On Sale (6)
1699 Danckerts Antique Map of Germany & Central Europe Poland to France to Italy
- Title : Accuratissima Germaniae Tabula
- Ref #: 16295
- Size: 24in x 20 1/2in (610mm x 520mm)
- Date : 1699
- Condition: (A+) Fine Condition
Description:
This large beautifully hand coloured original antique map of central Europe - centering on the various German States but stretching from Poland in the east to France in the west and Venice to the south - by Justus Danckerts was published in 1699.
In the latter half of the fifteenth century Germany, though nominally still part of the Holy Roman Empire, was a fragmented land, split into a score of principalities and Imperial Cities, fiercely jealous of each other but having in common an extraordinary creative urge which produced builders of great churches and cathedrals, workers in stone and wood, metal engravers, painters and makers of scientific instruments, who were the envy of the world. Of all their achievements, the invention of movable-type printing was to have the most profound effect on human relationships. Printing industries soon grew up in many cities, including Nuremberg and Augsburg where wood engraving already flourished and which, with Basle and Strassburg, were also the centres of geographical knowledge. Not only were local and regional maps produced in considerable variety and quantity, but more particularly the geographers and mathematicians of Nuremberg are famous for their globes of the world, some of which are still preserved.
The most important map of the whole of Germany produced in this period was a manuscript dated c. 1464 by Nicholas Cusanus (Khryfts), Cardinal, humanist and scholar, friend of Toscanelli, the Italian geographer, and one of the most brilliant men of his day. The map covering Germany, Southern Scandinavia and the Baltic was printed in 1491, long after the author's death, and it served as a model for a similar map in the Nuremberg Chronicle. We have written in some detail in Chapter 4 of this famous book, first published in 1493, which contained a great number of woodcut views and maps, but as far as cartography is concerned the printing of Ptolemy's Geographia at Ulm in 1482 (and 1486) - the first edition with woodcut maps - was an event of the greatest importance. The most ambitious editions of the Ptolemy maps appeared in 1513 in Strassburg, containing not only maps of the ancient world but also twenty new ones, including one of the 'New World', based on the latest contemporary.
knowledge. This was produced under the guidance of Martin Waldseemuller, a German cartographer, at St Die' in Lorraine, at that time a noted centre of learning. Other editions followed in the years up to 1 541, overlapping with the newer work of Sebastian Mu'~nster, an eminent mathematician and linguist, who settled in Basle and whose prolific output of atlases and maps contained also many plans and views of the great cities of the time. These in turn were superseded by Braun and Hogenberg's Civitates Orbis Terrarumissued in Cologne between the years 1572 and 1618, which was one of the most famous publications of the period.
In the seventeenth century Dutch supremacy in map making and publishing overshadowed Germany no less than England and France and there was to be no revival until the foundation in Nuremberg about the year 1700 of the printing firm of J. B. Homann, whose business acumen started a resurgence of map publishing. He became a member of the Berlin Academy of Sciences and was appointed Geographer to the Emperor in 1715. The business was continued by his son, Johann Christoph, and was eventually bequeathed to the founder's son-in-law on condition that he continued the business under the name of Homann Heirs. Other notable publishing houses active during the century were run by Matthaus Seutter and Tobias Lotter in the rival city of Augsburg. (Ref: Tooley; M&B)
General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Yellow, green, red, brown.
General color appearance: - Authentic and fresh
Paper size: - 24in x 20 1/2in (610mm x 520mm)
Plate size: - 23in x 19 1/2in (585mm x 495mm)
Margins: - Min 1/2in (10mm)
Imperfections:
Margins: - None
Plate area: - None
Verso: - Bottom centerfold re-joined, no loss.
1845-63 John Gould Large Antique Print The Mammals of Australia - Tree Kangaroo
Antique Map
- Title : Dendrolagus Ursinus, Mull....H C Richter del et lith....C Hullmandel Imp.
- Ref #: 93441
- Size: 22in x 15in (560mm x 385mm)
- Date : 1845–63
- Condition: (A+) Fine Condition
Description:
This large rare original hand coloured lithograph antique print of The Ursine Tree Kangaroo, by the artist HC Richter was printed by Charles Joseph Hullmandel 1789 – 1850 in the famous Naturalists John Goulds The Mammals of Australiapublished between 1845–63.
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, pink, red, green, yellow
General color appearance: - Authentic
Paper size: - 22in x 15in (560mm x 385mm)
Plate size: - 22in x 15in (560mm x 385mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - Light age toning
Plate area: - None
Verso: - None
Background:
The Mammals of Australia is a three-volume work written and published by John Gould between 1845–63. It contains 182 illustrations by the author and its artist H. C. Richter. It was intended to be a complete survey of the novel species of mammals, such as the marsupials, discovered in the colonies of Australia.
The author, John Gould, best known for The Birds of Australia and other major works of ornithology, visited Australia in 1838. In his introduction, Gould says:.....It was not until I arrived in the country, and found myself surrounded by objects as strange as if I had been transported to another planet, that I conceived the idea of devoting a portion of my attention to the mammalian class of its extraordinary fauna......During his short stay he made observations on the natural history and employed his skills as a taxidermist to obtain specimens.
The publication of this major work by Gould followed his A Monograph of the Macropodidae or Family of Kangaroos in 1841. This work was the first comprehensive survey of Australian mammals, and gave an account of their classification and description. Gould also included the indigenous names for the species from the lists he made while in Australia. He used these names to make requests of the local peoples for his specimens, and recorded the regions where the names were used. This conserved a number of common names, such as dibbler (Parantechinus apicalis), which were later recommended by authorities.
The large lithographs reproduced the artwork of Richter, after the drawings and watercolours made in Australia by Gould and his wife, Elizabeth. (The contribution by Elizabeth Gould was uncredited). These were hand-coloured by a group of artists, led by Gabriel Bayfield, that required the completion of 26,572 plates. The illustrations produced during their visit to Australia were supplemented by the preserved specimens returned to England and detailed the characteristics of the species. These illustrations have become iconic images of the mammals of Australia. Among the best known of the illustrations from the work are the two of Thylacinus cynocephalus (Tasmanian tiger), copied since its publication and the most frequently reproduced, made more recognizable by Cascade Brewerys appropriation for its label in 1987. The government of Tasmania published a monochromatic reproduction of the same image in 1934, the author Louisa Anne Meredith also copied it for Tasmanian Friends and Foes (1881).
The Mammals of Australia was published by subscription in the format Imperial Folio; 13 parts in three volumes were issued from 1845 until 1863. To these the author added An Introduction to The Mammals of Australia (1863) in a separate work. This provided corrections and updates, a new preface, introduction, and a list of the mammals of the three volumes. The first two volumes were complete surveys of orders Marsupiata (marsupials), and, with Rodentia in the third, it formed the sum of known mammalian species of Australia. With the addition of those contained in the later Introduction the total of species described reached 166. The same work notes the exclusion of marine mammals such as whales from the volumes, but reprints a manuscript by Charles Coxen on the dugong.
Beyond the scientific value of this comprehensive survey, the document is cited in reference to its subjects conservation. Some of the species included in the work, such as Onychogalea lunata (crescent nailtail wallaby), have since succumbed to changes in land use since European colonisation.
The work was received with acclaim, but the high cost of production, especially of the coloured plates, reduced its accessibility. The original listed price was £41 for the complete set of volumes. The public curiosity for the unique fauna of Australia was met by this handsomely illustrated and comprehensive survey, and it spawned imitations in Australia. The curator of the Australian Museum, Gerard Krefft, produced the more affordable The Mammals of Australia (1871); intended for educational purposes and influenced by Goulds illustrations. Gracius Broinowskis abandoned work, Birds and Mammals of Australia (1884), so closely imitated the plates that an injunction was threatened by its publisher.
Gould, John FRS 1804 – 1881
Gould was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed Darwins finches played a role in the inception of Darwins theory of evolution by natural selection. Goulds work is referenced in Charles Darwins book, On the Origin of Species.
Gould was born in Lyme Regis the first son of a gardener. He and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 Gould became foreman in the Royal Gardens of Windsor. He was for some time under the care of J. T. Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy. In 1824 he set himself up in business in London as a taxidermist, and his skill helped him to become the first Curator and Preserver at the museum of the Zoological Society of London in 1827.
Goulds position brought him into contact with the countrys leading naturalists. This meant that he was often the first to see new collections of birds given to the Zoological Society of London. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830–1832). The text was by Nicholas Aylward Vigors and the illustrations were drawn and lithographed by Goulds wife Elizabeth Coxen Gould. Most of Goulds work were rough sketches on paper from which other artists created the lithographic plates.
This work was followed by four more in the next seven years, including Birds of Europe in five volumes. It was completed in 1837; Gould wrote the text, and his clerk, Edwin Prince, did the editing. The plates were drawn and lithographed by Elizabeth Coxen Gould. A few of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear, however, was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published, with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay, realising a fortune. This was a busy period for Gould who also published Icones Avium in two parts containing 18 leaves of bird studies on 54 cm plates as a supplement to his previous works. No further monographs were published as in 1838 he and his wife moved to Australia to work on the Birds of Australia. Shortly after their return to England, his wife died in 1841. Elizabeth Gould completed 84 plates for Birds of Australia before her death.
When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Zoological Society of London on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands which Darwin had thought were blackbirds, gross-bills and finches were in fact a series of ground Finches which are so peculiar as to form an entirely new group, containing 12 species. This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos wren was another species of finch and the mockingbirds he had labelled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently, Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner was a separate species which he named Rhea darwinii, whose territory overlapped with the northern rheas. Darwin had not bothered to label his finches by island, but others on the expedition had taken more care. He now sought specimens collected by captain Robert FitzRoy and crewmen. From them he was able to establish that the species were unique to islands, an important step on the inception of his theory of evolution by natural selection. Goulds work on the birds was published between 1838 and 1842 in five numbers as Part 3 of Zoology of the Voyage of H.M.S. Beagle, edited by Charles Darwin. Elizabeth Gould illustrated all the plates for Part 3.
In 1838 the Goulds sailed to Australia, intending to study the birds of that country and be the first to produce a major work on the subject. They took with them the collector John Gilbert. They arrived in Tasmania in September, making the acquaintance of the governor Sir John Franklin and his wife. Gould and Gilbert collected on the island. In February 1839 Gould sailed to Sydney, leaving his pregnant wife with the Franklins. He travelled to his brother-in-laws station at Yarrundi, spending his time searching for bowerbirds in the Liverpool Range. In April he returned to Tasmania for the birth of his son. In May he sailed to Adelaide to meet Charles Sturt, who was preparing to lead an expedition to the Murray River. Gould collected in the Mount Lofty range, the Murray Scrubs and Kangaroo Island, returning again to Hobart in July. He then travelled with his wife to Yarrundi. They returned home to England in May 1840.
The result of the trip was The Birds of Australia (1840–48). It included a total of 600 plates in seven volumes; 328 of the species described were new to science and named by Gould. He also published A Monograph of the Macropodidae, or Family of Kangaroos (1841–1842) and the three volume work The Mammals of Australia (1849–1861).
Elizabeth died in 1841 after the birth of their eighth child, Sarah, and Goulds books subsequently used illustrations by a number of artists, including Henry Constantine Richter, William Matthew Hart and Joseph Wolf.
Throughout his professional life Gould had a strong interest in hummingbirds. He accumulated a collection of 320 species, which he exhibited at the Great Exhibition of 1851. Despite his interest, Gould had never seen a live hummingbird. In May 1857 he travelled to the United States with his second son, Charles. He arrived in New York too early in the season to see hummingbirds in that city, but on 21 May 1857, in Bartrams Gardens in Philadelphia, he finally saw his first live one, a ruby-throated hummingbird. He then continued to Washington D.C. where he saw large numbers in the gardens of the Capitol. Gould attempted to return to England with live specimens, but, as he was not aware of the conditions necessary to keep them, they only lived for two months at most.
Gould published: A Monograph of the Trochilidae or Humming Birds with 360 plates (1849–61); The Mammals of Australia (1845–63), Handbook to the Birds of Australia (1865), The Birds of Asia (1850–83), The Birds of Great Britain (1862–73) and The Birds of New Guinea and the adjacent Papuan Islands (1875–88).
The University of Glasgow, which owns a copy of Birds of Great Britain, describes John Gould as the greatest figure in bird illustration after Audubon, and auctioneers Sotherans describe the work as Goulds pride and joy.
Gould had already published some of the illustrations in Birds of Europe, but Birds of Great Britain represents a development of his aesthetic style in which he adds illustrations of nests and young on a large scale.
Sotherans Co. reports that Gould published the book himself, producing 750 copies, which remain sought after both as complete volumes, and as individual plates, currently varying in price from £450 – £850. The University of Glasgow records that the volumes were issued in London in 25 parts, to make the complete set, between 1863 and 1873, and each set contained 367 coloured lithographs.
Gould undertook an ornithological tour of Scandinavia in 1856, in preparation for the work, taking with him the artist Henry Wolf who drew 57 of the plates from Goulds preparatory sketches. According to The University of Glasgow Goulds skill was in rapidly producing rough sketches from nature (a majority of the sketches were drawn from newly killed specimens) capturing the distinctiveness of each species. Gould then oversaw the process whereby his artists worked his sketches up into the finished drawings, which were made into coloured lithographs by engraver William Hart.
There were problems: the stone engraving of the snowy owl in volume I was dropped and broken at an early stage in the printing. Later issues of this plate show evidence of this damage and consequently the early issue – printed before the accident – are considered more desirable.
The lithographs were hand coloured. In the introduction for the work, Gould states every sky with its varied tints and every feather of each bird were coloured by hand; and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought.
The work has gathered critical acclaim: according to Mullens and Swann, Birds of Great Britain is the most sumptuous and costly of British bird books, whilst Wood describes it as a magnificent work. Isabella Tree writes that it was seen – perhaps partly because its subject was British, as the culmination of [his] ... genius
1574 Munster Large Antique Print View of The City of Wormbs, Germany
Antique Map
- Title : Die Statt Wormbs
- Ref #: 22670
- Size: 27in x 13in (685mm x 330mm)
- Date : 1574
- Condition: (A) Very Good Condition
Description:
This large folding original antique print a View of the important German city ofWormbs, south of Hamburg was published in the 1574 release of Sebastian MunstersCosmographia published by Sebastian Petri, Basle.
(This is a reasonably scarce map as the large fold out maps in Cosmographia were easily damaged and lost)
Background: For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle his Cosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view. (Ref: Tooley; M&B)
General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Later
Colors used: - Green, blue, yellow, pink
General color appearance: - Authentic
Paper size: - 27in x 13in (685mm x 330mm)
Plate size: - 25in x 10in (635 x 255m)
Margins: - 1/2in (12mm)
Imperfections:
Margins: - Light soiling
Plate area: -Folds re-joined small loss, light soiling, light creasing
Verso: - Light soiling, colour show through, half the map backed in archival material
1574 Braun & Hogenberg Antique Map View of Gorlitz-Zgorzelec, Germany & Poland
Antique Map
- Title : Gorlitz
- Ref #: 93432
- Size: 22in x 16 1/2in (560mm x 420mm)
- Date : 1574
- Condition: (A+) Fine Condition
Description:
This original beautifully hand coloured copper plate engraved antique map, a birds eye view of the city of Gorlitz-Zgorzelec, in the state of Saxony, in the region of Lusatia, in far eastern Germany, on the border with Poland, was published in the 1574 edition of Braun & Hogenbergs atlas Civitates Orbis Terrarum
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22in x 16 1/2in (560mm x 420mm)
Plate size: - 20in x 12 1/2in (510mm x 320mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - None
Plate area: - None
Verso: - None
Background:
As a small Sorbian village named Gorelic in the Margraviate of Meissen, a frontier march of the Holy Roman Empire, Gorlitz was temporarily conquered and held by the Kingdom of Poland during Bolesław I Chrobrys invasion of Lusatia between 1002 and 1031, after which the region fell back to the Margraviate of Meissen. In 1075, the village was assigned to the Duchy of Bohemia. The date of the towns foundation is unknown. However, Goreliz was first mentioned in a document from the King of Germany, and later Holy Roman Emperor, Henry IV in 1071. This document granted Gorlitz to the Diocese of Meissen, then under Bishop Benno of Meissen. Currently, this document can be found in the Saxony State Archives in Dresden.[3] The origin of the name Gorlitz is derived from the Slavic word for burned land,[4] referring to the technique used to clear land for settlement. Zgorzelec and Czech Zhořelec have the same derivation. In the 13th century the village gradually became a town. Due to its location on the Via Regia, an ancient and medieval trade route, the settlement prospered.
In the following centuries Gorlitz was a wealthy member of the Lusatian League, which consisted of Bautzen, Gorlitz, Kamenz, Lauban, Löbau and Zittau. In 1352 during the reign of Casimir the Great, Lusatian German colonists from Gorlitz founded the town of Gorlice in southern Poland near Kraków.
The Protestant Reformation came to Gorlitz in the early 1520s and by the last half of the 16th century, it and the surrounding vicinity, became almost completely Lutheran.
After suffering for years in the Thirty Years War, the region of Upper Lusatia (including Gorlitz) was ceded to the Electorate of Saxony in 1635. After the Napoleonic Wars, the 1815 Congress of Vienna transferred the town from the Kingdom of Saxony to the Kingdom of Prussia. Gorlitz was subsequently administered within the Province of Silesia, and, after World War I, the Province of Lower Silesia, until 1945.
From 1815 until 1918, Gorlitz belonged to the Province of Silesia in the Kingdom of Prussia, and later to the Province of Lower Silesia in the Free State of Prussia. It is the largest town of the former Province of Lower Silesia that lies west of the Oder-Neisse line and hence remained in Germany after World War II. Today, Gorlitz lies opposite the Polish town of Zgorzelec, which was part of Gorlitz until 1945. Together they form the German-Polish Euro City of Gorlitz-Zgorzelec.
1710 John Senex Large Antique Map of Germany, Central Europe, Baltic to Austria
Antique Map
- Title : Germany Corrected from the Observations of the Royal Society at London and the Royal Academy at Paris by John Senex FRS....1710
- Size: 41in x 26 1/2in (1.040m x 660mm)
- Condition: (A) Very Good Condition
- Date : 1710
- Ref #: 24906
Description:
This large hand coloured original antique map of Germany was engraved by John Senex in 1710 - dated - and was published in Senex Elephant Folio Atlas.
This map is in VG condition, with these large scale maps being scarce due mainly to their size with damage and loss over time inevitable.
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 41in x 26 1/2in (1.040m x 660mm)
Plate size: - 40in x 26in (1.00m x 650mm)
Margins: - Min 1/2in (12mm)
Imperfections:
Margins: - Chipping to bottom margin
Plate area: - Age toning along centerfold, light creasing
Verso: - Light creasing.
Background:
Because of Germanys long history as a non-united region of distinct tribes and states before January 1871, there are many widely varying names of Germany in different languages, perhaps more so than for any other European nation. For example, in the German language, the country is known as Deutschland, in Spanish as Alemania, in French as Allemagne, in Italian as Germania (although Germans are called tedeschi), in Polish as Niemcy, and in Finnish as Saksa.
In 800, the Frankish king Charlemagne was crowned emperor and founded the Carolingian Empire, which was later divided in 843 among his heirs. Following the break up of the Frankish Realm, for 900 years, the history of Germany was intertwined with the history of the Holy Roman Empire, which subsequently emerged from the eastern portion of Charlemagnes original empire. The territory initially known as East Francia stretched from the Rhine in the west to the Elbe River in the east and from the North Sea to the Alps. The Ottonian rulers (919–1024) consolidated several major duchies and the German king Otto I was crowned Holy Roman Emperor of these regions in 962. In 996 Gregory V became the first German Pope, appointed by his cousin Otto III, whom he shortly after crowned Holy Roman Emperor. The Holy Roman Empire absorbed northern Italy and Burgundy under the reign of the Salian emperors (1024–1125), although the emperors lost power through the Investiture controversy.
In the 12th century, under the Hohenstaufen emperors (1138–1254), German princes increased their influence further south and east into territories inhabited by Slavs; they encouraged German settlement in these areas, called the eastern settlement movement (Ostsiedlung). Members of the Hanseatic League, which included mostly north German cities and towns, prospered in the expansion of trade. In the south, the Greater Ravensburg Trade Corporation (Große Ravensburger Handelsgesellschaft) served a similar function. The edict of the Golden Bull issued in 1356 by Emperor Charles IV provided the basic constitutional structure of the Empire and codified the election of the emperor by seven prince-electors who ruled some of the most powerful principalities and archbishoprics.
Population declined in the first half of the 14th century, starting with the Great Famine in 1315, followed by the Black Death of 1348–50. Despite the decline, however, German artists, engineers, and scientists developed a wide array of techniques similar to those used by the Italian artists and designers of the time who flourished in such merchant city-states as Venice, Florence and Genoa. Artistic and cultural centres throughout the German states produced such artists as the Augsburg painters Hans Holbein and his son, and Albrecht Dürer. Johannes Gutenberg introduced moveable-type printing to Europe, a development that laid the basis for the spread of learning to the masses.
In 1517, the Wittenberg priest Martin Luther nailed the Ninety-Five Theses to the church door, challenging the practice of selling of indulgences. He was subsequently excommunicated in the papal bull Exsurge Domine in 1520, and his followers were condemned in the 1521 Diet of Worms, which divided Western Christianity. In 1555, the Peace of Augsburg tolerated the Evangelical faith (now called Lutheranism) as an acceptable alternative to Catholicism, but also decreed that the faith of the prince was to be the faith of his subjects, a principle called cuius regio, eius religio. The agreement at Augsburg failed to address other religious creed: for example, the Reformed faith was still considered a heresy and the principle did not address the possible conversion of an ecclesiastic ruler, such as happened in Electorate of Cologne in 1583. However, in practice Calvinists were given protection under the Augsburg Confession Variata modified upon request by Philip Melanchthon.
From the Cologne War until the end of the Thirty Years Wars (1618–1648), religious conflict devastated German lands. The latter reduced the overall population of the German states by about 30 per cent, and in some places, up to 80 per cent. The Peace of Westphalia ended religious warfare among the Imperial Estates of the Holy Roman Empire. Their mostly German-speaking rulers were able to choose either Roman Catholicism, Lutheranism, or the Reformed faith as their official religion after 1648.
In the 18th century, the Holy Roman Empire consisted of approximately 1,800 territories. The elaborate legal system initiated by a series of Imperial Reforms (approximately 1450–1555) created the Imperial Estates and provided for considerable local autonomy among ecclesiastical, secular, and hereditary states, reflected in the Imperial Diet. The House of Habsburg held the imperial crown from 1438 until the death of Charles VI in 1740. Having no male heirs, he had convinced the Electors to retain Habsburg hegemony in the office of the emperor by agreeing to the Pragmatic Sanction of 1713. This was finally settled through the War of Austrian Succession; in the Treaty of Aix-la-Chapelle, Charles VIs daughter Maria Theresa ruled the Empire as Empress Consort when her husband, Francis I, became Holy Roman Emperor. From 1740, the dualism between the Austrian Habsburg Monarchy and the Kingdom of Prussia dominated the German history.
In 1772, then again in 1793 and 1795, the two dominant German states of Prussia and Austria, along with the Russian Empire, agreed to the Partitions of Poland; dividing among themselves the lands of the Polish–Lithuanian Commonwealth. As a result of the partitions, millions of Polish speaking inhabitants fell under the rule of the two German monarchies. However, the annexed territories though incorporated into the Kingdom of Prussia and the Habsburg Realm, were not legally considered as a part of the Holy Roman Empire. During the period of the French Revolutionary Wars, along with the arrival of the Napoleonic era and the subsequent final meeting of the Imperial Diet, most of the secular Free Imperial Cities were annexed by dynastic territories; the ecclesiastical territories were secularised and annexed. In 1806 the Imperium was dissolved; many German states, particularly the Rhineland states, fell under the influence of France. Until 1815, France, Russia, Prussia and the Habsburgs (Austria) competed for hegemony in the German states during the Napoleonic Wars.
Following the fall of Napoleon, the Congress of Vienna (convened in 1814) founded the German Confederation (Deutscher Bund), a loose league of 39 sovereign states. The appointment of the Emperor of Austria as the permanent president of the Confederation reflected the Congresss failure to accept Prussias rising influence among the German states, and acerbated the long-standing competition between the Hohenzollern and Habsburg interests. Disagreement within restoration politics partly led to the rise of liberal movements, followed by new measures of repression by Austrian statesman Metternich. The Zollverein, a tariff union, furthered economic unity in the German states.
National and liberal ideals of the French Revolution gained increasing support among many, especially young, Germans. The Hambach Festival in May 1832 was a main event in support of German unity, freedom and democracy. In the light of a series of revolutionary movements in Europe, which established a republic in France, intellectuals and commoners started the Revolutions of 1848 in the German states. King Frederick William IV of Prussia was offered the title of Emperor, but with a loss of power; he rejected the crown and the proposed constitution, leading to a temporary setback for the movement.
Foundation of the German Empire in Versailles, 1871. Bismarck is at the centre in a white uniform.
King William I appointed Otto von Bismarck as the new Minister President of Prussia in 1862. Bismarck successfully concluded war on Denmark in 1864, which promoted German over Danish interests in the Jutland peninsula. The subsequent (and decisive) Prussian victory in the Austro-Prussian War of 1866 enabled him to create the North German Confederation (Norddeutscher Bund) which excluded Austria from the federations affairs. After the French defeat in the Franco-Prussian War, the German princes proclaimed the founding of the German Empire in 1871 at Versailles, uniting all the scattered parts of Germany except Austria and the German-speaking parts of Switzerland. Prussia was the dominant constituent state of the new empire; the Hohenzollern King of Prussia ruled as its concurrent Emperor, and Berlin became its capital.
In the Gründerzeit period following the unification of Germany, Bismarcks foreign policy as Chancellor of Germany under Emperor William I secured Germanys position as a great nation by forging alliances, isolating France by diplomatic means, and avoiding war. Under Wilhelm II, Germany, like other European powers, took an imperialistic course, leading to friction with neighbouring countries. Most alliances in which Germany had previously been involved were not renewed. This resulted in the creation of a dual alliance with the multinational realm of Austria-Hungary, promoting at least benevolent neutrality if not outright military support. Subsequently, the Triple Alliance of 1882 included Italy, completing a Central European geographic alliance that illustrated German, Austrian and Italian fears of incursions against them by France and/or Russia. Similarly, Britain, France and Russia also concluded alliances that would protect them against Habsburg interference with Russian interests in the Balkans or German interference against France.
At the Berlin Conference in 1884, Germany claimed several colonies including German East Africa, German South West Africa, Togoland, and Kamerun. Later, Germany further expanded its colonial empire to include German New Guinea, German Micronesia and German Samoa in the Pacific, and Kiautschou Bay in China. In what became known as the First Genocide of the Twentieth-Century, between 1904 and 1907, the German colonial government in South West Africa (present-day Namibia) ordered the annihilation of the local Herero and Namaqua peoples, as a punitive measure for an uprising against German colonial rule. In total, around 100,000 people—80% of the Herero and 50% of the Namaqua—perished from imprisonment in concentration camps, where the majority died of disease, abuse, and exhaustion, or from dehydration and starvation in the countryside after being deprived of food and water.
The assassination of Austrias crown prince on 28 June 1914 provided the pretext for the Austrian Empire to attack Serbia and trigger World War I. After four years of warfare, in which approximately two million German soldiers were killed, a general armistice ended the fighting on 11 November, and German troops returned home. In the German Revolution (November 1918), Emperor Wilhelm II and all German ruling princes abdicated their positions and responsibilities. Germanys new political leadership signed the Treaty of Versailles in 1919. In this treaty, Germany, as part of the Central Powers, accepted defeat by the Allies in one of the bloodiest conflicts of all time. Germans perceived the treaty as humiliating and unjust and it was later seen by historians as influential in the rise of Adolf Hitler. After the defeat in the First World War, Germany lost around 13% of its European territory (areas predominantly inhabited by ethnic Polish, French and Danish populations, which were lost following the Greater Poland Uprising, the return of Alsace-Lorraine and the Schleswig plebiscites), and all of its colonial possessions in Africa and the South Sea.
1780 Antonio Zatta Antique Map of The Lusatia Region Germany, Poland & Czech Rep
Antique Map
- Title : La Lusazia divisa ne suoi stati di nuova projezione
- Ref #: 35638
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Condition: (A+) Fine Condition
- Size: 19in x 15 1/2in (485mm x 395mm)
- Date : 1780
- Price: $149US
Description:
This original hand coloured copper plate engraved antique map of the ancient central European region of Lusatia in between Poland and Germany, and in the south, the Czech Republic by Antonio Zatta (fl. 1775-97) in 1780 - dated - was published in his Atlas Atlante Novissimo
General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 19in x 15 1/2in (485mm x 395mm)
Plate size: - 16in x 12 1/2in (405mm x 315mm)
Margins: - Min 1in (25mm)
Imperfections:
Margins: - None
Plate area: - None
Verso: - None
Background:
Lusatia is a historical region in Central Europe, split between Germany and Poland. Lusatia stretches from the Bóbr and Kwisa rivers in the east to the Pulsnitz and Black Elster rivers in the west, and is located within the German states of Saxony and Brandenburg as well as in the Polish voivodeships of Lower Silesia and Lubusz. Lusatia's central rivers are the Spree and the Lusatian Neisse, which constitutes the border between Germany and Poland since 1945 (Oder–Neisse line). The Lusatian Mountains (part of the Sudetes), separate Lusatia from Bohemia (Czech Republic) in the south. Lusatia is traditionally divided into Upper Lusatia (the hilly southern part) and Lower Lusatia (the flat northern part).
Please note all items auctioned are genuine, we do not sell reproductions. A Certificate of Authenticity (COA) can be issued on request.