Vues d' Optique or Perspective Views:

Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens.

A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints.

Vues d' Optique (6)

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1780 Vue d' Optic Antique Print of Westminster, River Thames, Tower of London

1780 Vue d' Optic Antique Print of Westminster, River Thames, Tower of London

  • Title : Vue Du Pont De Westminster Du Cote Du Nord
  • Date : 1780
  • Condition: (A+) Fine Condition
  • Ref:  92718
  • Size: 21in x 14 1/2in (535mm x 370mm) 

Description: 

This large beautifully engraved hand coloured original antique print, a view of Westminster in London -including London Bridge, Tower Hill, Westminster Abbey and the old Parliament buildings - was engraved by Balthazar Frederic Leizelt and was published in 1780 in the unusual publication Vues d’Optique.

Vues d' Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens.

A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 21in x 14 1/2in (535mm x 370mm)
Plate size: - 15 1/2in x 10in (395mm x 255mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - Light soiling

$325.00 USD
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1780 Vue D Optic Antique Print of Queens College Oxford University, England

1780 Vue D Optic Antique Print of Queens College Oxford University, England

  • Title : Le College de L Universite et celui de la Reine a Oxford (The University College and the Queen's at Oxford) 
  • Date : 1780
  • Condition: (A+) Fine Condition
  • Ref:  92705
  • Size: 19 1/2in x 13in (485mm x 330mm)  

Description: 
This large beautifully hand coloured original antique print, a view of the famous Queens College located in Oxford University was engraved by Balthazar Frederic Leizelt and was published in 1780 in the unusual publication Vues d’Optique..

Vues d' Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens.

A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - Off white
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 19 1/2in x 13in (485mm x 330mm)
Plate size: - 17in x 12in (435mm x 305mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Small repair to right margin
Plate area: - None
Verso: - None

$275.00 USD
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1780 Vue D Optic Antique Print Royal Household Cavalry Procession in London

1780 Vue D Optic Antique Print Royal Household Cavalry Procession in London

  • Title :Vue de l Hotel Royal des Gardes du corps a pied vis a vis la Salle Blanche a manger a Londres
  • Date : 1780
  • Condition: (A+) Fine Condition
  • Ref:  92706
  • Size: 19in x 12 1/2in (485mm x 330mm) 

Description: 
This large beautifully hand coloured original antique print, a view of the Royal Household Cavalry Procession from the Royal Hotel in London was engraved by Balthazar Frederic Leizelt and was published in 1780 publication Vues d’Optique.

Vues d' Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens.

A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - Off white
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 19in x 12 1/2in (485mm x 330mm)
Plate size: - 17in x 12in (435mm x 305mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Small repair to right margin
Plate area: - None
Verso: - None

$275.00 USD
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1760 Vue D Optic Antique Print View of Hampton Court Palace, Richmond London

1760 Vue D Optic Antique Print View of Hampton Court Palace, Richmond London

  • Title : Vue du Palias Royal de Hampton Court a 15 Milles de Londres
  • Date : 1760
  • Condition: (A) Very Good Condition
  • Ref:  92704
  • Size: 19in x 12 3/4in (480mm x 325mm) 

Description: 
This hand coloured original antique print, a view of Hampton Court Palace was published as part of the Vues d’Optique in 1760.

Hampton Court Palace: is a royal palace in the London Borough of Richmond upon Thames, Greater London, in the historic county of Middlesex, and within the postal town East Molesey, Surrey. It has not been inhabited by the British Royal Family since the 18th century. The palace is 11.7 miles (18.8 kilometres) south west of Charing Cross and upstream of central London on the River Thames. It was originally built in 1514 for Cardinal Thomas Wolsey, a favourite of King Henry VIII. In 1529, as Wolsey fell from favour, the King seized the palace for himself and later enlarged it. Along with St. James's Palace, it is one of only two surviving palaces out of the many owned by King Henry VIII.

In the following century, King William III's massive rebuilding and expansion project was intended to rival Versailles. Work ceased in 1694, leaving the palace in two distinct contrasting architectural styles, domestic Tudor and Baroque. While the palace's styles are an accident of fate, a unity exists due to the use of pink bricks and a symmetrical, if vague, balancing of successive low wings.

Vues d' Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens.

A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - Off white
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 19in x 12 3/4in (480mm x 325mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 2in (50mm)

Imperfections:
Margins: - Light soiling
Plate area: - Small smudge & toning to sky
Verso: - Small repair, no loss

$175.00 USD
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1760 Vue D Optic Large Antique Print View of Cheapside, London St Mary le Bow

1760 Vue D Optic Large Antique Print View of Cheapside, London St Mary le Bow

  • Title : Prospectus majoris viae, et Ecclesiae Sanctae Mariae in Londino; 25c Vue D Optique Representatnt; Le Grande Rue, et L Englise St Marie de Londres
  • Ref  :  43197
  • Size: 18in x 13in (460mm x 330mm)
  • Date : 1756
  • Condition: (A) Very Good Condition

Description:
This hand coloured original antique print, a view of Cheapside and St Marys Le Bow, London was published as part of the Vues d’Optique in 1760.

St Mary-le-Bow is an historic church rebuilt after the Great Fire of 1666 by Sir Christopher Wren in the City of London on the main east–west thoroughfare, Cheapside. According to tradition a true Cockney must be born within earshot of the sound of Bow Bells (which refers to this church's bells rather than St Mary and Holy Trinity, Bow Road, in Bow, an outlying village until the 19th century.

Vues d'Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens. 
A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 18in x 13in (460mm x 330mm)
Plate size: - 16 1/2in x 10in (420mm x 255mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Repair to top margin, no loss
Plate area: - None
Verso: - None

$175.00 USD
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1760 Vue D Optic Large Antique Print View of Old Somerset House, Thames London

1760 Vue D Optic Large Antique Print View of Old Somerset House, Thames London

  • Title : Vue du Palias Royal Somerset du cote de la Thamise
  • Ref  :  26261
  • Size: 16in x 9 1/2in (405mm x 240mm)
  • Date : 1756
  • Condition: (B) Good Condition

Description:
This hand coloured original antique print, a view of the old Somerset House, prior to the late 18th century refurbishment, on the River Thames, London was published as part of the Vues d’Optique in 1760.

Somerset House is a large Neoclassical building situated on the south side of the Strand in central London, overlooking the River Thames, just east of Waterloo Bridge. The building, originally the site of a Tudor Palace was designed by Sir William Chambers in 1776, and further extended with Victorian wings to the east and west in 1831 and 1856 respectively. The East Wing forms part of the adjacent Strand campus of King's College London

Vues d'Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens. 
A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 16in x 9 1/2in (405mm x 240mm)
Plate size: - 16in x 9 1/2in (405mm x 240mm)
Margins: - Min 0in (0mm)

Imperfections:
Margins: - Left margin cropped to image edge
Plate area: - Soiling and creasing the bottom left edge
Verso: - Soiling

$99.00 USD
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