Prints (9)

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1750 Prevost Original Antique Print of 3 Statues or Deities in a Chinese Pagoda

1750 Prevost Original Antique Print of 3 Statues or Deities in a Chinese Pagoda

  • Title: Pagodes ou Statue
  • Date: 1750
  • Condition : (A+) Fine Condition
  • Ref: 25951
  • Size: 14in x 10in (355mm x 255mm)

Description:
This fine original copper-plate engraved antique print was engraved by Jakob van Schley and was published in Antoine François Prevosts 15 volumes of Histoire Generale des Voyages written by Prevost & other authors between 1746-1790.

Unique original print of Chinese statues in the interior of a Chinese Pagoda. The scale of the statues are illustrated by the worshipers at the feet of each statue. There is a key to each statue at the bottom of the page
No 1. Mini so, ou la Volupte - A corpulent and grinning statues representing the spirit of pleasure
No 2. Le Grand Kin Gang - An elaborately dressed imperial figure on a throne.
No 3. L immortalite - A pot-bellied, crosslegged god accompanied by a deer and a stork, the personification of immortality
In the background is a group of monks gathered next to a podium, upon which is another statue flanked by incense burners.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 10in (365mm x 250mm)
Plate size: - 12in x 8in (305mm x 205mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
One of Antoine Francois Prevosts monumental undertakings was his history of exploration & discovery in 15 volumes titledHistoire Générale des Voyages written between 1746-1759 and was extended to 20 volumes after his death by various authors.
The 20 volumes cover the early explorations & discoveries on 3 continents: Africa (v. 1-5), Asia (v. 5-11), and America (v. 12-15) with material on the finding of the French, English, Dutch, and Portugese.
A number of notable cartographers and engravers contributed to the copper plate maps and views to the 20 volumes including Nicolas Bellin, Jan Schley, Chedel, Franc Aveline, Fessard, and many others.
The African volumes cover primarily coastal countries of West, Southern, and Eastern Africa, plus the Congo, Madagascar, Arabia and the Persian Gulf areas.
The Asian volumes cover China, Korea, Tibet, Japan, Philippines, and countries bordering the Indian Ocean.
Volume 11 includes Australia and Antarctica.
Volumes 12-15 cover voyages and discoveries in America, including the East Indies, South, Central and North America.
Volumes 16-20 include supplement volumes & tables along with continuation of voyages and discoveries in Russia, Northern Europe, America, Asia & Australia.

Jakob van der Schley aka Jakob van Schley (1715 - 1779) was a Dutch draughtsman and engraver. He studied under Bernard Picart (1673-1733) whose style he subsequently copied. His main interests were engraving portraits and producing illustrations for \"La Vie de Marianne\" by Pierre Carlet de Chamblain de Marivaux (1688-1763) published in The Hague between 1735 and 1747.
He also engraved the frontispieces for a 15-volume edition of the complete works of Pierre de Brantôme (1540-1614), \"Oeuvres du seigneur de Brantôme\", published in The Hague in 1740.
He is also responsible for most of the plates in the Hague edition of Prévost\'s Histoire générale des voyages. (Ref: Tooley; M&B)

$60.00 USD
More Info
1750 Prevost & Nieuhoff Antique Print View of the Zoushan Archip. Zhejiang China

1750 Prevost & Nieuhoff Antique Print View of the Zoushan Archip. Zhejiang China

  • Title: Montagne Des Cinq Tetes De Cheval Pres De Chau Cheu Fu
  • Date: 1747
  • Condition : (A+) Fine Condition
  • Ref: 34138
  • Size: 14in x 10in (355mm x 255mm)

Description:
This fine original copper-plate engraved antique print a view of the Islands of Zoushan in the in north-eastern Zhejiang Province of eastern China was engraved by Jakob van Schley - after Johannes Nieuhoff - and was published in Antoine François Prevosts 15 volumes of Histoire Generale des Voyageswritten by Prevost & other authors between 1746-1790.

Johannes Nieuhoff (1618-72) was a Dutch diplomat and adventurer, who was perhaps the most widely traveled individual of the seventeenth-century. His experiences included important expeditions to various locations in Brazil, Africa, India, Indonesia, and China. From 1655-57, Nieuhoff made an epic 2,400 trek through China, from Canton to Beijing.
During his Chinese expedition he made numerous drawings of the sites he encountered, including the port town of Chau Cheu Fu in the southern province of Guandong, which was the basis for the present print. Nieuhoff’s important written account, along with engravings of his drawings was first published as Legatio batavica ad magnum Tartariæ chamum Sungteium, modernum Sinæ imperatorem (Amsterdam, 1668). His illustrations proved to be highly influential, as they did much to spawn the genre of chinoiserie in European art and design.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 10in (365mm x 250mm)
Plate size: - 12in x 8in (305mm x 205mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
One of Antoine Francois Prevosts monumental undertakings was his history of exploration & discovery in 15 volumes titledHistoire Générale des Voyages written between 1746-1759 and was extended to 20 volumes after his death by various authors.
The 20 volumes cover the early explorations & discoveries on 3 continents: Africa (v. 1-5), Asia (v. 5-11), and America (v. 12-15) with material on the finding of the French, English, Dutch, and Portugese.
A number of notable cartographers and engravers contributed to the copper plate maps and views to the 20 volumes including Nicolas Bellin, Jan Schley, Chedel, Franc Aveline, Fessard, and many others.
The African volumes cover primarily coastal countries of West, Southern, and Eastern Africa, plus the Congo, Madagascar, Arabia and the Persian Gulf areas.
The Asian volumes cover China, Korea, Tibet, Japan, Philippines, and countries bordering the Indian Ocean.
Volume 11 includes Australia and Antarctica.
Volumes 12-15 cover voyages and discoveries in America, including the East Indies, South, Central and North America.
Volumes 16-20 include supplement volumes & tables along with continuation of voyages and discoveries in Russia, Northern Europe, America, Asia & Australia.

Jakob van der Schley aka Jakob van Schley (1715 - 1779) was a Dutch draughtsman and engraver. He studied under Bernard Picart (1673-1733) whose style he subsequently copied. His main interests were engraving portraits and producing illustrations for \"La Vie de Marianne\" by Pierre Carlet de Chamblain de Marivaux (1688-1763) published in The Hague between 1735 and 1747.
He also engraved the frontispieces for a 15-volume edition of the complete works of Pierre de Brantôme (1540-1614), \"Oeuvres du seigneur de Brantôme\", published in The Hague in 1740.
He is also responsible for most of the plates in the Hague edition of Prévost\'s Histoire générale des voyages. (Ref: Tooley; M&B)

$125.00 USD
More Info
1750 Prevost, after Kircher, Antique Print Bridge over Yellow River, Xensi China

1750 Prevost, after Kircher, Antique Print Bridge over Yellow River, Xensi China

Description:
This fine original copper-plate engraved antique print a view of a single Arch Bridge over the Yellow River in Xensi Province near Chogan was engraved by Jakob van Schley -
after Athanasius Kirchers China Illustrated - was published in Antoine François Prevosts 15 volumes of Histoire Generale des Voyageswritten by Prevost & other authors between 1746-1790.

Athanasius Kircher, S.J. sometimes erroneously spelled Kirchner; Latin: Athanasius Kircherus, 1602 – 1680 was a German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Boscovich and to Leonardo da Vinci for his enormous range of interests, and has been honored with the title \"Master of a Hundred Arts\". He taught for more than forty years at the Roman College, where he set up a wunderkammer. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades.
Kircher claimed to have deciphered the hieroglyphic writing of the ancient Egyptian language, but most of his assumptions and translations in this field were later found to be nonsensical. He did, however, correctly establish the link between the ancient Egyptian and the Coptic languages, and some commentators regard him as the founder of Egyptology. Kircher was also fascinated with Sinology and wrote an encyclopedia of China, in which he noted the early presence there of Nestorian Christians while also attempting to establish links with Egypt and Christianity.
Kircher had an early interest in China, telling his superior in 1629 that he wished to become a missionary to that country. In 1667 he published a treatise whose full title was China monumentis, qua sacris qua profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata, and which is commonly known simply as China Illustrata, i.e. \"China Illustrated\". It was a work of encyclopedic breadth, combining material of unequal quality, from accurate cartography to mythical elements, such as a study of dragons. The work drew heavily on the reports of Jesuits working in China, in particular Michael Boymand Martino Martini.
China Illustrata emphasized the Christian elements of Chinese history, both real and imagined: the book noted the early presence of Nestorian Christians (with a Latin translation of the Nestorian Stele of Xi\'an provided by Boym and his Chinese collaborator, Andrew Zheng) but also claimed that the Chinese were descended from the sons of Ham, that Confucius was Hermes Trismegistus/Moses and that the Chinese characters were abstracted hieroglyphs.
In Kircher\'s system, ideograms were inferior to hieroglyphs because they referred to specific ideas rather than to mysterious complexes of ideas, while the signs of the Maya and Aztecs were yet lower pictograms which referred only to objects. Umberto Eco comments that this idea reflected and supported the ethnocentric European attitude toward Chinese and native American civilizations;
\"China was presented not as an unknown barbarian to be defeated but as a prodigal son who should return to the home of the common father\"

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Plate size: - 12in x 8in (305mm x 205mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
One of Antoine Francois Prevosts monumental undertakings was his history of exploration & discovery in 15 volumes titledHistoire Générale des Voyages written between 1746-1759 and was extended to 20 volumes after his death by various authors.
The 20 volumes cover the early explorations & discoveries on 3 continents: Africa (v. 1-5), Asia (v. 5-11), and America (v. 12-15) with material on the finding of the French, English, Dutch, and Portugese.
A number of notable cartographers and engravers contributed to the copper plate maps and views to the 20 volumes including Nicolas Bellin, Jan Schley, Chedel, Franc Aveline, Fessard, and many others.
The African volumes cover primarily coastal countries of West, Southern, and Eastern Africa, plus the Congo, Madagascar, Arabia and the Persian Gulf areas.
The Asian volumes cover China, Korea, Tibet, Japan, Philippines, and countries bordering the Indian Ocean.
Volume 11 includes Australia and Antarctica.
Volumes 12-15 cover voyages and discoveries in America, including the East Indies, South, Central and North America.
Volumes 16-20 include supplement volumes & tables along with continuation of voyages and discoveries in Russia, Northern Europe, America, Asia & Australia.

Jakob van der Schley aka Jakob van Schley (1715 - 1779) was a Dutch draughtsman and engraver. He studied under Bernard Picart (1673-1733) whose style he subsequently copied. His main interests were engraving portraits and producing illustrations for \"La Vie de Marianne\" by Pierre Carlet de Chamblain de Marivaux (1688-1763) published in The Hague between 1735 and 1747.
He also engraved the frontispieces for a 15-volume edition of the complete works of Pierre de Brantôme (1540-1614), \"Oeuvres du seigneur de Brantôme\", published in The Hague in 1740.
He is also responsible for most of the plates in the Hague edition of Prévost\'s Histoire générale des voyages. (Ref: Tooley; M&B)

$90.00 USD
More Info
1750 Prevost, after Kircher, Antique Print Bridge over Yellow River, Xensi China

1750 Prevost, after Kircher, Antique Print Bridge over Yellow River, Xensi China

Description:
This fine original copper-plate engraved antique print a view of a single Arch Bridge over the Yellow River in Xensi Province near Chogan was engraved by Jakob van Schley -
after Athanasius Kirchers China Illustrated - was published in Antoine François Prevosts 15 volumes of Histoire Generale des Voyageswritten by Prevost & other authors between 1746-1790.

Athanasius Kircher, S.J. sometimes erroneously spelled Kirchner; Latin: Athanasius Kircherus, 1602 – 1680 was a German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Boscovich and to Leonardo da Vinci for his enormous range of interests, and has been honored with the title \"Master of a Hundred Arts\". He taught for more than forty years at the Roman College, where he set up a wunderkammer. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades.
Kircher claimed to have deciphered the hieroglyphic writing of the ancient Egyptian language, but most of his assumptions and translations in this field were later found to be nonsensical. He did, however, correctly establish the link between the ancient Egyptian and the Coptic languages, and some commentators regard him as the founder of Egyptology. Kircher was also fascinated with Sinology and wrote an encyclopedia of China, in which he noted the early presence there of Nestorian Christians while also attempting to establish links with Egypt and Christianity.
Kircher had an early interest in China, telling his superior in 1629 that he wished to become a missionary to that country. In 1667 he published a treatise whose full title was China monumentis, qua sacris qua profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata, and which is commonly known simply as China Illustrata, i.e. \"China Illustrated\". It was a work of encyclopedic breadth, combining material of unequal quality, from accurate cartography to mythical elements, such as a study of dragons. The work drew heavily on the reports of Jesuits working in China, in particular Michael Boymand Martino Martini.
China Illustrata emphasized the Christian elements of Chinese history, both real and imagined: the book noted the early presence of Nestorian Christians (with a Latin translation of the Nestorian Stele of Xi\'an provided by Boym and his Chinese collaborator, Andrew Zheng) but also claimed that the Chinese were descended from the sons of Ham, that Confucius was Hermes Trismegistus/Moses and that the Chinese characters were abstracted hieroglyphs.
In Kircher\'s system, ideograms were inferior to hieroglyphs because they referred to specific ideas rather than to mysterious complexes of ideas, while the signs of the Maya and Aztecs were yet lower pictograms which referred only to objects. Umberto Eco comments that this idea reflected and supported the ethnocentric European attitude toward Chinese and native American civilizations;
\"China was presented not as an unknown barbarian to be defeated but as a prodigal son who should return to the home of the common father\"

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, green, pink
General color appearance: - Authentic
Paper size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Plate size: - 12in x 8in (305mm x 205mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
One of Antoine Francois Prevosts monumental undertakings was his history of exploration & discovery in 15 volumes titledHistoire Générale des Voyages written between 1746-1759 and was extended to 20 volumes after his death by various authors.
The 20 volumes cover the early explorations & discoveries on 3 continents: Africa (v. 1-5), Asia (v. 5-11), and America (v. 12-15) with material on the finding of the French, English, Dutch, and Portugese.
A number of notable cartographers and engravers contributed to the copper plate maps and views to the 20 volumes including Nicolas Bellin, Jan Schley, Chedel, Franc Aveline, Fessard, and many others.
The African volumes cover primarily coastal countries of West, Southern, and Eastern Africa, plus the Congo, Madagascar, Arabia and the Persian Gulf areas.
The Asian volumes cover China, Korea, Tibet, Japan, Philippines, and countries bordering the Indian Ocean.
Volume 11 includes Australia and Antarctica.
Volumes 12-15 cover voyages and discoveries in America, including the East Indies, South, Central and North America.
Volumes 16-20 include supplement volumes & tables along with continuation of voyages and discoveries in Russia, Northern Europe, America, Asia & Australia.

Jakob van der Schley aka Jakob van Schley (1715 - 1779) was a Dutch draughtsman and engraver. He studied under Bernard Picart (1673-1733) whose style he subsequently copied. His main interests were engraving portraits and producing illustrations for \"La Vie de Marianne\" by Pierre Carlet de Chamblain de Marivaux (1688-1763) published in The Hague between 1735 and 1747.
He also engraved the frontispieces for a 15-volume edition of the complete works of Pierre de Brantôme (1540-1614), \"Oeuvres du seigneur de Brantôme\", published in The Hague in 1740.
He is also responsible for most of the plates in the Hague edition of Prévost\'s Histoire générale des voyages. (Ref: Tooley; M&B)

$90.00 USD
More Info
1814 John Murray Antique Print of a Chinese Soldier with a Matchlock Rifle

1814 John Murray Antique Print of a Chinese Soldier with a Matchlock Rifle

Description: 
This fine beautifully hand coloured original antique print was published in 1814 - the date is engraved below the image - and was published by John Murray in Picturesque Representations of the Dress and Manners of the Chinese by William Alexander. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original 
Colors used: - Green, yellow, red, blue 
General color appearance: - Authentic  
Paper size: - 13in x 11in (330mm x 280mm)
Plate size: - 9 1/2in x 7in (240mm x 180mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$275.00 USD
More Info
1814 John Murray Antique Print of a Chinese Family Having a Meal, China

1814 John Murray Antique Print of a Chinese Family Having a Meal, China

Description: 
This fine beautifully hand coloured original antique print was published in 1814 - the date is engraved below the image - and was published by John Murray in Picturesque Representations of the Dress and Manners of the Chinese by William Alexander. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original 
Colors used: - Green, yellow, red, blue 
General color appearance: - Authentic  
Paper size: - 13in x 11in (330mm x 280mm)
Plate size: - 9 1/2in x 7in (240mm x 180mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$275.00 USD
More Info
1814 John Murray Antique Print of a Chinese Servant on Horseback, China

1814 John Murray Antique Print of a Chinese Servant on Horseback, China

  • Title : China - Plate 18 - A Mandarins Servant on Horseback
  • Date : 1814
  • Condition: (A+) Fine Condition
  • Ref:  25461
  • Size: 13in x 11in (330mm x 280mm)

Description: 
This fine beautifully hand coloured original antique print of a Chinese Mandarins Servant on Horseback - plate # 18 - was published in 1814 - the date is engraved below the image - and was published by John Murray in Picturesque Representations of the Dress and Manners of the Chinese by William Alexander. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original 
Colors used: - Green, yellow, red, blue 
General color appearance: - Authentic  
Paper size: - 13in x 11in (330mm x 280mm)
Plate size: - 9 1/2in x 7in (240mm x 180mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$275.00 USD
More Info
1750 Prevost & Nieuhoff Antique Print View of the Zoushan Archip. Zhejiang China

1750 Prevost & Nieuhoff Antique Print View of the Zoushan Archip. Zhejiang China

  • Title: Montagne Des Cinq Tetes De Cheval Pres De Chau Cheu Fu
  • Date: 1747
  • Condition : (A+) Fine Condition
  • Ref: 15850
  • Size: 14in x 10in (355mm x 255mm)

Description:
This fine original copper-plate engraved antique print a view of the Islands of Zoushan in the in north-eastern Zhejiang Province of eastern China was engraved by Jakob van Schley - after Johannes Nieuhoff - and was published in Antoine François Prevosts 15 volumes of Histoire Generale des Voyageswritten by Prevost & other authors between 1746-1790.

Johannes Nieuhoff (1618-72) was a Dutch diplomat and adventurer, who was perhaps the most widely traveled individual of the seventeenth-century. His experiences included important expeditions to various locations in Brazil, Africa, India, Indonesia, and China. From 1655-57, Nieuhoff made an epic 2,400 trek through China, from Canton to Beijing.
During his Chinese expedition he made numerous drawings of the sites he encountered, including the port town of Chau Cheu Fu in the southern province of Guandong, which was the basis for the present print. Nieuhoff’s important written account, along with engravings of his drawings was first published as Legatio batavica ad magnum Tartariæ chamum Sungteium, modernum Sinæ imperatorem (Amsterdam, 1668). His illustrations proved to be highly influential, as they did much to spawn the genre of chinoiserie in European art and design.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Ewarly
Colors used: - Green, yellow, pink
General color appearance: - Authentic
Paper size: - 14in x 10in (365mm x 250mm)
Plate size: - 12in x 8in (305mm x 205mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
One of Antoine Francois Prevosts monumental undertakings was his history of exploration & discovery in 15 volumes titledHistoire Générale des Voyages written between 1746-1759 and was extended to 20 volumes after his death by various authors.
The 20 volumes cover the early explorations & discoveries on 3 continents: Africa (v. 1-5), Asia (v. 5-11), and America (v. 12-15) with material on the finding of the French, English, Dutch, and Portugese.
A number of notable cartographers and engravers contributed to the copper plate maps and views to the 20 volumes including Nicolas Bellin, Jan Schley, Chedel, Franc Aveline, Fessard, and many others.
The African volumes cover primarily coastal countries of West, Southern, and Eastern Africa, plus the Congo, Madagascar, Arabia and the Persian Gulf areas.
The Asian volumes cover China, Korea, Tibet, Japan, Philippines, and countries bordering the Indian Ocean.
Volume 11 includes Australia and Antarctica.
Volumes 12-15 cover voyages and discoveries in America, including the East Indies, South, Central and North America.
Volumes 16-20 include supplement volumes & tables along with continuation of voyages and discoveries in Russia, Northern Europe, America, Asia & Australia.

Jakob van der Schley aka Jakob van Schley (1715 - 1779) was a Dutch draughtsman and engraver. He studied under Bernard Picart (1673-1733) whose style he subsequently copied. His main interests were engraving portraits and producing illustrations for \"La Vie de Marianne\" by Pierre Carlet de Chamblain de Marivaux (1688-1763) published in The Hague between 1735 and 1747.
He also engraved the frontispieces for a 15-volume edition of the complete works of Pierre de Brantôme (1540-1614), \"Oeuvres du seigneur de Brantôme\", published in The Hague in 1740.
He is also responsible for most of the plates in the Hague edition of Prévost\'s Histoire générale des voyages. (Ref: Tooley; M&B)

$125.00 USD
More Info
1755 Prevost & Schley Antique Print View of Fortress in Beijing Rivers, China

1755 Prevost & Schley Antique Print View of Fortress in Beijing Rivers, China

  • Title: Forteresse de Tyen Tsing Wey, tiree de Nieuhof
  • Date: 1755
  • Condition : (A+) Fine Condition
  • Ref: 34146
  • Size: 16in x 10in (400mm x 255mm)

Description:
This fine, original copper-plate engraved antique print of view of the Fortress - long ago demolished - guarding the cross roads of the meeting of the major rivers in Beijing (Peking) by Jakob van Schley - after Nieuhoff - in 1755 was published in Antoine François Prevosts 15 volumes of Histoire Generale des Voyages written by Prevost & other authors between 1746-1789.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 16in x 10in (400mm x 255mm)
Plate size: - 12in x 8 1/2in (305mm x 215mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Several major rivers, including the Yongding, Chaobai, Juma and Wenyu flow through Beijing Municipality. They originate in the highlands of Hebei and Shanxi, cut through the mountains west and north of the city, and eventually flow into the Hai River, which empties into the Bohai Sea. Over the centuries, the hydrologists have channeled rivers through the city into man-made lakes, moats, channels and aqueducts, which provide water to the city and drain its refuse, but no longer threaten Beijing with flooding.

$149.00 USD
More Info