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• Title : Prima Europe Tabula
• Date : 1486
  
• Size: 20 1/2in x 15 1/2in (552mm x 397mm)
• Condition: (A+) Fine Condition
• Ref:  92669

This original hand coloured wood-block engraved very early, rare antique map of Great Britain & Ireland was published in the 1486 Ulm edition & translation of Claudius Ptolemys (87-150) text, published in the 2nd edition of Lienhart Holles & by Johann Reger  atlas Claudii Ptolomei .... Cosmographie ... Opus Donni Nicolai Germani Secvndvm Ptolomevm Finit, Ulm, Germany. (Shirley 5)

This is a unique & very rare map and only the 4th map of the British Isles printed, published only 47 years after Johannes Gutenbergs invention of the moveable type printing press in 1439.
The two edition of Lienhart Holles atlases were published in 1482 & 1486. The 1482 Ulm edition of Ptolemys Geographia was the first edition printed north of the Alps  and the first to appear in color, applied by the publisher.
The 1482 Ulm edition was one of the most important cartographic texts of the early Renaissance and the first edition of the work to be printed outside Italy. The text for this edition was based upon a manuscript translated into Latin by Jacobus Angeli and edited by Nicolaus Germanus that had been brought to Ulm from Rome in 1468. The Ulm Ptolemy was published in 1482 by Lienhart Holle, the same year as Berlingheris Florence edition. Ashley Baynton Williams notes:.........Working independently of Berlinghieri, but apparently using the same or similar models, Holle also added modern maps of Spain, France, Italy and Palestine, but also the first printed map of Scandinavia, composed by Cornelius Clavus, circa 1425-7 . Holles maps were printed from woodcuts, and are characterised by heavy wash colouring for the sea areas, typically a rich blue for the 1482 edition, and an ochre for the 1486 edition. These bright colours, and the greater sense of age that woodcuts convey, make this series the most visually appealing of the Ptolemeic maps.........
Holle went bankrupt shortly after the original publication and the work was taken over by Johann Reger, who issued a second edition in 1486.

This large map is in fine condition on strong sturdy paper, the printing impression is heavy and clear. The colour is original and beautifully applied. There has been professional restoration to the L&R bottom corners. No loss of original paper and restrengthened on the verso. The centerfold has been re-strengthened, on the verso, with some light creasing and rippling.

General Condition:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Original
Colors used: - Yellow, green, red, brown.
General color appearance: - Authentic and fresh
Paper size: - 20 1/2in x 15 1/2in (552mm x 397mm)
Image size: -14 1/2in x 14 1/2in x 20 1/4in (369mm x 369mm (upper margin) 511 mm (lower margin)
Margins: - Min 1/4in (6mm)

Imperfections:
Margins: - Light discolouration & soiling.
Plate area: - Bottom L&R corners restored, no loss. Light creasing and rippling
Verso: - Re-enforced along center-fold and L&R bottom corners

Background: The first editions of Ptolemys Geographia Atlas was published in Italy in 1477 and republished in 1478 & 1482. The next atlas to be published was north of the Alps by Lienhart Holle, in Ulm, Germany in 1482. Holles maps were printed from woodcuts, and are distinct with their heavy wash colouring for the sea areas, typically a rich blue for the 1482 edition, and an ochre for the 1486 edition. These bright colours, and the greater sense of age that woodcuts convey, make this series of maps one of the most visually attractive.

Claudius Ptolemy:  (87-150) was an Egyptian astronomer and geographer living and studying in Alexandria. Alexandria was not only the home of the greatest library of any period, but was also one of the most important trade centres between west and east - here Ptolemy could not only study ancient authorities, but could also consult contemporary travellers and merchants. From this wealth of accumulated knowledge, Ptolemy composed his <i>Geographia</i>, a work of considerable genius, which dominated the whole of the Christian and Moslem world for 1,500 years (Tooley).
It was Ptolemy who introduced the concept of latitude and longitude to form a grid to cover the whole world, so that it would be possible to plot the position of principal land-marks on the map by observations, and then fill in other information from other sources, including the notes and Itinerary of Marinus of Tyre, perhaps the most accurate source available.
Unfortunately Ptolemy was hampered by the paucity of observations - as a result he exaggerated the length of the Mediterranean by over 20 degrees -and by lack of information which was often circumvented by invention. Despite these errors, which persisted for nearly 1,500 years, the work was of fundamental importance at a time when little was being done in the way of modern mapping. As a result of this work, which was so far in advance of anything before or anything produced in the next 1,500 years, Ptolemy has earned the reputation and accolade, the father of geography (Tooley).

Re-discovery of the Ptolemy Texts:  Following the fall of the Roman Empire, Ptolemys text was lost to western geographers. The earliest extant manuscript version of the Geographia is Arabic, and probably dates from the 12th Century.  Subsequently, the text was translated into Greek, and circulated through the Greek World. In about 1400 a Greek manuscript came into the hands of the Byzantine scholar, Emanuel Chrysolaras, who was working in Italy.  Chrysolaras undertook a translation of the text into Latin, and completed by his pupil Jacopo dAngelo, in 1406. The Greek manuscript that Angelo translated was apparently lacking maps, but the data in the text contained the information to construct a set of maps, and numbers of scholars set about such work.  Of them, the most influential, was Donnus Nicolaus Germanus, a German cartographer, active in Italy from the 1460s to 1480s.  He was a prolific editor of the text and maps, and his work formed the basis for three of the four sets of Ptolemaic maps printed in the fifteenth Century, with the fourth, accompanying Berlinghieris Geographia, strongly influenced by him .

The first printed versions of Ptolemys Text:  The first published edition of the Geographia with maps, which were probably engraved by Taddeo Crivelli, was issued in Bologna in 1477. Conrad Sweynheym was also working on an edition of Ptolemy in Rome in the same period.  After his death, Arnold Buckinck, saw the atlas through the press, in 1478.  Of the engraved editions of Ptolemys Cosmographia the maps in the Rome edition are the finest fifteenth century examples, and second only to Mercators maps, from his 1578 edition. The atlas proved popular, and three successive editions (to 1508) followed. In 1482, Nicolas Laurentii published a set of Ptolemaic maps to illustrate Francesco Berlinghieri Geographia.
The first edition of Ptolemys Geographia printed outside Italy was published by Lienhart Holle, in Ulm, also in 1482. Holles maps were printed from woodcuts, and are characterised by heavy wash colouring for the sea areas, typically a rich blue for the 1482 edition, and an ochre for the 1486 edition. These bright colours, and the greater sense of age that woodcuts convey, make this series the most visually appealing of these various sets of maps.

Later Editions of Ptolemy:  Next in chronological sequence, and the most unusual of the editions of Ptolemy, was that  published by Jacobus Pentius de Leucho in Venice in 1511, edited by Bernardus Sylvanus. Martin Waldseemullers edition of Ptolemy, first published in 1513, is the most important of the sixteenth century editions.  Waldseemullers edition was reprinted in 1520, and then the maps were re-drawn by Lorenz Fries on a smaller format, for editions published in 1522, 1525, 1535 and 1541. The next to produce an edition of Ptolemy was Sebastian Munster, who worked in Basle.  Munster was one of the leading geographers and cartographers of his period, and he diligently set about revising and improving the maps. Giacomo Gastaldi, one of the leading cartographers of the sixteenth century, composed a set of maps for an edition of the Geographia, published in Venice in 1548.  Of all the editions of Ptolemy, that prepared by Gerard Mercator, and published in 1578, is technically the finest, with the World map being a particularly fine engraving. This atlas is, also, noteworthy for its longevity, the original printing plates were still in use in 1730, over one hundred and fifty years after they were first engraved. (Ref: Shirley 5; Stevenson; Tooley; M&B; MapForum)

• Title : America Meridionalis
• Date : 1628
  
• Size: 22in x 18 1/2in (560mm x 470mm)
• Condition: (A+) Fine Condition
• Ref:  35645 

Description:
This superb, original antique hand coloured folio map of South America, was engraved by Jodocus Hondius & published by his son Henricus for the continuation of Gerard Mercators 1628 French edition of Atlas.
This map is in superb condition with beautiful hand colouring, a deep heavy imprint denoting an early pressing on clean, heavy paper. Original margins, one of the best I have seen for sometime.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 22in x 18 1/2in (560mm x 470mm)
Plate size: - 19 1/2in x 14 1/4in (495mm x 363mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The interior of the map is dominated by the large mythical lake Parime Lacus straddling the equator below Venezuela along with an interesting & mythical continental river system. The huge Rio de la Plata river flows south from the conjectural Eupana Lacus in Brazil, while the R. Grande flows north from the same lake, ostensibly making Brazil an island.
The Strait of Magellan is represented, but Tierra del Fuego (Fogo) is named as part of the mythical Great Southern Land instead of an island.
The map is beautifully engraved with a stippled wave pattern Pacific & Atlantic Oceans, filled with Spanish & English ships, sea monsters and native canoe. The continent is flanked by two elaborate Baroque cartouches; title to the right and a large inset plan of the Capital of the Ancient Incan Empire, Cuzco. A sole representation of the conquered Native Americans is engraved as a lone Indian with a bow and arrow in the interior of Patgonia.

Between 1452 and 1493, a series of papal bulls (Dum Diversas, Romanus Pontifex, and Inter caetera) paved the way for the European colonization and Catholic missions in the New World. These authorized the European Christian nations to \"take possession\" of non-Christian lands and encouraged subduing and converting the non-Christian people of Africa and the Americas.
In 1494, Portugal and Spain, the two great maritime powers of that time, signed the Treaty of Tordesillas in the expectation of new lands being discovered in the west. Through the treaty they agreed that all the land outside Europe should be an exclusive duopoly between the two countries. The treaty established an imaginary line along a north-south meridian 370 leagues west of Cape Verde Islands, roughly 46° 37\' W. In terms of the treaty, all land to the west of the line (which is now known to include most of the South American soil), would belong to Spain, and all land to the east, to Portugal. Because accurate measurements of longitude were not possible at that time, the line was not strictly enforced, resulting in a Portuguese expansion of Brazil across the meridian.
In 1498, during his third voyage to the Americas, Christopher Columbus sailed near the Orinoco Delta and then landed in the Gulf of Paria (Actual Venezuela). Amazed by the great offshore current of freshwater which deflected his course eastward, Columbus expressed in his moving letter to Isabella I and Ferdinand II that he must have reached heaven on Earth (terrestrial paradise):
Great signs are these of the Terrestrial Paradise, for the site conforms to the opinion of the holy and wise theologians whom I have mentioned. And likewise, the [other] signs conform very well, for I have never read or heard of such a large quantity of fresh water being inside and in such close proximity to salt water; the very mild temperateness also corroborates this; and if the water of which I speak does not proceed from Paradise then it is an even greater marvel, because I do not believe such a large and deep river has ever been known to exist in this world.
Beginning in 1499, the people and natural resources of South America were repeatedly exploited by foreign conquistadors, first from Spain and later from Portugal. These competing colonial nations claimed the land and resources as their own and divided it into colonies.
European diseases (smallpox, influenza, measles and typhus) to which the native populations had no resistance were the overwhelming cause of the depopulation of the Native American population. Cruel systems of forced labor (such as encomiendas and mining industry\'s mita) under Spanish control also contributed to depopulation. Lower bound estimates speak of a decline in the population of around 20–50 per cent, whereas high estimates arrive at 90 per cent.[42] Following this, African slaves, who had developed immunity to these diseases, were quickly brought in to replace them.
The Spaniards were committed to converting their American subjects to Christianity and were quick to purge any native cultural practices that hindered this end. However, most initial attempts at this were only partially successful; American groups simply blended Catholicism with their traditional beliefs. The Spaniards did not impose their language to the degree they did their religion. In fact, the missionary work of the Roman Catholic Church in Quechua, Nahuatl, and Guarani actually contributed to the expansion of these American languages, equipping them with writing systems.
Eventually the natives and the Spaniards interbred, forming a Mestizo class. Mestizos and the Native Americans were often forced to pay unfair taxes to the Spanish government (although all subjects paid taxes) and were punished harshly for disobeying their laws. Many native artworks were considered pagan idols and destroyed by Spanish explorers. This included a great number of gold and silver sculptures, which were melted down before transport to Europe.
In 1616, the Dutch, attracted by the legend of El Dorado, founded a fort in Guayana and established three colonies: Demerara, Berbice, and Essequibo.
In 1624 France attempted to settle in the area of modern-day French Guiana, but was forced to abandon it in the face of hostility from the Portuguese, who viewed it as a violation of the Treaty of Tordesillas. However French settlers returned in 1630 and in 1643 managed to establish a settlement at Cayenne along with some small-scale plantations.
Since the sixteenth century there were some movements of discontent to Spanish and Portuguese colonial system. Among these movements, the most famous being that of the Maroons, slaves who escaped their masters and in the shelter of the forest communities organized free communities. Attempts to subject them by the royal army was unsuccessful, because the Maroons had learned to master the South American jungles. In a royal decree of 1713, the king gave legality to the first free population of the continent: Palenque de San Basilio in Colombia today, led by Benkos Bioho. Brazil saw the formation of a genuine African kingdom on their soil, with the Quilombo of Palmares.
Between 1721 and 1735, the Revolt of the Comuneros of Paraguay arose, because of clashes between the Paraguayan settlers and the Jesuits, who ran the large and prosperous Jesuit Reductions and controlled a large number of Christianized Indians.
Between 1742 and 1756, was the insurrection of Juan Santos Atahualpa in the central jungle of Peru. In 1780, the Viceroyalty of Peru was met with the insurrection of curaca Condorcanqui or Tupac Amaru II, which would be continued by Tupac Catari in Upper Peru.
In 1763, the African Cuffy led a revolt in Guyana which was bloodily suppressed by the Dutch. In 1781, the Revolt of the Comuneros (New Granada), an insurrection of the villagers in the Viceroyalty of New Granada, was a popular revolution that united indigenous people and mestizos. The villagers tried to be the colonial power and despite the capitulation were signed, the Viceroy Manuel Antonio Flores did not comply, and instead ran to the main leaders José Antonio Galán. In 1796, Essequibo (colony) of the Dutch was taken by the British, who had previously begun a massive introduction of slaves.
During the eighteenth century, the figure of the priest, mathematician and botanist José Celestino Mutis (1732–1808), was delegated by the Viceroy Antonio Caballero y Gongora to conduct an inventory of the nature of the Nueva Granada, which became known as the Botanical Expedition, which classified plants, wildlife and founded the first astronomical observatory in the city of Santa Fé de Bogotá.
On August 15, 1801, the Prussian scientist Alexander von Humboldt reached Fontibón where Mutis, and began his expedition to New Granada, Quito. The meeting between the two scholars are considered the brightest spot of the botanical expedition. Humboldt also visited Venezuela, Mexico, United States, Chile, and Peru. Through his observations of temperature differences between the Pacific Ocean between Chile and Peru in different periods of the year, he discovered cold currents moving from south to north up the coast of Peru, which was named the Humboldt Current in his honour.
Between 1806 and 1807, British military forces tried to invade the area of the Rio de la Plata, at the command of Home Riggs Popham and William Carr Beresford, and John Whitelocke. The invasions were repelled, but powerfully affected the Spanish authority.

• Title : Legionis, Biscaiae Et Guipiscoae Typus
• Date : 1628
  
• Size: 22 1/2in x 18 1/2in (570mm x 470mm)
• Condition: (A+) Fine Condition
• Ref:  35641

Description:
This beautifully engraved hand coloured original antique map of Basque Region of Spain was published in the 1628 French edition of Mercator's atlas by Jan Jansson and Henricus Hondius.
These maps, published in the later editions of Mercators atlas, are derived from the original maps drawn and engraved by Gerald Mercator in the mid to late 16th century, published by his son Rumold as an atlas, after his death, in 1595. After two editions the plates were purchased by Jodocus Hondius in 1604 and continued to be published until the mid 1630's when the plates were re-engraved and updated by Jan Jansson and Henricus Hondius.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original & later
Colors used: - Yellow, green, pink
General color appearance: - Authentic
Paper size: - 22 3/4in x 19 3/4in (580mm x 500mm)
Plate size: - 20in x 13 3/4in (500mm x 350mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

• Title : Turcici Imperii Imago
• Date : 1628
  
• Size: 22 1/2in x 18 1/2in (570mm x 470mm)
• Condition: (A-) Good Condition
• Ref:  35642

Description:
This beautifully engraved hand coloured original antique map of The Ottoman Empire in the mid 17th century from Saudi Arabia to southern Europe was published in the 1628 French edition of Mercator's atlas by Jan Jansson and Henricus Hondius.
These maps, published in the later editions of Mercators atlas, are derived from the original maps drawn and engraved by Gerald Mercator in the mid to late 16th century, published by his son Rumold as an atlas, after his death, in 1595. After two editions the plates were purchased by Jodocus Hondius in 1604 and continued to be published until the mid 1630's when the plates were re-engraved and updated by Jan Jansson and Henricus Hondius.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original & later
Colors used: - Yellow, green, pink
General color appearance: - Authentic
Paper size: - 22 3/4in x 19 3/4in (580mm x 500mm)
Plate size: - 20in x 13 3/4in (500mm x 350mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light soiling, small wormhole, light creasing
Plate area: - Small loss and creasing along centerfold
Verso: - Light soiling and creasing

Background:
The Ottoman Empire also historically known in Western Europe as the Turkish Empire or simply Turkey, was a state that controlled much of Southeast Europe, Western Asia and North Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Oghuz Turkish tribal leader Osman I. After 1354, the Ottomans crossed into Europe, and with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the 1453 conquest of Constantinople by Mehmed the Conqueror.
During the 16th and 17th centuries, at the height of its power under the reign of Suleiman the Magnificent, the Ottoman Empire was a multinational, multilingual empire controlling most of Southeast Europe, parts of Central Europe, Western Asia, parts of Eastern Europe and the Caucasus, North Africa and the Horn of Africa. At the beginning of the 17th century, the empire contained 32 provinces and numerous vassal states. Some of these were later absorbed into the Ottoman Empire, while others were granted various types of autonomy during the course of centuries.
With Constantinople as its capital and control of lands around the Mediterranean basin, the Ottoman Empire was at the centre of interactions between the Eastern and Western worlds for six centuries. While the empire was once thought to have entered a period of decline following the death of Suleiman the Magnificent, this view is no longer supported by the majority of academic historians. The empire continued to maintain a flexible and strong economy, society and military throughout the 17th and much of the 18th century. However, during a long period of peace from 1740 to 1768, the Ottoman military system fell behind that of their European rivals, the Habsburg and Russian empires. The Ottomans consequently suffered severe military defeats in the late 18th and early 19th centuries, which prompted them to initiate a comprehensive process of reform and modernisation known as the Tanzimat. Thus, over the course of the 19th century, the Ottoman state became vastly more powerful and organised, despite suffering further territorial losses, especially in the Balkans, where a number of new states emerged. The empire allied with Germany in the early 20th century, hoping to escape from the diplomatic isolation which had contributed to its recent territorial losses, and thus joined World War I on the side of the Central Powers. While the Empire was able to largely hold its own during the conflict, it was struggling with internal dissent, especially with the Arab Revolt in its Arabian holdings. During this time, atrocities were committed by the Ottoman government against the Armenians, Assyrians and Pontic Greeks.
The Empire\'s defeat and the occupation of part of its territory by the Allied Powers in the aftermath of World War I resulted in its partitioning and the loss of its Middle Eastern territories, which were divided between the United Kingdom and France. The successful Turkish War of Independence against the occupying Allies led to the emergence of the Republic of Turkey in the Anatolian heartland and the abolition of the Ottoman monarchy.

• Title : Regni Valentiae Typus
• Date : 1628
  
• Size: 22 1/2in x 18 1/2in (570mm x 470mm)
• Condition: (A+) Fine Condition
• Ref:  35640

Description:
This beautifully engraved hand coloured original antique map of Valencia Region of Spain was published in the 1628 French edition of Mercator's atlas by Jan Jansson and Henricus Hondius.
These maps, published in the later editions of Mercators atlas, are derived from the original maps drawn and engraved by Gerald Mercator in the mid to late 16th century, published by his son Rumold as an atlas, after his death, in 1595. After two editions the plates were purchased by Jodocus Hondius in 1604 and continued to be published until the mid 1630's when the plates were re-engraved and updated by Jan Jansson and Henricus Hondius.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original & later
Colors used: - Yellow, green, pink
General color appearance: - Authentic
Paper size: - 22 3/4in x 19 3/4in (580mm x 500mm)
Plate size: - 20in x 13 3/4in (500mm x 350mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - None

• Title : Guilielmus Hondius, Calcographus Hagae Comitis. Ant. van Dyck pinxit, Guil. Hondius sculp
• Date : 1630-40
  
• Size: 9 3/4in x 7in (250mm x 180mm)
• Condition: (A) Very Good Condition
• Ref:  91420

Description:
This original copper-plate engraved antique print of Guillaume Hondius, was engraved by himself (Guillaume Hondius) after the famous Flemish painter Anthony van Dyck 1599 - 1641 as part of his Iconographie series of engraved portraits of famous people at the time, between 1630-40.

A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Guillaume Hondius' stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. This piece is intriguing because the subject and the engraver are one and the same, yet the image essentially is still Van Dyck's. Guillaumine Hondius engraves himself through the eyes of Van Dyck, depicted with kind eyes, a broad nose, and a pointy chin. Hondius stands with a calm demeanor, holding up his elaborately draped garment with his left hand and gazing straight out at us.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 9 3/4in x 7in (250mm x 180mm)
Plate size: - 9 3/4in x 7in (250mm x 180mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Age toning
Plate area: - Age toning
Verso: - Dark age toning

Background:
Anthony van Dyck (also spelled van Dyke) was a renowned Flemish Baroque painter born on March 22, 1599, in Antwerp, Belgium, and died on December 9, 1641, in London, England. He is widely regarded as one of the most influential portrait painters of his time, known for his elegant and refined style.

Van Dyck showed great artistic talent from a young age and began his artistic training under the guidance of Hendrick van Balen, a local painter in Antwerp. Recognizing his potential, his parents enrolled him as an apprentice with Peter Paul Rubens, the leading Flemish painter of the time. Van Dyck spent six years in Rubens' studio, absorbing the master's techniques and developing his own skills.

By the age of 19, van Dyck had already established himself as an accomplished artist and was admitted as a master to the Antwerp Guild of Saint Luke. He primarily focused on religious and mythological subjects during his early years, reflecting the influence of Rubens' style. However, van Dyck soon turned his attention to portraiture, a genre that would bring him great success and recognition.

In the early 1620s, van Dyck traveled to Italy, where he spent several years studying the works of Italian Renaissance masters such as Titian and Tintoretto. This period of Italian sojourn greatly influenced his artistic style, leading to a refinement and sophistication in his portraiture. He became particularly renowned for his ability to capture the personality and character of his sitters, employing a sensitive and flattering approach.

Upon his return to Antwerp in 1627, van Dyck's reputation as a portraitist had grown significantly, attracting commissions from aristocrats, nobles, and prominent figures of the time. His portraits exuded a sense of grandeur and elegance, often featuring his subjects in elaborate costumes and settings. Van Dyck's remarkable talent for capturing the likeness and personality of his sitters earned him patrons and clients across Europe.

In 1632, van Dyck was invited to England by King Charles I, who had heard of his remarkable skill as a portrait painter. He was appointed as the court artist and granted a knighthood, becoming Sir Anthony van Dyck. During his time in England, van Dyck produced numerous portraits of the royal family, aristocracy, and influential figures of the British court. His ability to convey grace, poise, and nobility in his subjects revolutionized the art of portraiture in England.

Van Dyck's impact on English art was profound, and he played a crucial role in elevating the status of portrait painting within the art world. His influence extended beyond his lifetime, as many English portraitists were inspired by his style and approach. Van Dyck's legacy can be seen in the works of later artists such as Thomas Gainsborough, Joshua Reynolds, and Thomas Lawrence.

Despite his success, van Dyck's life was plagued by financial troubles and personal difficulties. He led a lavish lifestyle and accumulated significant debts, which he struggled to repay. Moreover, his health deteriorated in his later years, possibly due to the strain of his extensive work. Van Dyck passed away in London at the age of 42, leaving behind a rich artistic legacy.

Anthony van Dyck's mastery of portraiture, characterized by his skillful rendering of his subjects' individuality and his elegant style, has made him one of the most celebrated painters in art history. His works continue to be admired and studied, serving as a testament to his enduring influence and artistic brilliance.

Hondius, Guillaume or Willem (1598/9 - 1658/60)
Willem Hondius was one of seven children of Hendrik Hondius the Elder (1573 – c. 1649) and Sara Jansdochter. His father was one of the most important Dutch reproductive printmakers and publishers in the early 17th century. A connection with the Hondius family of cartographers in Amsterdam is possible but has not been established.
In 1636 Willem visited Danzig in Poland. In 1641 he moved there from The Hague for good. Hondius was supported at the royal court of King Władysław IV Waza. The King awarded him the title of Chalcographus privilegialus (privileged engraver) and Chalcographus Regius (Royal engraver).
He was married twice, first in 1632 in The Hague to Kornelia van den Enden, secondly in 1646 in Danzig to Anna Mackensen, daughter of the Royal Goldsmith.
In August 1651, in the wake of the Khmelnytsky Uprising, Hondius joined the army of Janusz Radziwiłł conquering Kiev. The first ever portrait of the famous Cossack leader Bohdan Khmelnytsky was engraved during this campaign.
Nothing is known of Hondius after 1652, though he may have lived until 1658.

• Title : Japonia nova Descriptio
• Date : 1652
  
• Size: 22 1/2in x 18in (570mm x 455mm)
• Condition: (A+) Fine Condition
• Ref:  35644

Description:
This fine, beautifully hand coloured original  antique, early scarce map of Japan & Korea (as an Island) with parts of eastern China was published in the 1639 French edition of Gerardi Mercators Atlantis Novi Atlas by Jan Jansson and Henricus Hondius.
A beautiful map with sturdy, clean paper original wide margins and beautiful original hand colouring.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Green, red, orange, yellow, blue
General color appearance: - Authentic
Paper size: - 22 1/2in x 18in (570mm x 455mm)
Plate size: - 17 1/2in x 13 1/2in (445mm x 340mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - Uplift along centerfold
Verso: - Re-enforced along centerfold

Background:
This map published by Jansson is taken directly from the Jodocus Hondius map - first published in 1606 - of Japan which faithfully followed the Ortelius/Teixeira style. Jansson has added an explanation for Korea, saying he  was not yet certain whether it was an island or part of the mainland. The rest of Jansson's changes were ornamental, replacing the bottom Chinese Junk with a European ship & monster as well as changing the title and scale cartouches.
Luis Teixeira'a map, which was published by Ortelius in 1595, began a process  that would last for three centuries, in which Western printed maps of Japan increasingly approached geographical reality.

• Title : The Countye of Monmouth Anno 1610
• Date : 1676
  
• Size: 21in x 16in (535mm x 405mm)
• Condition: (A+) Fine Condition
• Ref:  35623

Description:
This original hand coloured copper plate engraved antique county map & views of Monmouth Shire and Monmouth City by John Speed was published in the 1676 Bassett & Chiswell edition of Speeds famous atlas The Theatre of the Empire of Great Britaine.
The map is embellished with the famous birds-eye views of the county and city with descriptive text on the verso.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 21in x 16in (535mm x 405mm)
Plate size: - 20 1/2in x 15 1/4in (520mm x 385mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - Age toning
Plate area: - Age toning
Verso: - Age toning

Background:
John Speeds The Theatre of the Empire of Great Britaine was published in 1610/11 by John Sudbury and George Humble, and contained the first set of individual county maps of England and Wales besides maps of Ireland and a general map of Scotland. Most, but not all, of the county maps have town plans on them; those showing a Scale of Passes being the places he had mapped himself. The county maps were the first consistent attempt to show territorial divisions, such as boundaries of hundreds, but it was Speed’s town plans that were a major innovation and probably his greatest contribution to British cartography. The Theatre was an immediate success: the first print run of around 500 copies must have sold quickly because many editions followed. Sudbury and Humble realized, given the increasing popularity of both county and world atlases and in the light of the success of Abraham Ortelius’s Theatrum Orbis Terrarum, the potential demand for an English world atlas.

In 1627, two years before his death, Speed published Prospect of the Most Famous Parts of the World with 21 finely engraved maps, which was the first world atlas produced by an Englishman. There is a fascinating text describing the areas shown on the back of the maps in English, although a rare edition of 1616 of the British maps has a Latin text – this is believed to have been produced for the Continental market. Its maps are famous for their bordering panels of national characters in local costume and panoramic views depicting the areas of major towns and cities. Much of the engraving was done in Amsterdam at the workshop of Jodocus Hondius. The maps of the world and America show California as an island and are amongst the earliest ever printed to depict this seventeenth-century cartographic myth.

• Title : Guillaue De L Isle Geb. zu Paris d. 28 Febr. 1675 gest. ebendas d. 25 Jan 1726
• Date : 1808
  
• Size: 7in x 4 1/2in (180mm x 115mm)
• Condition: (A+) Fine Condition
• Ref:  91417

Description:
This original copper-plate engraved antique print, a portrait of the famous cartographer Guillaume Delisle, by Jean Henri Cless was published in 1808 in Allgemeine Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia) by Friedrich Bertuch

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 7in x 4 1/2in (180mm x 115mm)
Plate size: - 5 1/2in x 3 1/2in (140mm x 90mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
Following the long period of Dutch domination, the Homann family became the most important map publishers in Germany in the eighteenth century, the business being founded by J.B. Homann in Nuremberg about the year 1702. Soon after publishing his first atlas in 1707 he became a member of the Berlin academy of Sciences and in 1715 he was appointed Geographer to the Emperor. After the founder's death in 1724, the firm was continued under the direction of his son until 1730 and was then bequeathed to his heirs on the condition that it trades under the name of Homann Heirs. The firm remained in being until the next century and had a wide influence on map publishing in Germany. Apart from the atlases the firm published a very large number of individual maps.
The Homman's produced a Neuer Atlas in 1714, a Grosser Atlas in 1737, and an Atlas Maior with about 300 maps in 1780. They also issued a special Atlas of Germany with full sized plans of principal cities, school atlases and an Atlas of Silesia in 1750 with 20 maps.

Cless, Jean Henri 1774- 1812
A pupil of Jacques-Louis David , he began to be active around 1800 and exhibited in Paris at the Salons from 1804 to 1808.
According to the Thieme-Becker 2 artistic dictionary , he returned to Alsace in 1811 , where many private collections hold his works.
Cless was also a draftsman and miniaturist .

• Title : (A Civil War Skirmish)
• Ref #:  93444
• Size: 17in x 15in (430mm x 365mm)
• Date : 1810
• Condition: (A+) Fine Condition

Description:
This beautifully executed original pen, pencil and watercolour picture of an English Civil War battle scene was painted by John Augustus Atkinson in ca 1810.
Atkinson was known for his battle scene art works during his time at the St Petersburg Court in Russia as well as his Napoleonic battle scenes from the early 19th century.
Atkinson is held in high esteem as a watercolourist, and was elected as a member of the Society of Painters in Water Colours in 1808. He has works of art held at many prestigious museums in Russia, Europe and the UK, such as the Tate, Royal Watercolour Society, National Maritime Museum and many more listed below. He also sells on the open market with this piece last sold in 2004.

Professionally matted and can be easily removed if required.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Blue, pink, red, green, yellow
General color appearance: - Authentic
Paper size: - 17in x 15in (430mm x 365mm)
Plate size: - 9 3/4in x 8in (247mm x 203mm)
Margins: - Min 0in (0mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
The English Civil War (1642–1651) was a series of civil wars and political machinations between Parliamentarians (Roundheads) and Royalists (Cavaliers) principally over the manner of Englands governance and part of the wider Wars of the Three Kingdoms. The first (1642–1646) and second (1648–1649) wars pitted the supporters of King Charles I against the supporters of the Long Parliament, while the third (1649–1651) saw fighting between supporters of King Charles II and supporters of the Rump Parliament. The war ended with Parliamentarian victory at the Battle of Worcester on 3 September 1651.
Unlike other civil wars in England, which were mainly fought over who should rule, these conflicts were also concerned with how the three kingdoms of England, Scotland, and Ireland were to be governed. The outcome was threefold: the trial and execution of Charles I (1649); the exile of his son, Charles II (1651); and the replacement of English monarchy with, at first, the Commonwealth of England (1649–1653) and then the Protectorate, which as the Commonwealth of England, Scotland, and Ireland unified the British Isles under the personal rule of Oliver Cromwell (1653–1658) and briefly his son Richard (1658–1659). The execution of Charles I was particularly notable given that an English king had never been executed before. In England, the monopoly of the Church of England on Christian worship was ended, while in Ireland the victors consolidated the established Protestant Ascendancy. Constitutionally, the wars established the precedent that an English monarch cannot govern without Parliaments consent, although the idea of Parliamentary sovereignty was only legally established as part of the Glorious Revolution in 1688.

Atkinson, John Augustus 1775 - 1830
Atkinson was an English artist, engraver and watercolourist.
He was born in London and at the age of 9, in 1784, went to live with his uncle, the famous engraver James Walker, in St Petersburg, Russia. Walker was engraver to the empress Catherine the Great 1729 - 1796 and encouraged Atkinson to study art, seeing a talent in him. Atkinson was well placed in St Petersburg to study art, being surrounded by the many collections of Catherine and the Russian Nobility, the richest in Europe. It is known that Atkinson was encouraged by Catherine herself along with and her son & later Emperor of Russia Paul I 1754 - 1801. Paul later commissioned Atkinson to paint large pieces from Russian history that can be seen in many Museums today around the world.
After the death of Paul in 1801, Atkinson returned to England and in 1803 published A Picturesque Representation of the Manners, Customs, and Amusements of the Russians, in 100 plates, drawn and etched by himself. He also painted in watercolours and in 1808 was elected to the Society of Painters in Water Colours. Many of his works, during the Napoleonic wars, were of naval subjects. He painted many battle scenes including a Battle of Waterloo, which was engraved by John Burnet.
His last contribution to the Royal Academy exhibition was in 1829. He died on 25 March 1830 in London.
Selected Works
• Carriage on Sledges 1803 Art Gallery of Greater Victoria, British Columbia
• A Russian Village 1804 Art Gallery of Greater Victoria, British Columbia
• Golubtza 1804 Art Gallery of Greater Victoria, British Columbia
• Village Amusements 1804 Art Gallery of Greater Victoria, British Columbia
• Scene from Tom Jones Courtauld Institute of Art, London
• The Slack Rope Courtauld Institute of Art, London
• A Belgian Waggon with Four Horses Tate Gallery, London
• Illustrations to Ossian The Huntington Library, California
• Heaving a Lead 1807 National Maritime Museum
• Greenwich Pensioners 1808 National Maritime Museum
• Skating, 1810 Tyne & Wear Museums, England
• Ships of the Reign of King Edward IV 1812 - Fine Arts Museums of San Francisco
• 42nd Highlanders at Waterloo Courtauld Institute of Art, London
• British Sailors Boarding a Man of War 1815 National Maritime Museum

• Title : West India Islands: Grenada; Tobago; Curacao; Trinadad.
• Date : 1816
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35612

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands Grenada, Tobago, Curacao & Trinidad was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands: St Christopher; St Lucia; Nevis
• Date : 1817
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35609

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning, small library stamp to right
Verso: - Age toning

• Title : West India Islands: Martinico (Cul de Sac Royal); Dominica
• Date : 1817
  
• Size: 27in x 21in (685mm x 535mm)
• Condition: (A) Very Good Condition
• Ref:  35606

Description:
This large original, beautifully hand coloured copper plate engraved antique map of the Caribbean Islands of Martinique and Dominica was published by John Thomson in his large elephant folio 1817 edition of A New General Atlas of the World. (Ref Tooley M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 27in x 21in (685mm x 535mm)
Plate size: - 27in x 21in (685mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Bottom L&R margins extended from borders, not affecting the image
Plate area: - Light age toning
Verso: - Age toning

• Title: Bibliotheque Portative Des Voyages Traduite De L Anglais Par MM. Henry et Breton Tome XXV - 1817
• Date: 1817
• Condition: (A+) Fine Condition
• Ref : MACTP
• Size: 8vo

Description:
This fine original antique French edition Atlas of the travels of Ambassador Lord Macartney travels in China between 1792 & 1794 was translated and published in Paris by M Henry & Breton in the 1817 - dated - edition of Biblio Portative Des Voyages Traduite De L Anglais Par MM. Henry et Breton Tome XXXV (Portable Travel Library. Translated from the English by MM Henry and Breton Volume 35)

 General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Page size: - 7in x 5in (180mm x 125mm)

Imperfections:
Margins: - Light age toning
Plate area: - None
Verso: - None

The atlas covers have been removed with front title page Pages are generally clean with light aging to borders, overall VG, 8vo, each page size is 7in x 5in (180mm x 125mm) 

This atlas contains 22 B&W copper-plate engraved prints, listed below.

1. Lord Macartney
2. Arbe a pain de Singe (Monkey Tree)
3. Feuille de Nopal avec Cochenille qui s y Nourit
4. Barque Cochinchinoise (Chinese Barge)
5. Mandarin de Curon
6. Insects qui produisent la Cire de la Cochinchine (Insects that produce the wax of the Cochin China)
7. Maniere de lever les Filets (Net fishing)
8. Pieds des Dames Chinoisec (feet of Chinese Ladies)
9. Chaise a Porteurs (Chair Porters)
10. Maniere de transporter les Fardeaux (Carrying freight)
12. Vue de la Grande Muraille de la Chinese (Great Wall of China)
13. Portrait de l Empereur Cohien Long
14. Bourse et Sceptre de L Empereur (Money & Sceptre of Emperor)
15. Fondateur de l Empire Chinois (Founder of Chinese Empire)
16. Maniere de elever L Eau (Water irrigation)
17. Charrue Chinoise (Plough)
18. Pecheurs portant leur canot et les Oiseaux avec les quels ils prennent le poisson (Using ducks to catch fish)
19. Maniere de degager le Riz de sa pellicule (Rice farming)
20. Cha-wha ou Camellia sesanqua (Camilla flower)
21. Pompe a Chaine (Irrigation)
22. Grotte du Camoens... 

Sir George, Earl Macartney, was born at Lissanoure, in the northern part of the County of Antrim, 14th May 1737. Having passed through Trinity College, he entered the Middle Temple, made an extended tour of Europe (becoming acquainted with Rousseau and other persons of eminence), and shortly after his return home in 1764, was, through an intimacy with Lord Holland, appointed a special envoy to negotiate a commercial treaty with Russia. His biographer says: "His knowledge of European politics alone fitted him for the undertaking; but a graceful person, with great suavity of manners, a conciliating disposition, and winning address, were considered as no slight recommendations at a female court, where such accomplishments, it was fair to conclude, might work their way, when great and unaccommodating talents alone would prove ineffectual."

From September 1792 to September 1794, he spent abroad as ambassador to China. The country was then little known, and Lord Macartney's published account of his embassy long continued the standard book of information on Chinese matters. Commenting on his mission, a writer says: "The amount of the benefit gained by this first diplomatic communication on the part of England with the Court of Pekin has been matter of dispute; but it is generally agreed that no other person could have accomplished more than was done by Lord MaCartney, whose conduct at least was well calculated to impress the subjects of the Celestial Empire with a respect for the country which he represented."[97] In 1795 he was sent on a confidential mission to Italy; and from November 1796 to November 1798 he was Governor of the Cape of Good Hope, then newly captured from the Dutch. "There is no praise," says Lord Melville, "to which he is not entitled on the score of his government of the Cape." All his nerve and tact were called forth in 1797 by an attempted mutiny of the British fleet in Simon's Bay, following the news of the mutiny at the Nore.
Impaired health obliged him to give up this, his last official post, and return home. The Union gave him unbounded satisfaction: writing during the negotiations, he said: "I bow with admiration and respect to those by whose wisdom this great and important object has been brought so near to its completion. Considering many things that have happened in my time, painful to recollect and invidious to mention, I little imagined to see this happy day. Thank God! I have seen it. I thank the Father of all mercies that he has been graciously pleased to prolong my days to this auspicious period. The measure before us has my dying voice. It will annihilate the vain hopes of a vain insidious foe from without, and, I trust, will contribute to defeat the projects of a dark and treacherous enemy within." His last years were passed in retirement at Chiswick; his enjoyment of the society of a large circle of eminent men being lessened by severe sufferings from gout. He died, childless, 31st March 1806, aged 68, and was buried at Chiswick. In 1792 he had been created a Viscount; in 1794 an Earl; and in 1796 a British peer. His features were regular and well proportioned, his countenance open, placid, and agreeable. He possessed all the dignity of the " old school," without its stiffness, and retained it in his dress, which he did not materially alter for the last forty years of his life. (Ref Clancy; Tooley; M&B)

• Title : West India Islands
• Date : 1845
  
• Size: 25in x 21in (635mm x 535mm)
• Condition: (A+) Fine Condition
• Ref:  35619

Description:
This large original hand coloured steel plate engraved antique map of West Indian, Caribbean Islands, was published by W & AK Johnston in his General Atlas, 1845.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 25in x 21in (635mm x 535mm)
Plate size: - 25in x 21in (635mm x 535mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

• Title : Jamaica
• Date : 1851
  
• Size: 15in x 11in (380mm x 280mm)
• Condition: (A+) Fine Condition
• Ref:  35616

Description:
This original hand coloured copper plate engraved antique map of Jamaica, with decorative vignettes of Kingston, Port Antonio, Port Royal, a sugar mill and a flying fish, was published by John Tallis in 1851.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Original
Colors used: - Yellow, green, blue, pink
General color appearance: - Authentic
Paper size: - 15in x 11in (380mm x 280mm)
Plate size: - 15in x 10in (380mm x 255mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Light crease left side of image
Verso: - None

• Title :
  1. The Commonwealth of Virginia
  2. Fairfax County Va April 15th 1861.
  3. State of West Virginia Green brier co. June 11th 1866.
  4. United States Stamp for Special Tax Internal Revenue.
• Date : 1851-1891
  
• Size: Please view description below
• Condition: (A) Good Condition
• Ref:  27090

Description:
We have on offer a group of 4 original antique documents, three of which relate directly to Virginia and the American Civil War dated 1851,1861, 1866. The first two documents concern Fontaine Beckham & Mottrom Dulany Ball with the third relating to Daniel Coffman. These three are very interesting and scarce items.
The fourth document relates to the Internal Revenue Service in 1891. Details, descriptions and conditions below.

1. Printed court summons signed by Fontaine Beckham (1788-1859) as justice of the peace, Jefferson County, Virginia, 8 January 1851. Printed sheet completed in manuscript, signed 'F Beckham'.
Fontaine Beckham was mayor of Harpers Ferry during the raid by John Brown in 1859 with Beckham infamously shot and killed during the raid, making him possibly one of the first casualties of the American Civil War.
Condition: Mounted on red-velvet-covered thick card mount, sheet torn at lower right-hand corner not affecting text. Condition Good. - 7in x 53/4in (18 x 14.6 cm)
Fontaine Beckham (1788-1859) was mayor of Harpers Ferry, Virginia, and local agent for the Baltimore and Ohio Railroad. He was shot and killed in the famous raid on the small outpost by abolitionist John Brown, today seen as a major event in the build-up to the American Civil War.
...... Beckham was the most prominent man killed during John Brown's raid on Harpers Ferry, being the town's mayor, a county magistrate (in which capacity he signs this document), and a station agent for the B & O Railroad. Despite being a slave owner himself, Beckham was quite well-liked and considered by most to be a friend and benefactor of black men. He maintained a close friendship with his former slave Heyward Shepard, who also died during the raid.. After Shepard's death, some accounts state the mayor exposed himself to fire due to his clouded judgment. After Beckham's death, the infuriated town's people seized one of John Brown's imprisoned men, riddling his body with bullets. Yet Beckham's death also resulted in the only lasting freeing of slaves accomplished by the raid, as his will stipulated the freeing of five of his slaves......)

2. Manuscript receipt for the purchase of 'negro slaves Dennis and Belinda', Fairfax County, Virginia, signed by a member of a prominent local family, Mrs. M C(sic) Ball, dated 15 April 1861. We believe this to a transaction by Mary Ball, the mother of the first Governor of Alaska, Mottrom Dulany Ball, who at the time was have been fighting for the confederacy. The verso of the receipt is marked for Dulany, (as he was sometimes known) who would have been considered the head of the family after the death of his farther in 1859. Single bifolium of heavy woven paper, 10 lines, written on one side only, conjugate leaf docketed 'Dulany'
Condition: Damp-stained, creased from folding, loss to upper inner corner. Although stained the parchment is stable and heavy. Condition Good.
- 7 1/2in x 53/4in (18.2 x 13.8 cm)
Mottrom Dulany Ball, of Fairfax County, Fairfax Court House, and Alexandria, Virginia, was a musician, poet, teacher, lawyer, soldier and a founding father of the State of Alaska. Mottrom Dulany Ball, who was known variously as Mott, M.Dulany, or M.D., was born at Oak Mount, the home of his grandfather, Daniel French Dulany, in Fairfax County, Virginia on June 23, 1835.
Mott was the son of Spencer Mottrom Ball and Mary L. Dulany. Both parents were from prominent Virginia families. President George Washington is included among their many distinguished relatives. Mott’s early years were spent at his grandfather, Mottrom Ball’s, plantation, Woodberry, near Lewinsville, Fairfax County, Virginia. The elder Mottrom Ball was a physician who was educated at the University of Glasgow, in Scotland. TheBall family estate, Woodberry, consisted of 1,200 acres of land, rectangular in shape, extending north from the Lewinsville Presbyterian Church all the way to the to the Potomac River. 2, 3 The extensive plantation included a grist mill, Ball’s Mill, which stood on Scott’s Run. The location is today known as Swink’s Mill.4 Modern day Ball’s Hill Road traces the path of a farm road which ran through the center of Woodberry ending at the family home, Elmwood, on Ball’s Hill, also known as Prospect Hill, just south of Georgetown Pike.5 Politically, Mott’s father, Spencer Mottrom Ball, was an Anti-Jacksonian. As the name implies, this party was opposed to the authoritarian policies of President Andrew Jackson and his Democratic party. Several anti-Jacksonian factions came together to form the Whig party in 1834. Whigs supported the supremacy of Congress over the presidency.....)

3. Contemporary manuscript copy of two affidavits, one the same sheet, confirming Daniel Coffman to have been a loyal man during the rebelion [sic]', Greenbrier County, West Virginia, 1866.
Single sheet of lined paper written recto only, small embossed stamp depicting the Capitol Building and with text 'Congress' various inconsistencies in spelling.
Condition: Old folds, central fold just splitting at head, nicked along inner edge. Condition Good.
- 9in x 7in (23.5 x 17.8 cm)
First affidavit.
State of West Virginia Greenbrier Co. June 1866.
Personelly (sic) apparent before me a justice of the Peace John Sydenrtrleker (sic) and made oath that he knew Daniel Coffman to have been a loyal man during the rebellion and consider him the same use (sic) to this time Signed and sworn to before me in my township of fort spring this june 11th 1866...D Coffman JPS.....
Second affidavit.
State of West Virginia Greenbrier Co. June 1866.
Personell (sic) apparent before me a justice of the Peace H H Brackman and made oath that he knew Daniel Coffman to have been a loyal man during the rebellion and he invest (sic) himself the same now and I believe what he said to me
Signed and sworn to befor (sic) me in my township of fort spring...D Coffman JPS.....
The Coffman family have lived in Greenbrier county since the Rev Isaac Coffman 1741 - 1824, buried in the Coffman Cemetery, Ronceverte, West Virginia.

4. Internal Revenue receipt 'for special tax on the business of retail liquor dealer', paid by R. D. Burns of Lynchburg, Virginia, 9 December 1891 Engraved receipt in red and black, completed in manuscript.
Condition: Aged, small hole to lower left, upper right corner chipped. Condition Good. - 9 3/4in x 7 1/4in (24.5 x 18 cm)

General Definitions:
Please view description above

Imperfections:
Please view description above