less well circulated Johannes de Laet map of 1630. Enlarged and expanded to the north and slightly east, it carries de Laets narrative on the reverse. De Laets map is one of extreme importance, being the first printed to use the names Manbattes (Manhattan) and N. Amsterdam. The nomenclature is virtually identical, with the few minor differences most likely owing to the engravers error. C of Feare is still depicted over 2° too far south. This is not Cape Fear we know of today but actually Cape lookout.
During the fiercely competitive decade of the 1630s the families of Blaeu and Hondius - Jansson of ten produced maps drawn directly from one another. Here, however, Jansson produces one that was not followed by Blaeu, the latter relying upon the more restricted map of Nova Belgica to represent the land north of Chesapeake Bay. A sign of the Dutch influence here is that both atlas producers largely declined to include the advanced cartography of Champlain, thereby relegating it altogether.
There are three know states of this map, this one first published in 1636, the second edition was published in 1647 renamed Nova Belgica Et Anglia Nova within a new square cartouche. State 3 was published in 1694 by Schenk & Valk which included new regional demarcation and a latitude and longitude grid. (Ref: Koeman; M&B; Tooley; Burden)

• Title :
  1. The Commonwealth of Virginia
  2. Fairfax County Va April 15th 1861.
  3. State of West Virginia Green brier co. June 11th 1866.
  4. United States Stamp for Special Tax Internal Revenue.
• Date : 1851-1891
  
• Size: Please view description below
• Condition: (A) Good Condition
• Ref:  27090

Description:
We have on offer a group of 4 original antique documents, three of which relate directly to Virginia and the American Civil War dated 1851,1861, 1866. The first two documents concern Fontaine Beckham & Mottrom Dulany Ball with the third relating to Daniel Coffman. These three are very interesting and scarce items.
The fourth document relates to the Internal Revenue Service in 1891. Details, descriptions and conditions below.

1. Printed court summons signed by Fontaine Beckham (1788-1859) as justice of the peace, Jefferson County, Virginia, 8 January 1851. Printed sheet completed in manuscript, signed 'F Beckham'.
Fontaine Beckham was mayor of Harpers Ferry during the raid by John Brown in 1859 with Beckham infamously shot and killed during the raid, making him possibly one of the first casualties of the American Civil War.
Condition: Mounted on red-velvet-covered thick card mount, sheet torn at lower right-hand corner not affecting text. Condition Good. - 7in x 53/4in (18 x 14.6 cm)
Fontaine Beckham (1788-1859) was mayor of Harpers Ferry, Virginia, and local agent for the Baltimore and Ohio Railroad. He was shot and killed in the famous raid on the small outpost by abolitionist John Brown, today seen as a major event in the build-up to the American Civil War.
...... Beckham was the most prominent man killed during John Brown's raid on Harpers Ferry, being the town's mayor, a county magistrate (in which capacity he signs this document), and a station agent for the B & O Railroad. Despite being a slave owner himself, Beckham was quite well-liked and considered by most to be a friend and benefactor of black men. He maintained a close friendship with his former slave Heyward Shepard, who also died during the raid.. After Shepard's death, some accounts state the mayor exposed himself to fire due to his clouded judgment. After Beckham's death, the infuriated town's people seized one of John Brown's imprisoned men, riddling his body with bullets. Yet Beckham's death also resulted in the only lasting freeing of slaves accomplished by the raid, as his will stipulated the freeing of five of his slaves......)

2. Manuscript receipt for the purchase of 'negro slaves Dennis and Belinda', Fairfax County, Virginia, signed by a member of a prominent local family, Mrs. M C(sic) Ball, dated 15 April 1861. We believe this to a transaction by Mary Ball, the mother of the first Governor of Alaska, Mottrom Dulany Ball, who at the time was have been fighting for the confederacy. The verso of the receipt is marked for Dulany, (as he was sometimes known) who would have been considered the head of the family after the death of his farther in 1859. Single bifolium of heavy woven paper, 10 lines, written on one side only, conjugate leaf docketed 'Dulany'
Condition: Damp-stained, creased from folding, loss to upper inner corner. Although stained the parchment is stable and heavy. Condition Good.
- 7 1/2in x 53/4in (18.2 x 13.8 cm)
Mottrom Dulany Ball, of Fairfax County, Fairfax Court House, and Alexandria, Virginia, was a musician, poet, teacher, lawyer, soldier and a founding father of the State of Alaska. Mottrom Dulany Ball, who was known variously as Mott, M.Dulany, or M.D., was born at Oak Mount, the home of his grandfather, Daniel French Dulany, in Fairfax County, Virginia on June 23, 1835.
Mott was the son of Spencer Mottrom Ball and Mary L. Dulany. Both parents were from prominent Virginia families. President George Washington is included among their many distinguished relatives. Mott’s early years were spent at his grandfather, Mottrom Ball’s, plantation, Woodberry, near Lewinsville, Fairfax County, Virginia. The elder Mottrom Ball was a physician who was educated at the University of Glasgow, in Scotland. TheBall family estate, Woodberry, consisted of 1,200 acres of land, rectangular in shape, extending north from the Lewinsville Presbyterian Church all the way to the to the Potomac River. 2, 3 The extensive plantation included a grist mill, Ball’s Mill, which stood on Scott’s Run. The location is today known as Swink’s Mill.4 Modern day Ball’s Hill Road traces the path of a farm road which ran through the center of Woodberry ending at the family home, Elmwood, on Ball’s Hill, also known as Prospect Hill, just south of Georgetown Pike.5 Politically, Mott’s father, Spencer Mottrom Ball, was an Anti-Jacksonian. As the name implies, this party was opposed to the authoritarian policies of President Andrew Jackson and his Democratic party. Several anti-Jacksonian factions came together to form the Whig party in 1834. Whigs supported the supremacy of Congress over the presidency.....)

3. Contemporary manuscript copy of two affidavits, one the same sheet, confirming Daniel Coffman to have been a loyal man during the rebelion [sic]', Greenbrier County, West Virginia, 1866.
Single sheet of lined paper written recto only, small embossed stamp depicting the Capitol Building and with text 'Congress' various inconsistencies in spelling.
Condition: Old folds, central fold just splitting at head, nicked along inner edge. Condition Good.
- 9in x 7in (23.5 x 17.8 cm)
First affidavit.
State of West Virginia Greenbrier Co. June 1866.
Personelly (sic) apparent before me a justice of the Peace John Sydenrtrleker (sic) and made oath that he knew Daniel Coffman to have been a loyal man during the rebellion and consider him the same use (sic) to this time Signed and sworn to before me in my township of fort spring this june 11th 1866...D Coffman JPS.....
Second affidavit.
State of West Virginia Greenbrier Co. June 1866.
Personell (sic) apparent before me a justice of the Peace H H Brackman and made oath that he knew Daniel Coffman to have been a loyal man during the rebellion and he invest (sic) himself the same now and I believe what he said to me
Signed and sworn to befor (sic) me in my township of fort spring...D Coffman JPS.....
The Coffman family have lived in Greenbrier county since the Rev Isaac Coffman 1741 - 1824, buried in the Coffman Cemetery, Ronceverte, West Virginia.

4. Internal Revenue receipt 'for special tax on the business of retail liquor dealer', paid by R. D. Burns of Lynchburg, Virginia, 9 December 1891 Engraved receipt in red and black, completed in manuscript.
Condition: Aged, small hole to lower left, upper right corner chipped. Condition Good. - 9 3/4in x 7 1/4in (24.5 x 18 cm)

General Definitions:
Please view description above

Imperfections:
Please view description above

• Title : Carte Particuliere De La Cote Occidentale De L'Afrique Depusi le Cap Blanc jusqu'au Cap De Verga et du Cours Des Rivieres De Senega et de Gambie . .MDCCLI
• Ref #:  22009
• Size: 42in x 33in (1.07m x 840mm)
• Date : 1751
• Condition: (A+) Fine Condition

Description: 
This very large finely engraved, highly detailed original antique map of of the west coast of Africa covering Gambia and Senegal was engraved in 1751 - dated in the tile cartouche - and was published in Jean-Baptiste Bourguinon D'Anville's large elephant folio atlas Atlas Generale.

Description: D' Anville's maps have a clarity and a directness that is very 'modern'. He incorporated as much known information into his maps as he could. Map extent is from Cap Blanc in the north to Cap de Verga in the south.

Being part of the Mediterranean world, the northern coasts of the African continent as far as the Straits of Gibraltar and even round to the area of the Fortunate Isles (the Canaries) were reasonably well known and quite accurately mapped from ancient times. In particular, Egypt and the Nile Valley were well defined and the Nile itself was, of course, one of the rivers separating the continents in medieval T-O maps. Through Arab traders the shape of the east coast, down the Red Sea as far as the equator, was also known but detail shown in the interior faded into deserts with occasional mountain ranges and mythical rivers. The southern part of the continent, in the Ptolemaic tradition, was assumed to curve to the east to form a land-locked Indian Ocean. The voyages of the Portuguese, organized by Henry the Navigator in the fifteenth century, completely changed the picture and by the end of the century Vasco da Gama had rounded the Cape enabling cartographers to draw a quite presentable coastal outline of the whole continent, even if the interior was to remain largely unknown for the next two or three centuries.
The first separately printed map of Africa (as with the other known continents) appeared in Munster's Geographia from 1540 onwards and the first atlas devoted to Africa only was published in 1588 in Venice by Livio Sanuto, but the finest individual map of the century was that engraved on 8 sheets by Gastaldi, published in Venice in 1564. Apart from maps in sixteenth-century atlases generally there were also magnificent marine maps of 1596 by Jan van Linschoten (engraved by van Langrens) of the southern half of the continent with highly imaginative and decorative detail in the interior. In the next century there were many attractive maps including those of Mercator/Hondius (1606), Speed (1627), Blaeu (1 630), Visscher (1636), de Wit (c. 1670), all embellished with vignettes of harbours and principal towns and bordered with elaborate and colourful figures of their inhabitants, but the interior remained uncharted with the exception of that part of the continent known as Ethiopia, the name which was applied to a wide area including present-day Abyssinia. Here the legends of Prester John lingered on and, as so often happened in other remote parts of the world, the only certain knowledge of the region was provided by Jesuit missionaries. Among these was Father Geronimo Lobo (1595-1678), whose work A Voyage to Abyssinia was used as the basis for a remarkably accurate map published by a German scholar, Hiob Ludolf in 1683. Despite the formidable problems which faced them, the French cartographers G. Delisle (c. 1700-22), J. B. B. d'Anville (1727-49) and N. Bellin (1754) greatly improved the standards of mapping of the continent, improvements which were usually, although not always, maintained by Homann, Seutter, de Ia Rochette, Bowen, Faden and many others in the later years of the century. (Ref: Tooley, M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - White
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 42in x 33in (1.07m x 840mm)
Plate size: - 40 1/2in x 28in (1.02m x 710mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - Light text offsetting
Verso: - None

• Title : Le Colonie Unite dell' America Settentrle. di Nuova Projezione Ass. Ee. Li Signori Riformatori dello Studio di Padova. Venezia 1778, Presso Antonio Zatta, con Privilegio dell' Eccellentissimo Senato.
• Ref #:  93528
• Condition: (A+) Fine Condition
  
• Size: 52 1/2in x 51in (1.33m x 1.30m)
• Date : 1778

Description:
This impressive very large twelve-sheet joined, original hand coloured important antique map is Antonio Zattas version of John Mitchells 1755 landmark map of North America, published first in 1778. This map is one of a few to be released during the late 18th century copying Mitchells map, in an effort to explain the rapidly changing political & economic situation in North America. Zatta has included many additional notes relating to both the Treaty of 1763 and events in the Revolutionary War. Most importantly, it is the first printed map devoted to the thirteen states, and to use the a name distinguishing them from their previous status as British Colonies. The name United Colonies was used in the Declaration of Independence and was not officially replaced until the Articles of Confederation adopted the name The United States of America.
This is an incredibly important and rare map, especially joined, in excellent condition with original colour. With John Mitchells map is now almost now impossible to find, with the last known sale in 2011 of $175,000US, this map is now one of the few, of that period, that is avaialble.

Zatta published these twelve separate sheets of Mitchells Map of North America, plus three other maps: Il Canada, Le Isole di Terra Nuova e Capo Breton, and La Baja D Hudson in the atlas Atlante Novissimo published from 1779-1785, with a second edition of the Zatta/Mitchell map published in 1791. Zattas version does not cover the far western portions of Mitchells map stretching to the Mississippi. An image of Mitchells map has been included as a point of reference.
Because Mitchells map was immediately recognized as seminal, it was exceedingly popular. Events leading up to the American Revolution only increased that demand. During the midst of the colonists on-going struggle for liberation from England, Zatta published this version which included some additional place names and information on early battles of the American Revolution.
The maps of Venetian publisher Antonio Zatta are noteworthy for their fine craftsmanship and high aesthetics. He was probably the most important Italian map publisher of the late eighteenth century and is responsible for a large number of atlases and single maps of considerable aesthetic and scientific merit.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 52 1/2in x 51in (1.33m x 1.30m)
Plate size: - 49 1/2in x 49 1/4in (1.26m x 1.25m)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light creasing
Plate area: - Light creasing
Verso: - Light creasing

Background:
A Map of the British and French Dominions in North America by John Mitchell Map is a landmark map by John Mitchell (1711–1768), which was reprinted several times during the second half of the 18th century, in France, Italy & Germany. The Mitchell Map was used as a primary map source during the Treaty of Paris for defining the boundaries of the newly independent United Colonies. The Mitchell Map is the most comprehensive map of eastern North America made during the colonial era, measuring 6.5 feet (2.0 m) wide by 4.5 feet (1.4 m) high.
Mitchell started compiling a first draught map in 1750 from information acquired in London, both in official & private archives. This proved to be inadequate & George Montagu-Dunk, 2nd Earl of Halifax, accordingly ordered the governors of the 13 British colonies to survey and compile new maps, which most did. These became the basis, along with cartographical information of the French geographer Guillaume Delisle, of his landmark map. Late in 1754, Halifax was using one manuscript copy of Mitchells second map to successfully promote his political position (no compromise with the French) within the British cabinet in the build-up to the Seven Years War, also know as the French and Indian War. Halifax also permitted Mitchell to have the map published: it appeared in April 1755, engraved by Thomas Kitchin and published by Andrew Millar.
The published map bore the title A Map of the British and French Dominions in North America. It bore the copyright date of 13 February 1755, but the map was probably not sold to the public until April or even May. Minor corrections to the maps printing plates were made probably during the printing process (for example, the name and address of the publisher were corrected).
The geographer John Green criticized Mitchell and his map soon after it appeared, emphasizing two failings with respect to Nova Scotia (an area of particular dispute with the French). Mitchell, Green noted, had used neither the astronomical observations for latitude and longitude made by Marquis Joseph Bernard de Chabert in the 1740s nor a 1715 chart of the Nova Scotia coast. In response, Mitchell released a new version of his map, now with two large blocks of text that described all of his data sources; the new version of the map also adjusted the coastline in line with Chaberts work but rejected the 1715 chart as deeply flawed. This version of the map, which Mitchell referred to as the second edition, is commonly thought to have appeared sometime in 1757, but advertisements in the (London) Public Advertiser and Gazetteer and London Daily Advertiser on 23 April 1756 clearly indicate that this new map appeared at that time.
Mitchells map was printed in eight sheets; when assembled, it measures 136 cm by 195 cm (4 feet 6 inches by 6 feet 5 inches; height x width). The initial impressions printed in 1755 have a consistent coloring outlining British colonial claims. Mitchell extended the southern colonies across the entire continent, even over established Spanish territory west of the Mississippi. Mitchell divided up the Iroquois territories (as he understood them, reaching from Lake Champlain [Lac Irocoisia] to the Mississippi, and north of Lake Superior) between Virginia and New York, leaving only a much-reduced territory to the French.
Mitchells map was expensive but it spawned many cheaper variants that trumpeted Halifax and Mitchells powerful colonial vision to the British public. One of these, published in December 1755 by a Society of Anti-Gallicans, restricted the French even further just to Quebec.

The map is liberally sprinkled with text describing and explaining various features, especially in regions that were relatively unknown or which were subject to political dispute. Many notes describe the natural resources and potential for settlement of frontier regions. Others describe Indian tribes. Many Indian settlements are shown, along with important Indian trails.
Since Mitchells main objective was to show the French threat to the British colonies, there is a very strong pro-British bias in the map, especially with regard to the Iroquois. The map makes clear that the Iroquois were not just allies of Britain, but subjects, and that all Iroquois land was therefore British territory. Huge parts of the continent are noted as being British due to Iroquois conquest of one tribe or another. French activity within the Iroquois claimed lands is noted, explicitly or implicitly, as illegal.
In cases where the imperial claims of Britain and France were questionable, Mitchell always takes the British side. Thus many of his notes and boundaries seem like political propaganda today. Some of the claims seem to be outright falsehoods.
The Mitchell Map remained the most detailed map of North America available in the later eighteenth century. Various impressions (and also French copies) were used to establish the boundaries of the new United States of America by diplomats at the 1783 Treaty of Paris that ended the American Revolutionary War. The maps inaccuracies subsequently led to a number of border disputes, such as in Maine.[clarification needed] Its supposition that the Mississippi River extended north to the 50th parallel (into British territory) resulted in the treaty using it as a landmark for a geographically impossible definition of the border in that region. It was not until 1842, when the Webster-Ashburton Treaty resolved these inconsistencies with fixes such as the one that created Minnesotas Northwest Angle, that the U.S.–Canada border was clearly drawn from Maine to the Oregon Country.
Similarly, during the drafting of the Northwest Ordinance, the maps inaccuracy in depicting where an east–west line drawn through the southernmost point of Lake Michigan would intersect Lake Erie led to a long dispute over the Ohio–Michigan border that culminated in the Toledo War.

Zatta, Antonio fl. 1757-1797
Antonio Zatta was a prominent Italian editor, cartographer, and publisher. Little is known about his life beyond his many surviving published works. It is possible that he was born as early as 1722 and lived as late as 1804. He lived in Venice and his work flourished between 1757 and 1797. He is best known for his atlas, Atlante Novissimo (1779-1785), and for his prolific output of prints and books that were both precisely made and aesthetically pleasing. Zatta clearly had a large network from which to draw information; this is how he was able to publish the first glimpse of the islands visited by Captain Cook in the Atlante Novissimo.
Zattas maps are noteworthy for their fine craftsmanship and high aesthetics. His re-engraving and publication of John Mitchells famous map of North America A Map of the British and French Dominions in North America in 1778, is considered one of the best re-issues of this seminal, landmark map .
......He was probably the most important Italian map publisher of the late eighteenth century and is responsible for a large number of atlases and single maps of considerable aesthetic and scientific merit.... (Portinaro & Knirsch, The Cartography of North America, 1500-1800, p. 319).
Zatta was among the leaders in the eighteenth-century revival of fine printing in Italy and his choice of the text of Raynal to support his re-issue of Mitchells Map, is not surprising. Anne Palms Chalmers describes Zatta as a sardonic writer with the focus of a certain amount of political controversy (Venetian Book Design in the Eighteenth Century, The Metropolitan Museum of Art Bulletin, New Series, Vol. 29, No. 5, January 1971, pp. 226-235). Chalmers describes Zattas printing and design as harmonious in composition with ornament unified by style, quality of line, and tone of printing.

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