Thomas Moule 1784-1851

Thomas Moule was a writer on heraldry and antiquities born in 1784 at St Marylebone in London. He carried on business as a bookseller in Duke Street, Grosvenor Square, from about 1816 until 1823, when he became Inspector of 'blind' letters in the General Post Office, his principal duties being the deciphering of such addresses as were illegible to the ordinary clerks. He also held, for many years, the office of Chamber-keeper in the Lord Chamberlain's Department which entitled him to an official residence in the Stable Yard of St James's Palace, where he died on 14 January 1851.

The well-known series of County Maps which are known as 'Moules' were first published in separate sections for each county in 1830-32 and they were then published in collected form in a two-volume work: The English Counties Deleneated: or a Topographical Description of England: Illustrated by a Complete Series of County Maps by Thomas Moule: London: Published by George Virtue 1836. Further editions were brought out by Virtue (some with original hand-colouring of the maps) until about 1839. In 1841 the maps appeared in a publication entitled Barclays Complete and Universal English Dictionari with additions to the original plates showing the railways which had been constructed. Normally maps which come from this work are very close trimmed, often into the printed surface, as the format of the dictionary was slightly smaller than the original publication. They are the last series of decorative county maps to be published and are an elegant addition to any collection of maps.

  • 1836 The English Counties Delineated (4to) 1836-39 Re-issued
  • 1841 Re-issued as Barclays Complete and Universal English Dictionari 1842, 1848, 1850, 1852 Re-issued

Thomas Moule (2)

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1836 Moule Antique Map The English County of Cheshire

1836 Moule Antique Map The English County of Cheshire

Description: 
This finely engraved original beautifully hand coloured original antique map of the English county of Cheshire by Thomas Moule was published in the 1836 edition of Barclays Dictionary. Moules maps were some of the the last original decorative maps published in the 19th century. (Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early
Colors used: - Yellow, green, red, blue
General color appearance: - Authentic
Paper size: - 11in x 8 1/2in (280mm x 215mm)
Plate size: - 11in x 8 1/2in (280mm x 215mm)
Margins: - Min 1/4in (6mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$75.00 USD
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1836 Thomas Moule Large Original Antique Map of England & Wales

1836 Thomas Moule Large Original Antique Map of England & Wales

Description:
This original steel-plate engraved antique map of England was engraved for the 1836 edition of Thomas Moules English Counties Delineatedby W. Schmollinger.
Inset plan of Metorpolitan Boroughs of London.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 17in x 11in (430mm x 280mm)
Plate size: - 17in x 11in (430mm x 280mm)
Margins: - Min 0in (0mm)

Imperfections:
Margins: - Left margin cropped to border
Plate area: - Folds as issued, repair to bottom border & left bottom fold
Verso: - Re-enforced along folds

Background: 
When considering the work of English map makers we tend, perhaps, to think too much in terms of county maps, dominated by the names of Saxton and Speed, but we should not underrate the contribution to the sum of geographical knowledge made in other spheres, such as the sea charts of Edward Wright, Robert Dudley and Greenvile Collins, the discoveries of James Cook, the road maps of Ogilby and Cary, the meteorological and magnetic charts compiled by Edmund Halley, to mention only a few.
In 1558 Queen Elizabeth came to the throne in the midst of a fast changing world. In 1563 a nineteen sheet map, copies of which survive only in manuscript form, was completed by Laurence Nowell, and no doubt, the issue of Mercator\'s large-scale map of the British Isles in 1564 had an important influence on the thought of the period. A few years later a national survey was commissioned privately, although probably at the instigation of Lord Burghley, the Lord Treasurer, but subsequently was completed with royal encouragement. The outcome was Christopher Saxton\'s Atlas of EngIand and Wales, started about 1570 and published in 1579 - the first printed set of county maps and the first countrywide atlas on such a splendid scale produced anywhere. A Welsh antiquarian, Humphrey Lhuyd completed a set of surveys that were even more successful than Saxton in which he had produced fine manuscript maps of England and Wales which were used by Ortelius in editions of his Atlas from 1573 onwards.
The earliest maps of the 17th century, attributed to William Smith of the College of Heralds, covered only twelve counties based on Saxton/Norden and were presumably intended to be part of a complete new atlas. They were printed in the Low Countries in 1602-3 and were soon followed by maps for the Latin edition of Camden\'s Britannia dated 1607. In 1610-11 the first edition of John Speed\'s famous county Atlas The Theatre of the Empire of Great Britaine was published and immediately replaced Saxton\'s in popular appeal. Although Speed assembled much of his material from the earlier works of Saxton, Norden and others, a considerable part of the up-to-date information, especially relating to the inset town plans depicted on his maps, was obtained first hand. The maps undoubtedly owed much of their popularity to the splendid engravings of high quality made in the workshops in Amsterdam of Jodocus Hondius to whom Speed sent his manuscripts, the plates subsequently being returned to London for printing.
In 1645, Volume IV of the famous Blaeu World Atlas covering the counties of England and Wales was published in Amsterdam. These maps have always been esteemed as superb examples of engraving and design, the calligraphy being particularly splendid, but nevertheless they were nearly all based on Saxton and Speed and added little to geographical knowledge.
Not until the latter part of the century do we find an English map maker of originality with the capacity to put new ideas into practice. John Ogilby, one of the more colourful figures associated with cartography, started life as a dancing master and finished as King\'s Cosmographer and Geographic Printer. After publishing a small number of county maps, somewhat on the lines of John Norden he issued in 1675 the Britannia, the first practical series of detailed maps of the post roads of England and Wales on a standard scale of 1,760 yards to the mile. Up to the end of the century and beyond, reprints and revisions of Saxton\'s and Speed\'s atlases continued to appear and the only other noteworthy county maps were Richard Blome\'s Britannia (1673), John Overton\'s Atlas (c. 1670) and Robert Morden\'s maps for an English translation of Camden\'s Britannia published in 1695.
Another noted cartographer of the day was Captain Greenvile Collins, and of his work in surveying the coasts of Great Britain culminating in the issue in 1693 of the Great Britain\'s Coasting Pilot. Apart from these charts, English cartographers published during the century a number of world atlases. Speed was the first Englishman to produce a world atlas with the issue in 1627 of his A Prospect of the Most Famous Parts of the World. Other atlases appeared later in the century by Peter Heylin, John Seller, William Berry, Moses Pitt and Richard Blome, whilst Ogilby found time to issue maps of Africa, America and Asia. Far more important, from the purely scientific point of view, was the work of Edmund Halley, Astronomer Royal, who compiled and issued meteorological and magnetic charts in 1688 and 1701 respectively.
At the beginning of the eighteenth century the Dutch map trade was finally in decline, the French in the ascendant and the English to a great extent still dominated by Saxton and Speed except, as we have shown, in the spheres of sea charts and road maps. There were atlases by John Senex, the Bowles family, Emanuel and Thomas Bowen, Thomas Badeslade and the unique bird\'s-eye perspective views of the counties, The British Monarchy by George Bickham. In 1750-60 Bowen and Kitchin\'s The Large English Atlas containing maps on a rather larger scale than hitherto was published.
In 1759 the Society for the encouragement of Arts, Manufactures and Commerce offered an award of £100 for the best original surveys on this scale and by the end of the century about thirty counties had been re-surveyed. These maps, many of which formed, in later years, the basis for the first issues of county maps by the Ordnance Survey Office were not only decorative but a tremendous improvement geographically on earlier local maps. As a consequence, the skills and expertise of the new-style cartographers soon enabled them to cover the world as well as the domestic market. Thomas Jefferys was such a man; he was responsible for a number of the new 1 in. to 1 mile county surveys and he issued an edition of Saxton\'s much battered 200-year-old plates of the county maps, but he is better known for many fine maps of North America and the West Indies. His work was continued on the same lines by William Faden, trading as Faden and Jefferys. Other publishers such as Sayer and Bennett and their successors Laurie and Whittle published a prodigious range of maps, charts and atlases in the second half of the century. A major influence at this time was John Cary who, apart from organizing the first re-survey of post roads since Ogilby and subsequently printing the noted Travellers\' Companion, was a prolific publisher of atlases and maps of every kind of all parts of the world. After starting work with Cary, and taking part in the new road survey, Aaron Arrowsmith set up in his own business and went on to issue splendid large-scale maps of many parts of the world. Both Cary\'s and Arrowsmith\'s plates were used by other publishers until far into the next century and, in turn, their work was taken up and developed by James Wyld (Elder and Younger) and Tallis and Co.
Later into the 19th century some of the better known cartographers and publishers were by Henry Teesdale (1829-30), Christopher and John Greenwood, surveyors, Thomas Moule, a writer on heraldry and antiques (1830-36) and John Walker (1837) but by about the middle of the century few small-scale publishers survived and their business passed into the hands of large commercial concerns such as Bartholomews of Edinburgh and Philips of London who continue to this day. (Ref: Shirley; Tooley; M&B)

$125.00 USD
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