City & Views (103)

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1859 Aubert Antique Print View of Sydney, Australia from the North to The Rocks

1859 Aubert Antique Print View of Sydney, Australia from the North to The Rocks

Description:
This original steel-plate engraved antique print an view of Sydney NSW from the north across Circular Quay & The Rocks with a view to St James Church on Kings St - across where the Harbour Bridge is now situated - by Pierre Eugene Aubert was published by Dufour, Mulat and Boulanger, Paris in 1859.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 10in x 7in (255mm x 180mm)
Plate size: - 10in x 7in (255mm x 180mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Crease in right margin
Plate area: - None
Verso: - None

Background: 
The History of Sydney begins in prehistoric times with the occupation of the district by Australian Aborigines, whose ancestors came to Sydney in the Upper Paleolithic period. The modern history of the city began with the arrival of a First Fleet of British ships in 1788 and the foundation of a penal colony by Great Britain.
From 1788 to 1900 Sydney was the capital of the British colony of New South Wales. An elected city council was established in 1840. In 1900, Sydney became a state capital, when New South Wales voted to join the Australian Federation. Sydney today is Australia\'s largest city and a major international capital of culture and finance.

Aubert, Pierre Eugene, 1789-1847
A French artist and engraver of the early 19th century, working with the Paris publishers Dufour, Mulat and Boulanger.

$125.00 USD
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1859 Aubert Antique Print View of Sydney, Australia from the North to The Rocks

1859 Aubert Antique Print View of Sydney, Australia from the North to The Rocks

Description:
This original steel-plate engraved antique print an view of Sydney NSW from the north across the Rocks with a view to St James Church on Kings St, across the harbour where the Harbour Bridge now sits, by Pierre Eugene Aubert was published by Dufour, Mulat and Boulanger, Paris in 1859.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - Early
Colors used: - Yellow, green, blue
General color appearance: - Authentic
Paper size: - 10in x 7in (255mm x 180mm)
Plate size: - 10in x 7in (255mm x 180mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Crease in right margin
Plate area: - None
Verso: - None

Background: 
The History of Sydney begins in prehistoric times with the occupation of the district by Australian Aborigines, whose ancestors came to Sydney in the Upper Paleolithic period. The modern history of the city began with the arrival of a First Fleet of British ships in 1788 and the foundation of a penal colony by Great Britain.
From 1788 to 1900 Sydney was the capital of the British colony of New South Wales. An elected city council was established in 1840. In 1900, Sydney became a state capital, when New South Wales voted to join the Australian Federation. Sydney today is Australia\'s largest city and a major international capital of culture and finance.

Aubert, Pierre Eugene, 1789-1847
A French artist and engraver of the early 19th century, working with the Paris publishers Dufour, Mulat and Boulanger.

$125.00 USD
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1784 Anderson Antique Map The Island of Iowa Jima, Japan - Cooks 3rd Voyage 1779

1784 Anderson Antique Map The Island of Iowa Jima, Japan - Cooks 3rd Voyage 1779

  • Title : View of Sulphur Island bearing ENE, Hill on the South Part; North I; Sulphur Island; South I.
  • Ref #:  21431
  • Size: 13 1/2in x 9 1/2in (345mm x 240mm)
  • Date : 1784
  • Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique map of the Japanese Island of Iwo Jima (Sulphur Island) and the tracks of HMS Resolution, was charted by Cooks expedition on 14 November 1779, after the death of Cook, during his third and final Voyage of Discovery, was published in George Andersons 1784 edition of A Collection of voyages round the world : performed by royal authority : containing a complete historical account of Captain Cooks first, second, third and last voyages, undertaken for making new discoveries, &c. ... published by Alexander Hogg, London 1784.

From Cooks/Gore Diary..........and the strong sulphureous smell which we perceived, as we approached the point. ... From these circumstances, Captain Gore gave it the name of Sulphur Island.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 13 1/2in x 9 1/2in (345mm x 240mm)
Plate size: - 13 1/2in x 9 1/2in (345mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Iwo To (硫黄島 Iō-tō, sulfur island), known in English as Iwo Jima, is an island of the Japanese Volcano Islands chain south of the Ogasawara Islands and together with them forms the Ogasawara Archipelago also known as the Bonin Islands. The island of 21 km2 is 1,200 kilometres south of mainland Tokyo and is administered as part of Ogasawara, one of the eight villages of Tokyo inhabited only by Japan Self-Defense Forces and used by the U.S. Navy for carrier practice.

Cooks Third Voyage (1776–79)
On his last voyage, Cook again commanded HMS Resolution, while Captain Charles Clerke commanded HMS Discovery. The voyage was ostensibly planned to return the Pacific Islander, Omai to Tahiti, or so the public were led to believe. The trip\\\'s principal goal was to locate a Northwest Passage around the American continent. After dropping Omai at Tahiti, Cook travelled north and in 1778 became the first European to begin formal contact with the Hawaiian Islands. After his initial landfall in January 1778 at Waimea harbour, Kauai, Cook named the archipelago the \\\"Sandwich Islands\\\" after the fourth Earl of Sandwich—the acting First Lord of the Admiralty.
From the Sandwich Islands Cook sailed north and then north-east to explore the west coast of North America north of the Spanish settlements in Alta California. He made landfall on the Oregon coast at approximately 44°30′ north latitude, naming his landing point Cape Foulweather. Bad weather forced his ships south to about 43° north before they could begin their exploration of the coast northward. He unknowingly sailed past the Strait of Juan de Fuca, and soon after entered Nootka Sound on Vancouver Island. He anchored near the First Nations village of Yuquot. Cook\\\'s two ships remained in Nootka Sound from 29 March to 26 April 1778, in what Cook called Ship Cove, now Resolution Cove, at the south end of Bligh Island, about 5 miles (8 km) east across Nootka Sound from Yuquot, lay a Nuu-chah-nulth village (whose chief Cook did not identify but may have been Maquinna). Relations between Cook\\\'s crew and the people of Yuquot were cordial if sometimes strained. In trading, the people of Yuquot demanded much more valuable items than the usual trinkets that had worked in Hawaii. Metal objects were much desired, but the lead, pewter, and tin traded at first soon fell into disrepute. The most valuable items which the British received in trade were sea otter pelts. During the stay, the Yuquot \\\"hosts\\\" essentially controlled the trade with the British vessels; the natives usually visited the British vessels at Resolution Cove instead of the British visiting the village of Yuquot at Friendly Cove.
After leaving Nootka Sound, Cook explored and mapped the coast all the way to the Bering Strait, on the way identifying what came to be known as Cook Inlet in Alaska. In a single visit, Cook charted the majority of the North American north-west coastline on world maps for the first time, determined the extent of Alaska, and closed the gaps in Russian (from the West) and Spanish (from the South) exploratory probes of the Northern limits of the Pacific.
By the second week of August 1778 Cook was through the Bering Strait, sailing into the Chukchi Sea. He headed north-east up the coast of Alaska until he was blocked by sea ice. His furthest north was 70 degrees 44 minutes. Cook then sailed west to the Siberian coast, and then south-east down the Siberian coast back to the Bering Strait. By early September 1778 he was back in the Bering Sea to begin the trip to the Sandwich (Hawaiian) Islands. He became increasingly frustrated on this voyage, and perhaps began to suffer from a stomach ailment; it has been speculated that this led to irrational behaviour towards his crew, such as forcing them to eat walrus meat, which they had pronounced inedible.
Cook returned to Hawaii in 1779. After sailing around the archipelago for some eight weeks, he made landfall at Kealakekua Bay, on \\\'Hawaii Island\\\', largest island in the Hawaiian Archipelago. Cook\\\'s arrival coincided with the Makahiki, a Hawaiian harvest festival of worship for the Polynesian god Lono. Coincidentally the form of Cook\\\'s ship, HMS Resolution, or more particularly the mast formation, sails and rigging, resembled certain significant artefacts that formed part of the season of worship. Similarly, Cook\\\'s clockwise route around the island of Hawaii before making landfall resembled the processions that took place in a clockwise direction around the island during the Lono festivals. It has been argued (most extensively by Marshall Sahlins) that such coincidences were the reasons for Cook\\\'s (and to a limited extent, his crew\\\'s) initial deification by some Hawaiians who treated Cook as an incarnation of Lono. Though this view was first suggested by members of Cook\\\'s expedition, the idea that any Hawaiians understood Cook to be Lono, and the evidence presented in support of it, were challenged in 1992.
After a month\\\'s stay, Cook attempted to resume his exploration of the Northern Pacific. Shortly after leaving Hawaii Island, however, the Resolution\\\'s foremast broke, so the ships returned to Kealakekua Bay for repairs.
Tensions rose, and a number of quarrels broke out between the Europeans and Hawaiians at Kealakekua Bay. An unknown group of Hawaiians took one of Cook\\\'s small boats. The evening when the cutter was taken, the people had become \\\"insolent\\\" even with threats to fire upon them. Cook was forced into a wild goose chase that ended with his return to the ship frustrated.[53] He attempted to kidnap and ransom the King of Hawaiʻi, Kalaniʻōpuʻu.
That following day, 14 February 1779, Cook marched through the village to retrieve the King. Cook took the King (aliʻi nui) by his own hand and led him willingly away. One of Kalaniʻōpuʻu\\\'s favorite wives, Kanekapolei and two chiefs approached the group as they were heading to boats. They pleaded with the king not to go until he stopped and sat where he stood. An old kahuna (priest), chanting rapidly while holding out a coconut, attempted to distract Cook and his men as a large crowd began to form at the shore. The king began to understand that Cook was his enemy. As Cook turned his back to help launch the boats, he was struck on the head by the villagers and then stabbed to death as he fell on his face in the surf. He was first struck on the head with a club by a chief named Kalaimanokahoʻowaha or Kanaʻina (namesake of Charles Kana\\\'ina) and then stabbed by one of the king\\\'s attendants, Nuaa. The Hawaiians carried his body away towards the back of the town, still visible to the ship through their spyglass. Four marines, Corporal James Thomas, Private Theophilus Hinks, Private Thomas Fatchett and Private John Allen, were also killed and two others were wounded in the confrontation.
The esteem which the islanders nevertheless held for Cook caused them to retain his body. Following their practice of the time, they prepared his body with funerary rituals usually reserved for the chiefs and highest elders of the society. The body was disembowelled, baked to facilitate removal of the flesh, and the bones were carefully cleaned for preservation as religious icons in a fashion somewhat reminiscent of the treatment of European saints in the Middle Ages. Some of Cook\\\'s remains, thus preserved, were eventually returned to his crew for a formal burial at sea.
Clerke assumed leadership of the expedition, and made a final attempt to pass through the Bering Strait. He died from tuberculosis on 22 August 1779 and John Gore, a veteran of Cook\\\'s first voyage, took command of Resolution and of the expedition. James King replaced Gore in command of Discovery. The expedition returned home, reaching England in October 1780. After their arrival in England, King completed Cook\\\'s account of the voyage.
David Samwell, who sailed with Cook on Resolution, wrote of him: \\\"He was a modest man, and rather bashful; of an agreeable lively conversation, sensible and intelligent. In temper he was somewhat hasty, but of a disposition the most friendly, benevolent and humane. His person was above six feet high: and, though a good looking man, he was plain both in dress and appearance. His face was full of expression: his nose extremely well shaped: his eyes which were small and of a brown cast, were quick and piercing; his eyebrows prominent, which gave his countenance altogether an air of austerity.

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1849 Fairbairn Large Folio Antique Print of Old Tombs High Church Yard, Glasgow

1849 Fairbairn Large Folio Antique Print of Old Tombs High Church Yard, Glasgow

Description: 
This beautifully coloured large folio original antique lithograph print, views of old Glasgow now long gone, by the Scottish artist Thomas Fairbairn (1821 - 1885) was published by Miller & Buchanan in the 1849 edition of Relic of Ancient Architecture and other Picturesque Scenes in Glasgow.

Subject Background:
The subjects of this picture are representations of the memorials raised to departed worth by the affection or gratitude of our forefathers. We append a brief notice of each, but the only one of the four deserving of special allusion is that erected to the memory of Dr Peter Low, and now the property of the Faculty of Physicians and Surgeons in Glasgow. Dr. Low, who was some-time chirurgeon-in-ordinary to the French King, and also to King James VI., and his son the Prince, procured from the latter monarch a charter of erection in favour of the Faculty of Glasgow. The original charter is extant A fine old portrait of Dr. Low is preserved in the Faculty Hall, St.Enoch Square.

No. I.- The first on the left of the Plate.

Erected in 1630, by the Rev. John Dickson, who was married to Janet, daughter of the "Lord Bedlay." Afterwards it appears to have become the property of "Roberton of Bedlay," and latterly of Miss Lennox of Woodhead, who in 1818 disponed it to George Brown of Capelrigg, whose representatives are the present proprietors.

No. II.

"Here lyes ane Treu faithfull Brother, William Robertson, Merchand Burges of Glasgow. Decesit ye 24 June, 1617."

"W.R. AB."

This tomb appears afterwards to have belonged to Morehead of Bredisholm, although there is no entry in the Register to that effect. The present proprietor is not known.

No. III.

Monument to Dr PETER Low, Founder of the Faculty of Physicians and Surgeons, Glasgow.

INSCRIPTION.

Stay, Passenger, and view this Stone,

For under it lys such an one,

Who cur'd many while he liv'd,

So gracious he no man griev'd;

Yea, when his Physick's force oft fail'd,

His pleasant Purpose then prevail'd;

For of his God he got the Grace,

To live in Mirth and die in Peace.

Heaven has his soul, his corpse this Stone:

Sigh, passenger, and then be gone.

Ah! me. I gravel am and dust,

And to the grave deshend I must;

O! painted piece of liveing clay,

Man be not proud of thy short day.

This Burial Place was purchased by and is now the property of the Faculty of Physicians and Surgeons.

No. IV.

"Erected by Archd. Mure, Merchant, 1616, and descended to his daughter, Margaret Mure, who was married to James Hamilton. Afterwards it became the property of Provost John Gibson, in right of his wife, Christian Anderson, grand-child of the above James Hamilton and Margaret Mure. It afterwards became the property of William Anderson, merchant, in right of his wife, Christian Gibson, daughter of Provost John Gibson; and their only child, Christian Anderson, was the next successor. She dying unmarried, was succeeded by her cousin, Margaret Mather, relict of Archibald Anderson, brewer in Glasgow, who upon the 13th May, 1797, disponed this property to Thomas Buchanan, merchant in Glasgow; and upon the 13th March, 1806, it was conveyed by Jane Buchanan, his daughter, to James Buchanan,* merchant, Glasgow." - (From Register of Burial Grounds.)

* Late of Dowanhill, whose representatives are the present proprietors.

Relic of Ancient Architecture and other Picturesque Scenes in Glasgow, was published large folio size in 1849, containing 19 large folio coloured lithograph prints and has long since been out of print. A praiseworthy motive induced Mr. James Bogle, at one time Lord Dean of Guild, and a member of an old and highly-respected Glasgow family, to engage Mr. Thomas Fairbairn to reproduce them, before they passed into oblivion, some "Relics of Ancient Architecture and Picturesque Scenes in Glasgow." The immediate cause of Mr. Bogle's resolve was the fall of a sugar-house in Alston Street, by which some six or seven lives were lost, and a resolution on the part of the Dean of Guild Court to make a general survey of the City with a view to the removal of old houses which, from age or other causes, were considered to be unfit for habitation. Mr. Bogle naturally thought that this was the proper time to reproduce in permanent form a fair presentment of many of the noted houses of old Glasgow.
Along with Mr. Fairbairn, the artist, Mr. Bogle made a tour of the City, and selected subjects for the drawings, nearly all of which are now gone, and those few that remain are so altered as to be almost irrecognisable.
A general wish having been expressed for a reproduction of the work, the publishers some time ago engaged Mr. Fairbairn (now alas! gone) to reproduce the original sketches, and also add a number of others of interest before the rapid growth of the City extinguishes or entirely defaces their subjects.
The drawings are now thirty in number, and have been reproduced by Messrs. Annan's new process of photo-engraving, which it will be observed, gives the effect of finely finished mezzo-tints.
The letterpress descriptions of the original edition are from the pen of the late Mr. James Pagan, Editor of the Glasgow Herald, and the descriptions of the new scenes have been supplied by his successor, the present Editor of that journal.
It ought to be stated that the descriptive portions, written by Mr. Pagan more than thirty years ago, have not been touched; so that readers should understand that they refer to the Glasgow of a former generation, and are all indicated in the Contents by an asterisk.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Red, green, blue, brown  
General color appearance: - Authentic   
Paper size: - 22in x 16in (560mm x 405mm)
Margins: - Min 4in (100mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$125.00 USD
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1849 Fairbairn Large Folio Antqiue Print of Houses Saltmarket St Gorbals Glasgow

1849 Fairbairn Large Folio Antqiue Print of Houses Saltmarket St Gorbals Glasgow

Description: 
This beautifully coloured large folio original antique lithograph print, views of old Glasgow now long gone, by the Scottish artist Thomas Fairbairn (1821 - 1885) was published by Miller & Buchanan in the 1849 edition of Relic of Ancient Architecture and other Picturesque Scenes in Glasgow.

Subject Background:

The artist has here represented a style of dwelling-house architecture which is fast passing away, and will soon altogether cease to exist. Houses of this kind seem to have been originally erected from the cheapness of the materials, and for the purpose of economizing building-ground space. To attain the latter object, beams, as shown in the print, were projected from the first storey, and an out-shot and additional structure raised upon them, thus offering a great obstruction to ventilation, and affording an inconvenient, cold, and comfortless dwelling. When situated in a close, houses of this kind were generally occupied by working people, or by those who rented a small shop or bothy in the front street, and lodged themselves and families in one of these fragile-looking tenements behind. In some rare cases these wooden houses were tenanted by persons of a more substantial character, and we may mention, as the most prominent instance of which we have heard, that so recently as the close of last century the firm of Francis Reid & Sons, watchmakers, occupied a large wooden structure in the close opposite 77, both as their dwelling-house, work-shop, and sale-shop. These gentlemen were the first to give a stimulus to the watchmaking and jewellery business in Glasgow; and however humble their premises may have been, they did a large and lucrative business, and off-shoots from their concern branched into some of the principal establishments at present existing in Glasgow. We have no story to tell regarding the houses represented in the print; in their better days they were occupied by decent native tradesmen, but for a long succession of years they have been in the possession of the Irish, whose annals would furnish nothing attractive. Two hundred years ago wooden houses of this kind formed the majority of the Saltmarket closes ; but a great fire having broken out on 3rd November, 1677, the upper part of the street on both sides was destroyed as far as the Tron Church on the west, and two or three tenements in the Gallowgate on the east. From the rapidity with which these timber structures were mowed down by the flames on that occasion, the wisdom of replacing them with stone erections became apparent, and since then very few timber houses have been put down in the city, excepting in obscure back lanes, and on a very humble scale. As we have said, they will speedily disappear altogether, for the Dean of Guild Court will not permit a renewal of buildings in this style, when the present houses fall or are pulled down from natural decay. A stone inserted in the door-way of a one-storey house at the bottom of this close hears the inscription, "H. Br., J. H., 1727.".

Relic of Ancient Architecture and other Picturesque Scenes in Glasgow, was published large folio size in 1849, containing 19 large folio coloured lithograph prints and has long since been out of print. A praiseworthy motive induced Mr. James Bogle, at one time Lord Dean of Guild, and a member of an old and highly-respected Glasgow family, to engage Mr. Thomas Fairbairn to reproduce them, before they passed into oblivion, some "Relics of Ancient Architecture and Picturesque Scenes in Glasgow." The immediate cause of Mr. Bogle's resolve was the fall of a sugar-house in Alston Street, by which some six or seven lives were lost, and a resolution on the part of the Dean of Guild Court to make a general survey of the City with a view to the removal of old houses which, from age or other causes, were considered to be unfit for habitation. Mr. Bogle naturally thought that this was the proper time to reproduce in permanent form a fair presentment of many of the noted houses of old Glasgow.
Along with Mr. Fairbairn, the artist, Mr. Bogle made a tour of the City, and selected subjects for the drawings, nearly all of which are now gone, and those few that remain are so altered as to be almost irrecognisable.
A general wish having been expressed for a reproduction of the work, the publishers some time ago engaged Mr. Fairbairn (now alas! gone) to reproduce the original sketches, and also add a number of others of interest before the rapid growth of the City extinguishes or entirely defaces their subjects.
The drawings are now thirty in number, and have been reproduced by Messrs. Annan's new process of photo-engraving, which it will be observed, gives the effect of finely finished mezzo-tints.
The letterpress descriptions of the original edition are from the pen of the late Mr. James Pagan, Editor of the Glasgow Herald, and the descriptions of the new scenes have been supplied by his successor, the present Editor of that journal.
It ought to be stated that the descriptive portions, written by Mr. Pagan more than thirty years ago, have not been touched; so that readers should understand that they refer to the Glasgow of a former generation, and are all indicated in the Contents by an asterisk.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Red, green, blue, brown  
General color appearance: - Authentic   
Paper size: - 22in x 16in (560mm x 405mm)
Margins: - Min 4in (100mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$125.00 USD
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1849 Fairbairn Large Folio Antique Print Baronial Tower ,Main St Gorbals Glasgow

1849 Fairbairn Large Folio Antique Print Baronial Tower ,Main St Gorbals Glasgow

Description: 
This beautifully coloured large folio original antique lithograph print, views of old Glasgow now long gone, by the Scottish artist Thomas Fairbairn (1821 - 1885) was published by Miller & Buchanan in the 1849 edition of Relic of Ancient Architecture and other Picturesque Scenes in Glasgow.

Subject Background:
This venerable pile, so long identified with the Barony of Gorbals, was erected between the years 1600 and 1608, by Sir George Elphinston, the son of a merchant in Glasgow, who had acquired the lands on the south side of the river known as "St. Ninian's Croft," from Boyd, the Protestant Archbishop of the See. With the view of forming a suitable residence, Sir George enclosed part of the croft for an orchard and garden, and built thereon the erections which so long formed the most prominent objects on the east side of the Main Street of Gorbals. Tradition informs us that he also erected a small Chapel adjoining, part of which still exists at the corner of Main Street and Rutherglen Loan. It was in this baronet's favour that the village of "Gorbels" was erected into a Burgh of Barony and Regality. Although this gentleman enjoyed great distinction in his lifetime, and rose to the rank of Lord Justice Clerk in the reign of Charles I., he afterwards became reduced in circumstances, and died miserably and in poverty about 1634. According to McUre, he was privately interred "in his own chapel, adjoining to his house." The property was then sold by the creditors of the deceased to Robert Douglas, Viscount Belhaven. This nobleman extended the mansion in Gorbals, and built a square Tower or "Fortulice," which is now almost the only part of the venerable buildings existing. Until within a few years ago, the Tower in question exhibited four turrets, which of course gave an imposing appearance to the structure. On the building adjoining the Tower may still be seen the family arms of Viscount Belhaven, pretty well cut in stone, the whole surmounted by the letters S. G. E., which are apparently meant for the initials of Sir George Elphinston. It is not at all improbable that this was not the original position of the arms referred to, but that at some period when alterations were made on the Tower, they had been removed from it, and placed so as to face the Main Street of the Barony. The Viscount, at his death, was succeeded by his nephew, Sir Robert Douglas of Blackerston, who sold the Gorbals Mansion House and lands in cumulo, some time prior to 1661, to the town of Glasgow, the Trades' House, and the Trustees for Hutchesons' Hospital. They were retained as a sort of co-partnery possession till 1790, when a division was made, and the central portion, containing the old buildings, fell to the lot of the city. The most important event connected with the Baronial Hall structure is found in the fact that at one time it formed the residence of Sir James Turner, Commander-in-Chief of the Forces in Scotland in the reign of Charles II., and who is understood to be the personage who supplied Sir Walter Scott with the portrait of Dugald Dalgetty. The terms on which Sir James obtained possession of the house are somewhat singular; for it appears by the minutes that on the 18th July, 1670, the Bailies and Council "ordains ane tack to be wrytten and subscryvit in favors of Sir James Turnor, of the toune's houss and tour in Gorballs, quhilk he presentlie possesses, and that dureing his lifetyme, for payment yearlie of three punds Scots, if the samyne be requyred." Sir James accordingly died in possession of the subjects; and from the records kept in the College, it would appear that at the sale of his effects, a part of his scanty library was purchased by the University of Glasgow. Amongst his books were several works upon the art of war; but the soldier of fortune had not overlooked productions of a more elevating and humanising kind, for Milton's "Paradise Lost" and various kindred tomes are found in his catalogue. Who were the successors of Sir James Turner, in the "toune's houss and tour," we have no way of knowing. At all events, as the locality was never an attractive one for the Glasgow merchants, the occupants must have gradually descended in the scale of quality. Before the close of the last century, and for some time afterwards, the principal room in the Tower, which was of a spacious kind, was used as a place of meeting by the magistrates, heritors and feuars of the parish of Gorbals; and here also the inhabitants mustered previous to performing the dutes of watching and warding, in days when a police force did not exist. Latterly, part of the old building was fitted up as a police-office, with adjoining cells. But it lost all its importance, excepting such as it retained from olden associations, when the official staff was removed to the present extensive police establishment in Portland Street. t was then given over to very humble uses - the ground floors to the street being let as whisky shops, and the upper flats having been split up into dwelling-houses for the lowest class of the people. The greater part of the structure built by Sir George Elphinston was taken down early in 1849 by order of the Dean of Guild Court, from its having exhibited symptoms of insecurity. It was then a fine remnant and wreck of the Scottish urban Manor House style, with its oriel windows, ornamental ceilings, and stout oaken staircases. The Tower, which remains, though sadly dilapidated externally and internally, still exhibits evidences of the aristocratic aspect it wore in the days of other years

Relic of Ancient Architecture and other Picturesque Scenes in Glasgow, was published large folio size in 1849, containing 19 large folio coloured lithograph prints and has long since been out of print. A praiseworthy motive induced Mr. James Bogle, at one time Lord Dean of Guild, and a member of an old and highly-respected Glasgow family, to engage Mr. Thomas Fairbairn to reproduce them, before they passed into oblivion, some "Relics of Ancient Architecture and Picturesque Scenes in Glasgow." The immediate cause of Mr. Bogle's resolve was the fall of a sugar-house in Alston Street, by which some six or seven lives were lost, and a resolution on the part of the Dean of Guild Court to make a general survey of the City with a view to the removal of old houses which, from age or other causes, were considered to be unfit for habitation. Mr. Bogle naturally thought that this was the proper time to reproduce in permanent form a fair presentment of many of the noted houses of old Glasgow.
Along with Mr. Fairbairn, the artist, Mr. Bogle made a tour of the City, and selected subjects for the drawings, nearly all of which are now gone, and those few that remain are so altered as to be almost irrecognisable.
A general wish having been expressed for a reproduction of the work, the publishers some time ago engaged Mr. Fairbairn (now alas! gone) to reproduce the original sketches, and also add a number of others of interest before the rapid growth of the City extinguishes or entirely defaces their subjects.
The drawings are now thirty in number, and have been reproduced by Messrs. Annan's new process of photo-engraving, which it will be observed, gives the effect of finely finished mezzo-tints.
The letterpress descriptions of the original edition are from the pen of the late Mr. James Pagan, Editor of the Glasgow Herald, and the descriptions of the new scenes have been supplied by his successor, the present Editor of that journal.
It ought to be stated that the descriptive portions, written by Mr. Pagan more than thirty years ago, have not been touched; so that readers should understand that they refer to the Glasgow of a former generation, and are all indicated in the Contents by an asterisk.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Red, green, blue, brown  
General color appearance: - Authentic   
Paper size: - 22in x 16in (560mm x 405mm)
Margins: - Min 4in (100mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$125.00 USD
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1849 Fairnbiarn Large Antique Print The Old Baronial Hall in the Gorbals Glasgow

1849 Fairnbiarn Large Antique Print The Old Baronial Hall in the Gorbals Glasgow

Description: 
This beautifully coloured large folio original antique lithograph print, views of old Glasgow now long gone, by the Scottish artist Thomas Fairbairn (1821 - 1885) was published by Miller & Buchanan in the 1849 edition of Relic of Ancient Architecture and other Picturesque Scenes in Glasgow.

Subject Background

The Old Baronial Hall was built by Sir George Elphinstone and his wife Dame Agnes Boyd in 1601. Following his death in 1634 the building passed down through several owners including Robert Douglas, Viscount Belhaven (who added a distinctive square tower), Gorbals Town Council and Sir James Turner. By 1858 a part of The Old Barional Hall (with the neighbouring chapel) had been converted into a public house, the Old Gorbals Wine and Spirit Vaults. However, the ornate ceiling and cornicing and the statuettes on the walls are reminders of the building's former glories, as the home of one of Glasgow's most prominent men of affairs. The initials S G E and D A B on the ceiling were part of the original decoration and stood for Sir George Elphinstone and his wife Dame Agnes Boyd. It was demolished in the early 1870s.

The Gorbals is an area on the south bank of the River Clyde in the city of Glasgow, Scotland. By the late 19th century, it had become over-populated and adversely affected by local industrialisation. Many people lived here because their jobs provided this home and they could not afford their own. It became widely known as a dangerous slum and was subject to efforts at
redevelopment, which contributed to more problems such as homeless people and diseases spreading. In recent decades, some buildings have been demolished for a mixture of market and social housing; others are being refurbished and restored to a higher standard.

Relic of Ancient Architecture and other Picturesque Scenes in Glasgow, was published large folio size in 1849, containing 19 large folio coloured lithograph prints and has long since been out of print. A praiseworthy motive induced Mr. James Bogle, at one time Lord Dean of Guild, and a member of an old and highly-respected Glasgow family, to engage Mr. Thomas Fairbairn to reproduce them, before they passed into oblivion, some "Relics of Ancient Architecture and Picturesque Scenes in Glasgow." The immediate cause of Mr. Bogle's resolve was the fall of a sugar-house in Alston Street, by which some six or seven lives were lost, and a resolution on the part of the Dean of Guild Court to make a general survey of the City with a view to the removal of old houses which, from age or other causes, were considered to be unfit for habitation. Mr. Bogle naturally thought that this was the proper time to reproduce in permanent form a fair presentment of many of the noted houses of old Glasgow

Along with Mr. Fairbairn, the artist, Mr. Bogle made a tour of the City, and selected subjects for the drawings, nearly all of which are now gone, and those few that remain are so altered as to be almost irrecognisable.

A general wish having been expressed for a reproduction of the work, the publishers some time ago engaged Mr. Fairbairn (now alas! gone) to reproduce the original sketches, and also add a number of others of interest before the rapid growth of the City extinguishes or entirely defaces their subjects.

The drawings are now thirty in number, and have been reproduced by Messrs. Annan's new process of photo-engraving, which it will be observed, gives the effect of finely finished mezzo-tints.

The letterpress descriptions of the original edition are from the pen of the late Mr. James Pagan, Editor of the Glasgow Herald, and the descriptions of the new scenes have been supplied by his successor, the present Editor of that journal.

It ought to be stated that the descriptive portions, written by Mr. Pagan more than thirty years ago, have not been touched; so that readers should understand that they refer to the Glasgow of a former generation, and are all indicated in the Contents by an asterisk.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Red, green, blue, brown  
General color appearance: - Authentic   
Paper size: - 22in x 16in (560mm x 405mm)
Margins: - Min 4in (100mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$125.00 USD
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1849 Fairnbiarn Large Antique Print of Mansion Stockwell Street Glasgow Scotland

1849 Fairnbiarn Large Antique Print of Mansion Stockwell Street Glasgow Scotland

Description: 
This beautifully coloured large folio original antique lithograph print of views of old Glasgow now long gone by the Scottish artist Thomas Fairbairn (1821 - 1885) was published by Miller & Buchanan in the 1849 edition of Relic of Ancient Architecture and other Picturesque Scenes in Glasgow.

Subject Background
This is one of the finest specimens extant of the dwelling-houses which the Glasgow citizens of the seventeenth century delighted to rear for the accommodation of themselves and families. No story of any peculiar interest attaches to the fabric in question. It simply illustrates a once favourite style of architecture which has now almost disappeared from amongst us. In a document, dated in 1639, this site is described as having been occupied by three small tenements which were then in rather a ruinous condition. They were surrounded by a "yaird," and considered quite in the suburbs. The subjects must have remained in a dilapidated condition for a long time. They were purchased in 1668 by John Caldwell, merchant in Glasgow, who immediately afterwards built the present tenement or tenements. It had a garden to the back, surrounded with a wall, and adorned with a summer-house. The subjects passed into the hands of Andrew Caldwell, son of the former, who sold them in 1698 to John Gray and William Knox, merchants in Glasgow, but apparently only in security for a debt. This was not paid, however, and a commission was granted to these gentlemen to dispose of the property absolutely, when it was acquired by Daniel Campbell, John Graham of Dugaldston, William Cross, William Wodropp, James Muir, and Matthew Campbell, merchants in Glasgow. This transaction took place on 3rd October, 1700. These gentlemen belonged to the mercantile aristocracy of the time; but the purpose for which they became joint-stock owners of this property is not now apparent. These parties sold their respective shares to Graham of Dugaldston in 1705, who in turn disposed of it, in 1709, to Andrew Cathcart, merchant in Glasgow. In a document, dated 13th January of that year, the subjects are thus described:-

"All and haill, the foresaid northmost of the saids two tenements of land, high and laigh, back and forwd, with the closs yaird at the back thereof, and stone dyke about the same, and summer-house within the same yaird, office-house, and haill pertinents of the samen, with the equal half of the said well Lyand betwixt the said two tenements, with free ish and entree yrto, and haill liberties and privileges yrof. And whilk northmost tenement, closs, yaird, office-houss, and pertinents erected and rebuilded by umqll John Cauldwell, merchant, father to the said Andrew, pertained of old to umqll Peter Johnston Tayloor, and consisted of three small tenements, yaird, and pertinents, and were acquired by the said umqll John Cauldwell from Kathrine Johnstoune and John Montgomerie, her husband, and were then bounded betwixt the lands of Adam Hish, being now the southmost of the saids two tenements. The lands of umqll Patrick Crawford and oyrs, and of the representatives of the said umqll Mitchell on the north. The lands of umqll William Thomson, John Andersone, elder, and Mr Archibald Denniston on the east, and the High Street on the west parts."

The purchaser above-named having held the property during a very lengthened period, including the time of the two great rebellions, it descended in 1754 to his grandson, William Cathcart, then merchant in Kingston, Jamaica. The representatives of this gentleman sold the property in 1771 to James Campbell, saddler in Glasgow, for the sum of £820. Campbell seems to have been unfortunate, for in the same year the Trustees for his creditors sold the subjects to George Anderson, merchant. About this time the house was much damaged by fire, but as it was insured in the Sun Fire Office, the Trustees retained the insurance money, and sold the property as it stood for the reduced price of £535. Anderson held it till his death, and the greater part was disposed of by his Trustees in 1827 to Mr Ritchie, Stockwell Street, whose family still hold the house. The price then paid was £1800. It has long ceased to be a dwelling-house, the lower portions or ground floors having been occupied as spirit vaults for an uninterrupted space of more than 80 years. They are used for this purpose still. A tradition has long prevailed that this house was occupied by some of Cromwell's officers when the Protector was in Glasgow. This, of course, could not have been the case, for the house was not built till eight years after the Restoration. The three small houses, however, which previously occupied the same site may, in all likelihood, have afforded accommodation to some of Cromwell's train.

Relic of Ancient Architecture and other Picturesque Scenes in Glasgow, was published large folio size in 1849, containing 19 large folio coloured lithograph prints and has long since been out of print. A praiseworthy motive induced Mr. James Bogle, at one time Lord Dean of Guild, and a member of an old and highly-respected Glasgow family, to engage Mr. Thomas Fairbairn to reproduce them, before they passed into oblivion, some "Relics of Ancient Architecture and Picturesque Scenes in Glasgow." The immediate cause of Mr. Bogle's resolve was the fall of a sugar-house in Alston Street, by which some six or seven lives were lost, and a resolution on the part of the Dean of Guild Court to make a general survey of the City with a view to the removal of old houses which, from age or other causes, were considered to be unfit for habitation. Mr. Bogle naturally thought that this was the proper time to reproduce in permanent form a fair presentment of many of the noted houses of old Glasgow

Along with Mr. Fairbairn, the artist, Mr. Bogle made a tour of the City, and selected subjects for the drawings, nearly all of which are now gone, and those few that remain are so altered as to be almost irrecognisable.

A general wish having been expressed for a reproduction of the work, the publishers some time ago engaged Mr. Fairbairn (now alas! gone) to reproduce the original sketches, and also add a number of others of interest before the rapid growth of the City extinguishes or entirely defaces their subjects.

The drawings are now thirty in number, and have been reproduced by Messrs. Annan's new process of photo-engraving, which it will be observed, gives the effect of finely finished mezzo-tints.

The letterpress descriptions of the original edition are from the pen of the late Mr. James Pagan, Editor of the Glasgow Herald, and the descriptions of the new scenes have been supplied by his successor, the present Editor of that journal.

It ought to be stated that the descriptive portions, written by Mr. Pagan more than thirty years ago, have not been touched; so that readers should understand that they refer to the Glasgow of a former generation, and are all indicated in the Contents by an asterisk.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Red, green, blue, brown  
General color appearance: - Authentic   
Paper size: - 22in x 16in (560mm x 405mm)
Margins: - Min 4in (100mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$125.00 USD
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1732 Baldaeus Antique Print a View of Machilipatnam Andhra Pradesh, India

1732 Baldaeus Antique Print a View of Machilipatnam Andhra Pradesh, India

Description: 
This fine beautifully hand coloured original antique print a view of the city of Masulipatam (Machilipatnam) on the Malibar Coast in India was published in the 1732 second English edition of Philip Baldaeus "A True and Exact Description of the Most Celebrated East-India Coasts of Malabar and Coromandel; and also of the Isle of Ceylon… London: Awnsham and John Churchill, 1732.

Machilipatnam is a city and the district headquarters of Krishna district, located in Coastal Andhra region of Andhra Pradesh, India. During British rule, the city was their first trading settlement on the Bay of Bengal coast, when it was also known as Masulipatnam or Masula, and as Bandar in folklore, located 72 km to the east of the state capital Vijayawada.

Second edition in English of Baldaeus’ account of his 17th-century travels in south India and Ceylon—one of the first Europeans to publish at length about the region published with 37 copper-engraved views and maps. Father Philippus Baldaeus, Baelde or Philip Balde (October 1632, Delft – 1672, Geervliet) was a Dutch minister. He went to Jaffna, Ceylon with an invading Dutch force during 17th Century. As the first European he documented the life, language and culture of Tamil people, living in the north of the island. It is a great historical record, similar to Mahawamsa, and it was immediately published in Dutch and German (with several beautiful pictures).

Baldaeus had a Flemish origin. His ancestors had left Ypres in 1584. Baldaeus lost both his parents, when he was four years old. His uncle Robertus Junius was a missionary on Dutch Formosa. After studying Oriental languages in Groningen (1649) and theology in Leiden (1650), and discussions with Arnoldus Montanus, he preached from 1655 at Batavia, Dutch East Indies, Jaffanapatnam and Point de Galle, either in Dutch or Portuguese (language). From 1657 he served under Rijklof van Goens, occupying the Coromandel and Negapatnam in 1658. Cornelis Speelman became its first governor. By 1660 the Dutch controlled the whole island except the kingdom of Kandy. When the Dutch occupied the coast of Malabar in 1661, Baldaeus took part. Around 1662 he returned to Ceylon and Baldaeus learned Sanskrit and studied Hinduism.

In 1666 he returned to the Dutch Republic and preached in Geervliet from 1669 until his death at the age of 39 or 40. He left behind a full and faithful account of the civil, religious, and domestic condition of the countries through which he travelled. In this, he introduced also an interesting account of the Hindu mythology, and some specimens of the Tamil language, including the translation of the Lord's Prayer: defective enough it is true, but remarkable as the first treatise, printed in Europe, on any Indian language. The title of the whole work is Description of the East Indian Countries of Malabar, Coromandel, Ceylon, etc. (in Dutch, 1671) The book is dedicated to the bailiff Cornelis de Witt. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Early
Colors used: - Blue, green,
General color appearance: - Fresh
Paper size: - 15in x 10in (380mm x 255mm)
Plate size: - 14in x 9 1/2in (360mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

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1802 J B Lechevalier Antique Print The Sarcophagus of the Greek Author, Homer

1802 J B Lechevalier Antique Print The Sarcophagus of the Greek Author, Homer

Description:
This original copper-plate engraved antique print of a Greek Sarcophagus, believe to be that of the ancient Greek Philosopher Homer, was published in the 1802 edition of Jean-Baptiste Lechevaliers of Voyage de la Troade, fait dans les années 1785 et 1786

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 20in x 14in (510mm x 360mm)
Plate size: - 17 1/2in x 10 3/4in (445mm x 275mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - Light toning along centerfold
Verso: - Light soiling

Background: 
Homer is the legendary author of the Iliad and the Odyssey, two epic poems that are the central works of ancient Greek literature. The Iliad is set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Greek kingdoms. It focuses on a quarrel between King Agamemnon and the warrior Achilles lasting a few weeks during the last year of the war. The Odyssey focuses on the journey home of Odysseus, king of Ithaca, around 20 years after the fall of Troy. Many accounts of Homer\'s life circulated in classical antiquity, the most widespread being that he was a blind bard from Ionia, a region of central coastal Anatolia in present-day Turkey. Modern scholars consider them legends.
The Homeric Question—concerning by whom, when, where and under what circumstances the Iliad and Odyssey were composed—continues to be debated. Broadly speaking, modern scholarly opinion falls into two groups. One holds that most of the Iliad and (according to some) the Odyssey are the works of a single poet of genius. The other considers the Homeric poems to be the result of a process of working and reworking by many contributors, and that Homer is best seen as a label for an entire tradition. It is generally accepted that the poems were composed at some point around the late eighth or early seventh century BC.
The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally. From antiquity until the present day, the influence of the Homeric epics on Western civilization has been great, inspiring many of its most famous works of literature, music, art and film. The Homeric epics were the greatest influence on ancient Greek culture and education; to Plato, Homer was simply the one who has taught Greece – ten Hellada pepaideuken

Jean-Baptiste Lechevalier was the secretary of the Ambassador of France in Constantinople. In the year 1788 he visited the plain of Troy, and was enthusiastically in favour of the theory that the site of Homers Troy was to be found at the village of Bunarbashi. His publication about Troy Voyage de la Troade.....was first published in 1799.
The Troad, also known as Troas, is the historical name of the Biga peninsula (Biga Yarımadası, Τρωάς) in the northwestern part of Anatolia, Turkey. This region now is part of the Çanakkale province of Turkey. Bounded by the Dardanelles to the northwest, by the Aegean Sea to the west and separated from the rest of Anatolia by the massif that forms Mount Ida, the Troad is drained by two main rivers, the Scamander (Karamenderes) and the Simois, which join at the area containing the ruins of Troy. Grenikos, Kebren, Simoeis, Rhesos, Rhodios, Heptaporos and Aisepos were seven rivers of the Troad and the names of the river gods that inhabited each river.

Troy (Ancient Greek: Τροία, Troia or Τροίας, Troias, Truva or Troya) was a city in the far northwest of the region known in late Classical antiquity as Asia Minor, now known as Anatolia in modern Turkey, just south of the southwest mouth of the Dardanelles strait and northwest of Mount Ida. The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, one of the two epic poems attributed to Homer. Metrical evidence from the Iliad and the Odyssey suggests that the name λιον (Ilion) formerly began with a digamma: Ϝίλιον (Wilion); this is also supported by the Hittite name for what is thought to be the same city, Wilusa.
A new capital called Ilium (from Greek: λιον, Ilion) was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople, became a bishopric and declined gradually in the Byzantine era, but is now a Latin Catholic titular see.
In 1865, English archaeologist Frank Calvert excavated trial trenches in a field he had bought from a local farmer at Hisarlik, and in 1868, Heinrich Schliemann, a wealthy German businessman and archaeologist, also began excavating in the area after a chance meeting with Calvert in Çanakkale. These excavations revealed several cities built in succession. Schliemann was at first skeptical about the identification of Hisarlik with Troy, but was persuaded by Calvert and took over Calverts excavations on the eastern half of the Hisarlik site, which was on Calvert\'s property. Troy VII has been identified with the city called Wilusa by the Hittites (the probable origin of the Greek λιον) and is generally (but not conclusively) identified with Homeric Troy.
Today, the hill at Hisarlik has given its name to a small village near the ruins, which supports the tourist trade visiting the Troia archaeological site. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, also called Çanakkale. The nearest village is Tevfikiye. The map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Due to Troys location near the Aegean Sea, the Sea of Marmara, and the Black Sea, it was a central hub for the military and trade(Ref: M&B; Tooley)

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1802 J B Lechevalier Antique Print Temple of Poseidon Cape Sounion Attica Greece

1802 J B Lechevalier Antique Print Temple of Poseidon Cape Sounion Attica Greece

Description:
This original copper-plate engraved antique print view of the ruins of the Temple of Poseidon, on the cliffs on Cape Sounion, Attica Peninsula, Greece, south of Athens was published in the 1802 edition of Jean-Baptiste Lechevaliers of Voyage de la Troade, fait dans les années 1785 et 1786

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 20in x 14in (510mm x 360mm)
Plate size: - 17 1/2in x 11in (445mm x 280mm) 
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Cape Sounion is the promontory at the southernmost tip of the Attic peninsula, 8 kilometres south of the town of Lavrio (ancient Thoricus), and 70 kilometres southeast of Athens. It is part of Lavreotiki municipality, East Attica, Greece.
Cape Sounion is noted for its Temple of Poseidon, one of the major monuments of the Golden Age of Athens. Its remains are perched on the headland, surrounded on three sides by the sea.
The original, Archaic-period temple of Poseidon on the site was built of tufa. The Sounion Kouros, discovered in 1906 in a pit east of the temple alongside fragments of other statues, was probably one of a number of votive statues dedicated to Poseidon which probably stood in front of the gods sanctuary. The archaic temple was probably destroyed in 480 BC by Persian troops during Xerxes I\'s invasion of Greece. After they defeated Xerxes in the naval Battle of Salamis, the Athenians placed an entire captured enemy trireme (warship with three banks of oars) at Sounion as a trophy dedicated to Poseidon.
The temple of Poseidon at Sounion was constructed in 444–440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. It was built on the ruins of a temple dating from the Archaic period. It is perched above the sea at a height of almost 60 metres. The design of the temple is a typical hexastyle, i.e., it had a front portico with six columns. Only some columns of the Sounion temple stand today, but when intact it would have closely resembled the contemporary and well-preserved Temple of Hephaestus beneath the Acropolis, which may have been designed by the same architect.
As with all Greek temples, the Poseidon building was rectangular, with a colonnade on all four sides. The total number of original columns was 36: 15 columns still stand today. The columns are of the Doric Order. They were made of locally quarried white marble. They were 6.10 m high, with a diameter of 1 m (3.1 ft) at the base and 79 cm at the top. At the center of the temple, colonnade would have been the hall of worship (naos), a windowless rectangular room, similar to the partly intact hall at the Temple of Hephaestus. It would have contained, at one end facing the entrance, the cult image, a colossal, ceiling-height (6 metres (20 ft)) bronze statue of Poseidon.

Jean-Baptiste Lechevalier was the secretary of the Ambassador of France in Constantinople. In the year 1788 he visited the plain of Troy, and was enthusiastically in favour of the theory that the site of Homers Troy was to be found at the village of Bunarbashi. His publication about Troy Voyage de la Troade.....was first published in 1799.
The Troad, also known as Troas, is the historical name of the Biga peninsula (Biga Yarımadası, Τρωάς) in the northwestern part of Anatolia, Turkey. This region now is part of the Çanakkale province of Turkey. Bounded by the Dardanelles to the northwest, by the Aegean Sea to the west and separated from the rest of Anatolia by the massif that forms Mount Ida, the Troad is drained by two main rivers, the Scamander (Karamenderes) and the Simois, which join at the area containing the ruins of Troy. Grenikos, Kebren, Simoeis, Rhesos, Rhodios, Heptaporos and Aisepos were seven rivers of the Troad and the names of the river gods that inhabited each river.

Troy (Ancient Greek: Τροία, Troia or Τροίας, Troias, Truva or Troya) was a city in the far northwest of the region known in late Classical antiquity as Asia Minor, now known as Anatolia in modern Turkey, just south of the southwest mouth of the Dardanelles strait and northwest of Mount Ida. The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, one of the two epic poems attributed to Homer. Metrical evidence from the Iliad and the Odyssey suggests that the name λιον (Ilion) formerly began with a digamma: Ϝίλιον (Wilion); this is also supported by the Hittite name for what is thought to be the same city, Wilusa.
A new capital called Ilium (from Greek: λιον, Ilion) was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople, became a bishopric and declined gradually in the Byzantine era, but is now a Latin Catholic titular see.
In 1865, English archaeologist Frank Calvert excavated trial trenches in a field he had bought from a local farmer at Hisarlik, and in 1868, Heinrich Schliemann, a wealthy German businessman and archaeologist, also began excavating in the area after a chance meeting with Calvert in Çanakkale. These excavations revealed several cities built in succession. Schliemann was at first skeptical about the identification of Hisarlik with Troy, but was persuaded by Calvert and took over Calverts excavations on the eastern half of the Hisarlik site, which was on Calvert\'s property. Troy VII has been identified with the city called Wilusa by the Hittites (the probable origin of the Greek λιον) and is generally (but not conclusively) identified with Homeric Troy.
Today, the hill at Hisarlik has given its name to a small village near the ruins, which supports the tourist trade visiting the Troia archaeological site. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, also called Çanakkale. The nearest village is Tevfikiye. The map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Due to Troys location near the Aegean Sea, the Sea of Marmara, and the Black Sea, it was a central hub for the military and trade(Ref: M&B; Tooley)

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1802 Lechevalier Large Antique Print View of Xanthos or Kinik, Antalya Turkey

1802 Lechevalier Large Antique Print View of Xanthos or Kinik, Antalya Turkey

Description:
This original copper-plate engraved antique print view of the source of the Karamenderes (Scamander) River that flowed beneath the ancient Greek city of Troy located in the Troad region of Çanakkale in NW Turkey, was published in the 1802 edition of Jean-Baptiste Lechevaliers of Voyage de la Troade, fait dans les années 1785 et 1786

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 20in x 14in (510mm x 360mm)
Plate size: - 17 1/2in x 11in (445mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Karamenderes is the modern name of the river Scamander, along the lower course of which, according to the Iliad, the battles of the Trojan War were fought. It flows entirely within the Turkish province of Çanakkale.

Scamander was the name of a river god in Greek mythology.
Scamander fought on the side of the Trojans during the Trojan War (Iliad XX, 73/74; XXI), after the Greek hero Achilles insulted him. Scamander was also said to have attempted to kill Achilles three times, and the hero was only saved due to the intervention of Hera, Athena and Hephaestus. In this context, he is the personification of the Scamander River that flowed from Mount Ida across the plain beneath the city of Troy, joining the Hellespont north of the city. The Achaeans, according to Homer, had set up their camp near its mouth, and their battles with the Trojans were fought on the plain of Scamander. In Iliad XXII (149ff), Homer states that the river had two springs: one produced warm water; the other yielded cold water, regardless of the season.
According to Homer, he was called Xanthos by gods and Scamander by men, which might indicate that the former name refers to the god and the latter one to the river itself

Jean-Baptiste Lechevalier was the secretary of the Ambassador of France in Constantinople. In the year 1788 he visited the plain of Troy, and was enthusiastically in favour of the theory that the site of Homers Troy was to be found at the village of Bunarbashi. His publication about Troy Voyage de la Troade..... was first published in 1799.
The Troad, also known as Troas, is the historical name of the Biga peninsula (Biga Yarımadası, Τρωάς) in the northwestern part of Anatolia, Turkey. This region now is part of the Çanakkale province of Turkey. Bounded by the Dardanelles to the northwest, by the Aegean Sea to the west and separated from the rest of Anatolia by the massif that forms Mount Ida, the Troad is drained by two main rivers, the Scamander (Karamenderes) and the Simois, which join at the area containing the ruins of Troy. Grenikos, Kebren, Simoeis, Rhesos, Rhodios, Heptaporos and Aisepos were seven rivers of the Troad and the names of the river gods that inhabited each river.

Troy (Ancient Greek: Τροία, Troia or Τροίας, Troias, Truva or Troya) was a city in the far northwest of the region known in late Classical antiquity as Asia Minor, now known as Anatolia in modern Turkey, just south of the southwest mouth of the Dardanelles strait and northwest of Mount Ida. The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, one of the two epic poems attributed to Homer. Metrical evidence from the Iliad and the Odyssey suggests that the name λιον (Ilion) formerly began with a digamma: Ϝίλιον (Wilion); this is also supported by the Hittite name for what is thought to be the same city, Wilusa.
A new capital called Ilium (from Greek: λιον, Ilion) was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople, became a bishopric and declined gradually in the Byzantine era, but is now a Latin Catholic titular see.
In 1865, English archaeologist Frank Calvert excavated trial trenches in a field he had bought from a local farmer at Hisarlik, and in 1868, Heinrich Schliemann, a wealthy German businessman and archaeologist, also began excavating in the area after a chance meeting with Calvert in Çanakkale. These excavations revealed several cities built in succession. Schliemann was at first skeptical about the identification of Hisarlik with Troy, but was persuaded by Calvert and took over Calverts excavations on the eastern half of the Hisarlik site, which was on Calvert\'s property. Troy VII has been identified with the city called Wilusa by the Hittites (the probable origin of the Greek λιον) and is generally (but not conclusively) identified with Homeric Troy.
Today, the hill at Hisarlik has given its name to a small village near the ruins, which supports the tourist trade visiting the Troia archaeological site. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, also called Çanakkale. The nearest village is Tevfikiye. The map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Due to Troys location near the Aegean Sea, the Sea of Marmara, and the Black Sea, it was a central hub for the military and trade(Ref: M&B; Tooley)

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1802 J B Lechevalier Antique Print View of Tomb of Ajax Troy in Troad, NW Turkey

1802 J B Lechevalier Antique Print View of Tomb of Ajax Troy in Troad, NW Turkey

Description:
This original copper-plate engraved antique print view of the Tomb of Ajax the Great near in the ancient Greek city of Troy in the Troad region of NW Turkey was published in the 1802 edition of Jean-Baptiste Lechevaliers of Voyage de la Troade, fait dans les années 1785 et 1786

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 20in x 14in (510mm x 360mm)
Plate size: - 17 1/2in x 11in (445mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Light toning along centerfold
Verso: - None

Background: 
Ajax or Aiasis a Greek hero, the son of King Telamon and Periboea, and the half-brother of Teucer. He plays an important role, and is portrayed as a towering figure and a warrior of great courage in Homers Iliad and in the Epic Cycle, a series of epic poems about the Trojan War. He is also referred to as Telamonian Ajax (Αἴας ὁ Τελαμώνιος, in Etruscan recorded as Aivas Tlamunus), Greater Ajax, or Ajax the Great, which distinguishes him from Ajax, son of Oileus (Ajax the Lesser).

Jean-Baptiste Lechevalier was the secretary of the Ambassador of France in Constantinople. In the year 1788 he visited the plain of Troy, and was enthusiastically in favour of the theory that the site of Homers Troy was to be found at the village of Bunarbashi. His publication about Troy Voyage de la Troade.....was first published in 1799.
The Troad, also known as Troas, is the historical name of the Biga peninsula (Biga Yarımadası, Τρωάς) in the northwestern part of Anatolia, Turkey. This region now is part of the Çanakkale province of Turkey. Bounded by the Dardanelles to the northwest, by the Aegean Sea to the west and separated from the rest of Anatolia by the massif that forms Mount Ida, the Troad is drained by two main rivers, the Scamander (Karamenderes) and the Simois, which join at the area containing the ruins of Troy. Grenikos, Kebren, Simoeis, Rhesos, Rhodios, Heptaporos and Aisepos were seven rivers of the Troad and the names of the river gods that inhabited each river.

Troy (Ancient Greek: Τροία, Troia or Τροίας, Troias, Truva or Troya) was a city in the far northwest of the region known in late Classical antiquity as Asia Minor, now known as Anatolia in modern Turkey, just south of the southwest mouth of the Dardanelles strait and northwest of Mount Ida. The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, one of the two epic poems attributed to Homer. Metrical evidence from the Iliad and the Odyssey suggests that the name λιον (Ilion) formerly began with a digamma: Ϝίλιον (Wilion); this is also supported by the Hittite name for what is thought to be the same city, Wilusa.
A new capital called Ilium (from Greek: λιον, Ilion) was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople, became a bishopric and declined gradually in the Byzantine era, but is now a Latin Catholic titular see.
In 1865, English archaeologist Frank Calvert excavated trial trenches in a field he had bought from a local farmer at Hisarlik, and in 1868, Heinrich Schliemann, a wealthy German businessman and archaeologist, also began excavating in the area after a chance meeting with Calvert in Çanakkale. These excavations revealed several cities built in succession. Schliemann was at first skeptical about the identification of Hisarlik with Troy, but was persuaded by Calvert and took over Calverts excavations on the eastern half of the Hisarlik site, which was on Calvert\'s property. Troy VII has been identified with the city called Wilusa by the Hittites (the probable origin of the Greek λιον) and is generally (but not conclusively) identified with Homeric Troy.
Today, the hill at Hisarlik has given its name to a small village near the ruins, which supports the tourist trade visiting the Troia archaeological site. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, also called Çanakkale. The nearest village is Tevfikiye. The map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Due to Troys location near the Aegean Sea, the Sea of Marmara, and the Black Sea, it was a central hub for the military and trade(Ref: M&B; Tooley)

$125.00 USD
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1851 Shepherd Antique Print of The Army & Navy Club, London

1851 Shepherd Antique Print of The Army & Navy Club, London

Description: 
This finely engraved beautifully hand coloured original antique print of the Army & Navy Club, or The Rag as it is known, in Pall Mall, London was engraved John Shepherd and published in the The World's Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel, London 1851-1855.

Founded in August 1837, the year Queen Victoria acceded to the Throne, the Club was formed to meet the needs of the many army officers wanting to join a Service Club, most of which were already full. The great Duke of Wellington said he would become neither a patron nor a Member unless membership was also offered to officers of the Royal Navy and Royal Marines. Hence, the "Army Club" became the Army and Navy Club.

The Club's distinguished forebears include Lieutenant General Sir Edward Barnes, the first President who, as Adjutant General, fought, sword in hand, at the Battle of Waterloo, and Admiral Sir Philip Durham, one of Nelson's "Band of Brothers" who commanded HMS Defiance at the Battle of Trafalgar. Shortly after opening, the Club acquired its famous nickname, when Captain William (Billy) Higginson Duff, a colourful character with a brief and undistinguished military career was offended by the spartan nature of the fare offered to him on returning from a spree.  He described the Club as a ‘Rag and Famish affair’ which was intended as a great insult, since the ‘Rag and Famish’ was a squalid gaming house ‘for broken down gamblers who played for coppers’.  The Members were amused rather than insulted by this and formed a ‘Rag and Famish’ dining club.  The name was gradually adopted as the Club’s nickname, eventually being reduced to ‘The Rag’.  Captain Duff’s behaviour did not improve and he was later sentenced to six months in jail for assaulting a constable

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: -  Yellow, brown
General color appearance: -  Authentic
Paper size: - 14 1/2in x 11in (370mm x 280mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$125.00 USD
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1760 Vue D Optic Antique Print View of Hampton Court Palace, Richmond London

1760 Vue D Optic Antique Print View of Hampton Court Palace, Richmond London

  • Title : Vue du Palias Royal de Hampton Court a 15 Milles de Londres
  • Date : 1760
  • Condition: (A) Very Good Condition
  • Ref:  92704
  • Size: 19in x 12 3/4in (480mm x 325mm) 

Description: 
This hand coloured original antique print, a view of Hampton Court Palace was published as part of the Vues d’Optique in 1760.

Hampton Court Palace: is a royal palace in the London Borough of Richmond upon Thames, Greater London, in the historic county of Middlesex, and within the postal town East Molesey, Surrey. It has not been inhabited by the British Royal Family since the 18th century. The palace is 11.7 miles (18.8 kilometres) south west of Charing Cross and upstream of central London on the River Thames. It was originally built in 1514 for Cardinal Thomas Wolsey, a favourite of King Henry VIII. In 1529, as Wolsey fell from favour, the King seized the palace for himself and later enlarged it. Along with St. James's Palace, it is one of only two surviving palaces out of the many owned by King Henry VIII.

In the following century, King William III's massive rebuilding and expansion project was intended to rival Versailles. Work ceased in 1694, leaving the palace in two distinct contrasting architectural styles, domestic Tudor and Baroque. While the palace's styles are an accident of fate, a unity exists due to the use of pink bricks and a symmetrical, if vague, balancing of successive low wings.

Vues d' Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens.

A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints.

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - Off white
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 19in x 12 3/4in (480mm x 325mm)
Plate size: - 14 1/2in x 9 1/2in (370mm x 240mm)
Margins: - Min 2in (50mm)

Imperfections:
Margins: - Light soiling
Plate area: - Small smudge & toning to sky
Verso: - Small repair, no loss

$125.00 USD
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1740 Wolff & Corvinus Antique Arch Plan Officers Quarters, Royal Arsenal, Berlin

1740 Wolff & Corvinus Antique Arch Plan Officers Quarters, Royal Arsenal, Berlin

  • Title : Das von dem Tit. H. Commendanten der Residentz Berlin, durch den Tit. H. Philipp Gerlach Senior Capitain und Ingenieur gebaute Commendaten Hauß mit der vorderen faciata und allen dreyen Grund-Rissen
  • Ref #:  93449
  • Size: 19 1/2in x 15in (495mm x 390mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print, view & plan of officers quarters at the Royal Arsenal in Berlin - plate No.17 of 19 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Arch Print of Charlottenburg Palace Stables Berlin

1740 Wolff & Corvinus Antique Arch Print of Charlottenburg Palace Stables Berlin

  • Title : Ist ein von Hr. Andreas Schlütter Seel. inventirt und aufgebauer Schöner Marstall Datierung
  • Ref #:  93447
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print, view of the facade of the Charlottenburg Palace stables in Berlin - plate No.15 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Arch Print of The Royal Arsenal in Berlin Germany

1740 Wolff & Corvinus Antique Arch Print of The Royal Arsenal in Berlin Germany

  • Title : Das von dem H. Architect und Bau-Meister Nering Seel. angefangne, und von dem unvergleichlichen Architect Ober-Ingenier und Bau-Meistern H. Obrist Both in vollkommenen Perfection Stand gebrachte und von jedermann belobte Herr. Zeug-Haus, dessen vordere faciata
  • Ref #:  93454
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print, view & plan of The Royal Arsenal in Berlin Houses - plate No.13 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Arch Print Plans of Residential Houses in Berlin

1740 Wolff & Corvinus Antique Arch Print Plans of Residential Houses in Berlin

  • Title : Zwey von Hr. von Grünenberg inventirte und gebaute Burgerl. Wohnhäusser mit ihren Faciaten u. Grundrissen
  • Ref #:  93450
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print plans of Berlin Houses - plate No. 12 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Arch Print of Charlottenburg Palace Stables Berlin

1740 Wolff & Corvinus Antique Arch Print of Charlottenburg Palace Stables Berlin

  • Title : Der von Hr. Obrist von Eosander inventirte und gebaute Königl. Pferdt Stall zu Charlottenburg, dessen Faciata und Grund Riss. - Das gleichfals von Hr. Joh. Friederich v. Eosander Obristen General Quartier Meistern, und ersten Bau Directorn inventierte und gebaute Rath Hauss zu gedachten Charlottenburg
  • Ref #:  93453
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print of the Royal Horse Stables at Charlottenburg Palace, Berlin - plate No. 11 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Arch Print of Berlin Mansions by A. von Schlütter

1740 Wolff & Corvinus Antique Arch Print of Berlin Mansions by A. von Schlütter

  • Title : A. Ist ein von H. Andreas von Schlütter Seel. inventirt- und auff gebautes Landt-Hauss. B. Ist ein von dem renomirten Bau-Werck- und Raths Zimmer-Meister Joh. Mich. Kemmeter, in Riegel oder Holtz auff gebautes Land-Hauß oder so genandte Meyerey
  • Ref #:  93445
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print of 18th century Mansions in Berlin designed by Andreas von Schlütter - plate No. 9 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Arch Print of a Poorhouse near Stralau Gate Berlin

1740 Wolff & Corvinus Antique Arch Print of a Poorhouse near Stralau Gate Berlin

  • Title : Das von dem H. von Grünenberg Seel. inventirte sogenandte Armen- oder Waysen-Hauss zu Berlin, nache bey dem Stralauischen Thor gelegen, ....
  • Ref #:  93455
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print of the Poorhouse near the old Stralau Gate (Stralauer Tor) in Berlin - plate No. 8 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Arch. Print Jerusalem Church Friedrichstadt.Berlin

1740 Wolff & Corvinus Antique Arch. Print Jerusalem Church Friedrichstadt.Berlin

  • Title : Die von vorgedachten Hr. von Grünenberg invendierte, unter der Direction des Hr. Ioh. Simonetti Hoff Stucator Hoch-Fürstl. Anhaltischen BauMeister aufgebaute so genande Friderich Stättische Kirche sampt dessen Grund u. Faciata.
  • Ref #:  93458
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print of the Parochialkirche (literally the Reformed parochial church) in the Mitte suburb of Berlin - plate No. 7 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
More Info
1740 Wolff & Corvinus Antique Arch. Print of the Parochialkirche in Mitte Berlin

1740 Wolff & Corvinus Antique Arch. Print of the Parochialkirche in Mitte Berlin

  • Title : Vordere faciata nebst dem halben Grund Riß der vorigen Parochial-Kirche mit verändertem Thurn wie solcher dermahlen sich würklich presentiert. Frontriß, darunter der halbe Grundriß.
  • Ref #:  93459
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print of the Parochialkirche (literally the Reformed parochial church) in the Mitte suburb of Berlin - plate No. 6 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten.
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
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1740 Wolff & Corvinus Antique Architectural Print Parochialkirche, Mitte, Berlin

1740 Wolff & Corvinus Antique Architectural Print Parochialkirche, Mitte, Berlin

  • Title : Die Von dem Vortreslich beruhmten Konigl. Preusichen Architect Land u. Ober Bau Directorn etc. Hr. Martin von Grunenberg Seel. inventirte, u. hier Grund u. Seiten Faciata Vorstellende so genandte Parochial Kirche in Berlin in der Closter Strassen
  • Ref #:  93451
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large rare, original copper-plate engraved antique architectural print of the Parochialkirche (literally the Reformed parochial church) in the Mitte suburb of Berlin - plate No. 5 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
More Info
1740 Wolff & Corvinus Antique Architectural Print of Berlin Gate, Leipziger Tor

1740 Wolff & Corvinus Antique Architectural Print of Berlin Gate, Leipziger Tor

  • Title : Das von dem Herrn Baumeister Nering Seel. ausgefuhrte so genandte Leipziger Statt Thor in Berlin
  • Ref #:  93452
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large fine, original copper-plate engraved antique architectural print of buildings & gardens in 17th & 18th century Berlin - plate No. 3 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

 

Background:
Berlin straddles the banks of the River Spree, which flows into the River Havel (a tributary of the River Elbe) in the western borough of Spandau. Among the citys main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel, and Dahme rivers (the largest of which is Lake Müggelsee). Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. About one-third of the citys area is composed of forests, parks, gardens, rivers, canals and lakes. The city lies in the Central German dialect area, the Berlin dialect being a variant of the Lusatian-New Marchian dialects.
First documented in the 13th century and situated at the crossing of two important historic trade routes, Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933), and the Third Reich (1933–1945). Berlin in the 1920s was the third-largest municipality in the world. After World War II and its subsequent occupation by the victorious countries, the city was divided; West Berlin became a de facto West German exclave, surrounded by the Berlin Wall (1961–1989) and East German territory. East Berlin was declared capital of East Germany, while Bonn became the West German capital. Following German reunification in 1990, Berlin once again became the capital of all of Germany.
The Thirty Years War between 1618 and 1648 devastated Berlin. One third of its houses were damaged or destroyed, and the city lost half of its population. Frederick William, known as the Great Elector, who had succeeded his father George William as ruler in 1640, initiated a policy of promoting immigration and religious tolerance. With the Edict of Potsdam in 1685, Frederick William offered asylum to the French Huguenots.
By 1700, approximately 30 percent of Berlins residents were French, because of the Huguenot immigration. Many other immigrants came from Bohemia, Poland, and Salzburg.
Since 1618, the Margraviate of Brandenburg had been in personal union with the Duchy of Prussia. In 1701, the dual state formed the Kingdom of Prussia, as Frederick III, Elector of Brandenburg, crowned himself as king Frederick I in Prussia. Berlin became the capital of the new Kingdom, replacing Königsberg. This was a successful attempt to centralise the capital in the very far-flung state, and it was the first time the city began to grow. In 1709, Berlin merged with the four cities of Cölln, Friedrichswerder, Friedrichstadt and Dorotheenstadt under the name Berlin, Haupt- und Residenzstadt Berlin.
In 1740, Frederick II, known as Frederick the Great (1740–1786), came to power. Under the rule of Frederick II, Berlin became a center of the Enlightenment, but also, was briefly occupied during the Seven Years War by the Russian army. Following Frances victory in the War of the Fourth Coalition, Napoleon Bonaparte marched into Berlin in 1806, but granted self-government to the city. In 1815, the city became part of the new Province of Brandenburg.
The Industrial Revolution transformed Berlin during the 19th century; the citys economy and population expanded dramatically, and it became the main railway hub and economic centre of Germany. Additional suburbs soon developed and increased the area and population of Berlin. In 1861, neighbouring suburbs including Wedding, Moabit and several others were incorporated into Berlin. In 1871, Berlin became capital of the newly founded German Empire. In 1881, it became a city district separate from Brandenburg.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

 

$110.00 USD
More Info
1740 Wolff & Corvinus Antique Architectural Print Buildings, Gardens Berlin - No. 14

1740 Wolff & Corvinus Antique Architectural Print Buildings, Gardens Berlin - No. 14

  • Title : Das von Title Hr. Geheimbten Rath von Krossecks Seel. inventirt - und aussgebaute
  • Ref #:  93448
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large fine, original copper-plate engraved antique architectural print of buildings & gardens in the Charlottenburg suburb of Berlin & Charlottenburg Palace, - plate No. 14 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 14 1/2in x 10 1/2in (370mm x 260mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:

Charlottenburg is an affluent locality of Berlin within the borough of Charlottenburg-Wilmersdorf. Established as a town in 1705 and named after late Sophia Charlotte of Hanover, Queen consort of Prussia, it is best known for Charlottenburg Palace, the largest surviving royal palace in Berlin, and the adjacent museums.
Charlottenburg is located in Berlins inner city, west of the Großer Tiergarten park. Its historic core, the former village green of Alt Lietzow, is situated on the southern shore of the Spree River running through the Berlin glacial valley. The Straße des 17. Juni road, former Charlottenburger Chaussee, which runs eastwards from Charlottenburg Gate through the Tiergarten park to Brandenburg Gate, connects Charlottenburg with the historic centre of Berlin-Mitte.
In the north and west, the Berlin Ringbahn and the Bundesautobahn 100 (Stadtring) mark the border with the Charlottenburg-Nord and Westend suburbs. Adjacent in the south is the territory of Wilmersdorf. Charlottenburg also borders on the district of Halensee in the southwest, as well as on Moabit, Hansaviertel and Tiergarten (all part of the Mitte borough) in the east and on Schöneberg in the southeast.
In 1695, Sophia Charlotte of Hanover received Lietzow from her husband, Elector Frederick III of Brandenburg, in exchange for her estates in Caputh and Langerwisch near Potsdam. Frederick had a summer residence built there for Sophie Charlotte by the architect Johann Arnold Nering between 1695 and 1699. After he had crowned himself Frederick I, King in Prussia, the Lützenburg castle was extended into a stately building with a cour dhonneur. The Swedish master builder Johann Friedrich Eosander supervised this work. Sophie Charlotte died in February 1705; shortly afterwards the settlement facing the palace was called Charlottenburg - the palace itself became Schloss Charlottenburg - and chartered as a town on April 5, 1705. The king served as the towns mayor until the historic village of Lietzow was incorporated into Charlottenburg in 1720.
Fredericks successor as king, Frederick William I of Prussia, rarely stayed at the palace, which depressed the small town of Charlottenburg. Frederick William even tried to revoke the towns privileges. With the coronation of his successor Frederick II in 1740 the towns significance increased, as regular celebrations again took place at the palace. Between 1740 and 1747 Georg Wenzeslaus von Knobelsdorff built the eastern New Wing as Fredericks residence. Later, Frederick II preferred the palace of Sanssouci, which he had partly designed himself.
When Frederick II died in 1786, his nephew Frederick William II succeeded him, and Charlottenburg became the favourite royal residence, and remained so for his son and successor Frederick William III (reigned 1797-1840). After the defeat of the Prussian army at Jena in 1806, the French occupied Berlin. Napoleon took over the palace, while his troops made a camp nearby. Charlottenburg became part of the new Prussian Province of Brandenburg in 1815 after the Napoleonic Wars.
In the late 18th century, Charlottenburgs development did not depend only on the crown. The town became a recreational area for the expanding city of Berlin. Its first true inn opened in the 1770s, in the street then called Berliner Straße (now Otto-Suhr-Allee), and many other inns and beer gardens were to follow, popular for weekend parties especially. Berliners seeking leisure and entertainment came by boat, by carriage and later by horse-drawn trams, above all to a large amusement park at the shore of the Spree river called Flora, that went into bankruptcy in 1904.
From the 1860s on the wealthy Bourgeoisie of Berlin discovered Charlottenburg as a residential area, among the first were Gerson von Bleichröder and Ernst Werner von Siemens, who had a villa built in the Berliner Straße in 1862. At the same time industrial companies like Siemens & Halske and Schering erected large factories in the north-east, at the border with the Moabit district of Berlin. In 1877 Charlottenburg received town privileges and until World War I saw an enormous increase of population with 100,000 inhabitants as of 1893 and a population of 306,000 in 1920, being the second largest city within the Province of Brandenburg, after Berlin. In the course of industrialization in the 19th century, much of Charlottenburg was incorporated in a network of streets laid out in the Hobrecht-Plan in an area that came to be known architecturally as the Wilhelmine Ring.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

$110.00 USD
More Info
1740 Wolff & Corvinus Antique Architectural Print Charlottenburg Palace, Gardens

1740 Wolff & Corvinus Antique Architectural Print Charlottenburg Palace, Gardens

  • Title : Haupt Hof Grund Riss dess Marstalls...Jeremais Wolff exc Aug. Vind
  • Ref #:  93446
  • Size: 19in x 12 1/2in (490mm x 335mm)
  • Date : 1740
  • Condition: (A+) Fine Condition

Description:
This large fine, original copper-plate engraved antique architectural print of buildings in the Charlottenburg suburb of Berlin & Charlottenburg Palace, - plate No. 4 of 16 - by Johann August Corvinus 1683 - 1738, after Andreas Mayers 1716 - 1782, was published in Eigentliche Abbildung des Prächtigen Königl. Lust Schlosses Charlottenburg, eine Meile von Berlin, sambt dem darhinden im Walde gelegenen schönen Lust Garten
(Set of 16 numbered plates, the first with the title, with plans and views of the buildings and gardens at Charlottenburg, the palace of the King of Prussia on the outskirts of Berlin.)
 by Jeremias Wolff Erben in 1740.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19in x 12 1/2in (490mm x 335mm)
Plate size: - 15 1/2in x 10in (385mm x 255mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background:
Charlottenburg is an affluent locality of Berlin within the borough of Charlottenburg-Wilmersdorf. Established as a town in 1705 and named after late Sophia Charlotte of Hanover, Queen consort of Prussia, it is best known for Charlottenburg Palace, the largest surviving royal palace in Berlin, and the adjacent museums.
Charlottenburg is located in Berlins inner city, west of the Großer Tiergarten park. Its historic core, the former village green of Alt Lietzow, is situated on the southern shore of the Spree River running through the Berlin glacial valley. The Straße des 17. Juni road, former Charlottenburger Chaussee, which runs eastwards from Charlottenburg Gate through the Tiergarten park to Brandenburg Gate, connects Charlottenburg with the historic centre of Berlin-Mitte.
In the north and west, the Berlin Ringbahn and the Bundesautobahn 100 (Stadtring) mark the border with the Charlottenburg-Nord and Westend suburbs. Adjacent in the south is the territory of Wilmersdorf. Charlottenburg also borders on the district of Halensee in the southwest, as well as on Moabit, Hansaviertel and Tiergarten (all part of the Mitte borough) in the east and on Schöneberg in the southeast.
In 1695, Sophia Charlotte of Hanover received Lietzow from her husband, Elector Frederick III of Brandenburg, in exchange for her estates in Caputh and Langerwisch near Potsdam. Frederick had a summer residence built there for Sophie Charlotte by the architect Johann Arnold Nering between 1695 and 1699. After he had crowned himself Frederick I, King in Prussia, the Lützenburg castle was extended into a stately building with a cour dhonneur. The Swedish master builder Johann Friedrich Eosander supervised this work. Sophie Charlotte died in February 1705; shortly afterwards the settlement facing the palace was called Charlottenburg - the palace itself became Schloss Charlottenburg - and chartered as a town on April 5, 1705. The king served as the towns mayor until the historic village of Lietzow was incorporated into Charlottenburg in 1720.
Fredericks successor as king, Frederick William I of Prussia, rarely stayed at the palace, which depressed the small town of Charlottenburg. Frederick William even tried to revoke the towns privileges. With the coronation of his successor Frederick II in 1740 the towns significance increased, as regular celebrations again took place at the palace. Between 1740 and 1747 Georg Wenzeslaus von Knobelsdorff built the eastern New Wing as Fredericks residence. Later, Frederick II preferred the palace of Sanssouci, which he had partly designed himself.
When Frederick II died in 1786, his nephew Frederick William II succeeded him, and Charlottenburg became the favourite royal residence, and remained so for his son and successor Frederick William III (reigned 1797-1840). After the defeat of the Prussian army at Jena in 1806, the French occupied Berlin. Napoleon took over the palace, while his troops made a camp nearby. Charlottenburg became part of the new Prussian Province of Brandenburg in 1815 after the Napoleonic Wars.
In the late 18th century, Charlottenburgs development did not depend only on the crown. The town became a recreational area for the expanding city of Berlin. Its first true inn opened in the 1770s, in the street then called Berliner Straße (now Otto-Suhr-Allee), and many other inns and beer gardens were to follow, popular for weekend parties especially. Berliners seeking leisure and entertainment came by boat, by carriage and later by horse-drawn trams, above all to a large amusement park at the shore of the Spree river called Flora, that went into bankruptcy in 1904.
From the 1860s on the wealthy Bourgeoisie of Berlin discovered Charlottenburg as a residential area, among the first were Gerson von Bleichröder and Ernst Werner von Siemens, who had a villa built in the Berliner Straße in 1862. At the same time industrial companies like Siemens & Halske and Schering erected large factories in the north-east, at the border with the Moabit district of Berlin. In 1877 Charlottenburg received town privileges and until World War I saw an enormous increase of population with 100,000 inhabitants as of 1893 and a population of 306,000 in 1920, being the second largest city within the Province of Brandenburg, after Berlin. In the course of industrialization in the 19th century, much of Charlottenburg was incorporated in a network of streets laid out in the Hobrecht-Plan in an area that came to be known architecturally as the Wilhelmine Ring.

Wolff, Jeremais 1663 - 1724
Wolff was an German engraver and publisher. Born in Augsburg, he originally trained as a clock and automat maker, later changing course and opening a small copperplate engraving shop. His success was impressive and became one of the largest European art, print & map publishers in the first half of the 18th century. Wolff employed some of the best engravers of the time and although not an engraver himself, only Wolffs name was recorded on the engravings. Many of his engravers went uncredited for their work. In 1710 Wolff was one of the founder member of the Empire State Academy of Arts in Augsburg.
After his death in 1724, Wolffs publishing business was inherited by his sons and son-in-law, Johann Balthasar Probst (1673–1750) a notable engraver at the time. The firm continued on in Augsburg under the name Jeremias Wolff Erben.
Together with the Nuremberg copperplate engraver Paul Decker , Wolff published a series of engravings showing the war successes of Prince Eugene of Savoy in Italy , southern Germany and the Spanish Netherlands, during the War of the Spanish Succession . The prints are exhibited in the Museum of Military History, in Vienna .

$110.00 USD
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1869 DT Valentine Antique Print of the Proposed East River or Brooklyn Bridge NY

1869 DT Valentine Antique Print of the Proposed East River or Brooklyn Bridge NY

Description:
This original antique lithograph print, a view of the proposed Brooklyn Bridge in 1869 by George Hayward was published in the 1869 edition of D T Valentines Manual of the Corporation of the City of New York or Valentines Manual.

The Brooklyn Bridge started construction in 1869 and was completed fourteen years later in 1883. It was originally called the New York and Brooklyn Bridge and the East River Bridge, but it was later dubbed the Brooklyn Bridge. However, it was not named as such until the city government passed a law to that effect in 1915. Over the years, the Brooklyn Bridge has undergone several reconfigurations; it formerly carried horse-drawn vehicles and elevated railway lines, but now carries vehicular, pedestrian, and bicycle traffic. Commercial vehicles are banned from the bridge.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 11in x 7 1/2in (280mm x 190mm)
Plate size: - 11in x 7 1/2in (280mm x 190mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background:

Manual of the Corporation of the City of New York or Valentines Manuals, published for nearly 30 years, contained hundreds of rare beautifully hand coloured contemporary and historical lithograph maps and views of New York City.

Valentine, David Thomas 1801 - 1869
As the Clerk of the Common Council of New York City, Valentine edited and published a series of books on the history and contemporary facts of New York City entitled Manual of the Corporation Of The City of New York. They became know as Valentines Manuals with updates published annually, between 1841 & 1870. Valentine used his manuals to produce some of the rarest and most important maps & views of the city of New York, some of which occasionally appear on the market. His contribution to the historical record of New York city cannot be over stated.

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1628 Sebastian Munster & RMD Antique Map Selestat or Schlettstadt Alsace, France

1628 Sebastian Munster & RMD Antique Map Selestat or Schlettstadt Alsace, France

Description:
This fine original wood block engraved antique map a birds eye view of the French town of Selestat, formally Schlettstadt under German rule, in the Bas-Rhin in the Grand Est region was engraved by Hans Rudolf Manuel Deutsch (RMD) and published in the German Section of Sebastian Munsters 1628 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Hans Rudolf Manuel Deutsch (1525–1571) was a Swiss artist. He made several of the woodcuts for De re metallica (the metals and mining treatise by Georgius Agricola, the father of mineralogy) and for Sebastian Münsters Cosmographia. 
Deutschs father, Niklaus Manuel Deutsch (the Elder), and Deutsch\'s brother, Niklaus Manuel Deutsch the Younger, were also artists. The elder Niklaus had taken the last name Manuel, but all three also commonly used Deutsch as part of their names and signed their paintings with initials ending in D.

Sélestat, German Schlettstadt , is a town in the department of Bas-Rhin in the Grand Est region (until the end of 2015 Alsace ) about 40 km southwest of Strasbourg and about 40 km northwest of Freiburg located in Breisgau on the Ill . The city is the seat of the sub-prefecture of the Arrondissement Sélestat-Erstein.
While Strasbourg is known for having erected the first whole Christmas tree on a public square in the city for the whole of the Advent season, Sélestat is considered the birthplace of the Christmas tree. An entry in a Humanist Library accounting book dates from 1521: Item IIII shill pay the forester meyen to sanct Thomas day (4 shillings to pay for the forester to guard the trees from St. Thomas\'s Day) ). Although this entry documents for the first time the passage between decorated hanging pine branches and the whole Christmas tree in private homes, it does not quite prove that Sélestat introduced this custom. This new practice probably originated in the more global context of opposition between the established Catholic Church and the 16th-century Lutherans in the Lower Alsace area between Strasbourg and Schlettstadt. In addition, the imperial city flourished in many areas in this century and its population was certainly susceptible to social-religious innovations.
It is documented in many places in Alsace that arrangements and wall or door decorations made of evergreen plants were considered by the Catholic Church extremely bad, since they were known to be introduced by the Protestants. In particular, Johann Geiler von Kaysersberg , preacher of the Strasbourg Cathedral denounced these customs, because he feared the return of pagan customs. In Alsace, people traditionally celebrated the feast of St. Nicholas and therefore organized Nicholas markets. As in the other Protestant imperial territories, the Lutherans also wanted to celebrate Christmas in Alsace: at first a whole fir was hanging from the ceiling of the room, then it was placed in a bucket full of sand. The village chaplains were to reveal abuses in the stately forests nine days before and nine after Christmas. By the end of the 16th century, whole firs were first in the Alsatian guild houses, then relatively early in all more or less noble family houses.
Vauban built new fortifications and the city became the site of a French garrison. It regained some prosperity, but its growth remained low compared to other Alsatian cities. With the administrative reforms of the French Revolution, Schlettstadt became part of the Bas-Rhin département .
During the affiliation of the city to the German Empire (1871-1918), the city was the seat of the district Schlettstadt in the district Unterelsaß . 1876/80, the King Karl barracks was built here. In 1914, the Rheinische Jäger Battalion No. 8 was stationed there. Between 1918 and 1940 she was occupied as Caserne Schweisguth by the French army.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 15in x 12in (380mm x 305mm)
Plate size: - 15in x 12in (380mm x 305mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - Light offsetting, margins cropped
Plate area: - Light offsetting
Verso: - Offsetting

ackground: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

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1598 Munster Antique Map Birds Eye View of the city of Poitiers in Poitou France

1598 Munster Antique Map Birds Eye View of the city of Poitiers in Poitou France

  • Title  : Die Statt Puttiers
  • Date  : 1598
  • Condition: (A) Very Good Condition
  • Ref # :  30381
  • Size   : 15in x 13in (380mm x 340mm)

Description:
This fine original wood block engraved antique map a birds eye view of the French city of Poitiers on the Clain River in the Vienne Dept of central western France, was published in the French Section of Sebastian Munsters 1598 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Poitiers is a city on the Clain river in west-central France. It is a commune and the capital of the Vienne department and also of the Poitou.
The type of political organisation existing in Poitiers during the late medieval or early modern period can be glimpsed through a speech given on 14 July 1595 by Maurice Roatin, the town\'s mayor. He compared it to the Roman state, which combined three types of government: monarchy (rule by one person), aristocracy (rule by a few), and democracy (rule by the many). He said the Roman consulate corresponded to Poitiers\' mayor, the Roman senate to the town\'s peers and échevins, and the democratic element in Rome corresponded to the fact that most important matters can not be decided except by the advice of the Mois et Cent (broad council).1 The mayor appears to have been an advocate of a mixed constitution; not all Frenchmen in 1595 would have agreed with him, at least in public; many spoke in favour of absolute monarchy. The democratic element was not as strong as the mayor\'s words may seem to imply: in fact, Poitiers was similar to other French cities, Paris, Nantes, Marseille, Limoges, La Rochelle, Dijon, in that the town\'s governing body (corps de ville) was highly exclusive and oligarchical: a small number of professional and family groups controlled most of the city offices. In Poitiers many of these positions were granted for the lifetime of the office holder.
The city government in Poitiers based its claims to legitimacy on the theory of government where the mayor and échevins held jurisdiction of the citys affairs in fief from the king: that is, they swore allegiance and promised support for him, and in return he granted them local authority. This gave them the advantage of being able to claim that any townsperson who challenged their authority was being disloyal to the king. Every year the mayor and the 24 échevins would swear an oath of allegiance between the hands of the king or his representative, usually the lieutenant général or the sénéchaussée. For example, in 1567, when Maixent Poitevin was mayor, king Henry III came for a visit, and, although some townspeople grumbled about the licentious behaviour of his entourage, Henry smoothed things over with a warm speech acknowledging their allegiance and thanking them for it.
In this era, the mayor of Poitiers was preceded by sergeants wherever he went, consulted deliberative bodies, carried out their decisions, heard civil and criminal suits in first instance, tried to ensure that the food supply would be adequate, visited markets.
In the 16th century, Poitiers impressed visitors because of its large size, and important features, including royal courts, university, prolific printing shops, wealthy religious institutions, cathedral, numerous parishes, markets, impressive domestic architecture, extensive fortifications, and castle.
16th-century Poitiers is closely associated with the life of François Rabelais and with the community of Bitards.
The town saw less activity during the Renaissance. Few changes were made in the urban landscape, except for laying way for the rue de la Tranchée. Bridges were built where the inhabitants had used gués. A few hôtels particuliers were built at that time, such as the hôtels Jean Baucé, Fumé and Berthelot. Poets Joachim du Bellay and Pierre Ronsard met at the University of Poitiers, before leaving for Paris.
During the 17th century, many people emigrated from Poitiers and the Poitou to the French settlements in the new world and thus many Acadians or Cajuns living in North America today can trace ancestry back to this region.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15in x 13 1/4in (380mm x 340mm)
Plate size: - 15in x 13 1/4in (380mm x 340mm)
Margins: - Min 1/4in (3mm)

Imperfections:
Margins: - L&R margins cropped into border
Plate area: - Light toning along centerfold
Verso: - Light toning along centerfold

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

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1598 Munster Antique Map Birds Eye View of Baden bei Zürich, Aargau, Switzerland

1598 Munster Antique Map Birds Eye View of Baden bei Zürich, Aargau, Switzerland

  • Title  : Die Statt Baden
  • Date  : 1598
  • Condition: (A) Very Good Condition
  • Ref # :  30357
  • Size   : 15in x 13in (380mm x 340mm)

Description:
This fine original wood block engraved antique map a birds eye view of the Swiss city of Baden bei Zürich on the Limmat River in the Canton of Aargau was published in the German Section of Sebastian Munsters 1598 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Baden sometimes unofficially, to distinguish it from other Badens, called Baden bei Zürich (Baden near Zürich) or Baden im Aargau (Baden in Aargau) is a municipality in Switzerland. It is the seat of the district of Baden in the canton of Aargau. Located 25 km northwest of Zürich in the Limmat Valley (Limmattal) mainly on the western side of the Limmat, its mineral hot springs have been famed since at least the Roman era.
Baden is first attested in Roman sources as Aquae Helveticae (Waters of the Helvetii). Hippocrates had counseled against the use of water from mineral springs, but by the time of Vitruvius, Pliny, and Galen they were being selectively employed for certain ailments. In addition to their medical use, the Romans also revered natural springs for recreational and religious use. Tacitus mentions the town obliquely, describing it as a place built up into a semblance of a town... much used for its healthful waters. This Roman vicus was to the north of the Baden gorge on the Haselfeld, founded to support the legionary camp at Vindonissa. There was a pool complex on the left bank of the Limmat fed by a system of springs with 47 °C water. The main axis of the vicus was the Vindonissa road, which ran parallel to the slope. It was flanked by porticos, beyond which lay commercial and residential buildings. The center of the settlement had some wealthy villa-like structures. The resort, residential, and commercial districts all grew to a respectable size over the first half of the 1st century. In ad 69, however, the 21st Legion burned the town amid the conflicts of the Year of the Four Emperors. Its wooden buildings destroyed, the town was rebuilt in stone. The town shrank some after the closing of the Vinonissa camp in ad 101 but survived on trade. Reginus\'s pottery workshop and Gemellianus\'s bronze works flourished during the second half of the 2nd century Around the middle of the 3rd century, however, the settlement was threatened by multiple Alemanni invasions and the Huns. The pools were fortified and a large number of coins stamped with references to the hot springs show it continued to be settled and frequented into late antiquity, but expansion of the settlement of Haselfeld came to an end.
The baths were frequented again by the time of Charlemagne. A medieval necropolis in Kappelerhof has been dated as far back as the 7th century and a local lord fortifying the Stein by the 10th. The modern name Baden is first attested in 1040. Around that time, its land was held by the Lenzburgs, some of whom styled themselves as the Counts of Baden in the 12th century and erected a castle. Upon their extinction around 1172, their domains were divided among the Hohenstaufens, Zähringens, and Kyburgs, with the Kyburgs gaining control of Baden through the marriage of Harmanns III with its heiress Richenza. Around 1230, they founded the medieval city of Baden, holding markets and erecting a bridge across the river in 1242. Upon the death of the childless Hartman IV in 1264, his lands were seized by Rudolf von Habsburg by right of his wife Gertrude\'s claim. Stein Castle was held by Habsburg bailiffs and maintained the administration and archives for their surrounding territory. The Confederation besieged and destroyed the castle and its records in 1415 during its conquest of Aargau. Thus, the County of Baden was established.
Under the Confederation, their bailiff held a castle on the right bank of the Limmat, controlling access to the bridge. The Swiss Diet met at Baden repeatedly from 1426 to about 1712, making Baden a kind of capital for Switzerland. The Town Hall (Rathaus) where it met is beautifully carved and can still be visited. Over the course of the 15th century, the town regained its popularity as a Spa Resort (Kurort). The town was the site of a famous debate on transubstantiation from May 21 to June 18, 1526. Although Zwingli refused to attend in person, he printed broadsheets throughout its duration and sent his assistant Johann Oecolampadius to debate Johann Eck and Thomas Murner. In the end, a majority decided against the reformers but a substantial bloc emerged on their behalf as well. Johann Pistorius held a disputation in the city in 1589. Stein was refortified sometime between 1658 and 1670 but the fortress was abandoned in 1712. In 1714, the treaties of Rastatt and Baden ended hostilities between France and the Habsburgs, the last theater of the War of the Spanish Succession. Another Treaty of Baden ended the Toggenburg War among the Protestant and Catholic Swiss cantons in 1718. Baden was the capital of the canton of Baden from 1798 until 1803, when the canton of Aargau was created.
In the 19th century, the waters were considered efficacious for gout and rheumatism. They were frequented by Goethe, Nietzsche, Thomas Mann, and particularly often by Hermann Hesse, who visited the town annually over almost thirty years. The SNB connecting Zürich to Baden was Switzerland\'s first railway, opening in 1847. Prior to the First World War, foreign visitors were few in number, but the summer tourist season was thought to swell the town. Around the same time, an industrial quarter opened up NW of the baths

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 15in x 13 1/4in (380mm x 340mm)
Plate size: - 15in x 13 1/4in (380mm x 340mm)
Margins: - Min 1/4in (3mm)

Imperfections:
Margins: - None
Plate area: - Age toning along centerfold
Verso: - Age toning along centerfold, light soiling

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

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1598 Sebastian Munster Antique Map Birds Eye View of Weissenburg Bavaria Germany

1598 Sebastian Munster Antique Map Birds Eye View of Weissenburg Bavaria Germany

  • Title  : Die Statt Wyssenburg
  • Date  : 1598
  • Condition: (A+) Fine Condition
  • Ref # :  30351
  • Size   : 15in x 13in (380mm x 340mm)

Description:
This fine original wood block engraved antique map a birds eye view of the German city of Weißenburg (Weissenburg) in Bavaria in Middle Franconia - identified by the cities Coate of Arms with double headed eagle atop of a castle - was published in the German Section of Sebastian Munsters 1598 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Weißenburg in Bayern (formerly also Weißenburg im Nordgau) is a town in Middle Franconia, Germany. It is the capital of the district Weißenburg-Gunzenhausen. Weissenburg is located in central Bavaria, in the south of the administrative region Mittelfranken.
The history of Weißenburg is generally traced back to the Roman fort that was built in the area towards the end of the first century. The settlement, which included Thermae, lay on the border of the Roman Empire and on the Tabula Peutingeriana from the 4th century it had the name Biriciana. Germanic tribes destroyed the fort and settled in what is still the city centre. The first mention of the name Weißenburg is in a deed dating from 867. The city became the seat of a royal residence during the reign of the Franks and according to legend, Charlemagne stayed there to supervise the construction of Fossa Carolina.
The city became a Free Imperial City in 1296 and continued to grow until the Reformation. Following the example of Nuremberg the city joined the Protestant side but it suffered heavily in the ensuing wars. However, the rights of the city as a Free Imperial City and an Imperial Estate were restored in the final peace treaty and some growth resumed. Despite its insignificant size and economic importance, the city, like the other 50-odd free imperial cities, was virtually independent.
Weissenburg lost its independence in 1802 and became part of the Bavarian kingdom in 1806. It was however saved from insignificance with the construction of a railway between Nuremberg and Augsburg which goes through the city and which supported industrialisation. Following World War II over 6,000 refugees and people expelled from the territories which Germany lost settled in the city and have since played an important role in its industry and culture.
The many stages in the history of Weissenburg can still be seen today. There are many ruins from the Roman times. One of the finest is the remains of a Roman bath which was excavated in 1977 and has been turned into a museum. The city wall from the Middle Ages has survived almost intact with its towers and in the Gothic Town Hall the city\'s elected members have held their meetings from 1476.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - Repair to bottom margin, no loss
Plate area: - Age toning along centerfold
Verso: - Light soiling

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

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1574 Sebastian Munster Antique Map Birds Eye View of Weissenburg Bavaria Germany

1574 Sebastian Munster Antique Map Birds Eye View of Weissenburg Bavaria Germany

  • Title  : Die Statt Wyssenburg
  • Date  : 1574
  • Condition: (A+) Fine Condition
  • Ref # :  22665
  • Size   : 15in x 13in (380mm x 340mm)

Description:
This fine original wood block engraved antique map a birds eye view of the German city of Weißenburg (Weissenburg) in Bavaria in Middle Franconia - identified by the cities Coate of Arms with double headed eagle atop of a castle - was published in the German Section of Sebastian Munsters 1574 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Weißenburg in Bayern (formerly also Weißenburg im Nordgau) is a town in Middle Franconia, Germany. It is the capital of the district Weißenburg-Gunzenhausen. Weissenburg is located in central Bavaria, in the south of the administrative region Mittelfranken.
The history of Weißenburg is generally traced back to the Roman fort that was built in the area towards the end of the first century. The settlement, which included Thermae, lay on the border of the Roman Empire and on the Tabula Peutingeriana from the 4th century it had the name Biriciana. Germanic tribes destroyed the fort and settled in what is still the city centre. The first mention of the name Weißenburg is in a deed dating from 867. The city became the seat of a royal residence during the reign of the Franks and according to legend, Charlemagne stayed there to supervise the construction of Fossa Carolina.
The city became a Free Imperial City in 1296 and continued to grow until the Reformation. Following the example of Nuremberg the city joined the Protestant side but it suffered heavily in the ensuing wars. However, the rights of the city as a Free Imperial City and an Imperial Estate were restored in the final peace treaty and some growth resumed. Despite its insignificant size and economic importance, the city, like the other 50-odd free imperial cities, was virtually independent.
Weissenburg lost its independence in 1802 and became part of the Bavarian kingdom in 1806. It was however saved from insignificance with the construction of a railway between Nuremberg and Augsburg which goes through the city and which supported industrialisation. Following World War II over 6,000 refugees and people expelled from the territories which Germany lost settled in the city and have since played an important role in its industry and culture.
The many stages in the history of Weissenburg can still be seen today. There are many ruins from the Roman times. One of the finest is the remains of a Roman bath which was excavated in 1977 and has been turned into a museum. The city wall from the Middle Ages has survived almost intact with its towers and in the Gothic Town Hall the city\'s elected members have held their meetings from 1476.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

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1574 Sebastian Munster Antique Map Birds Eye View of the City of Lubeck, Germany

1574 Sebastian Munster Antique Map Birds Eye View of the City of Lubeck, Germany

Description:
This fine original wood block engraved antique map a birds eye view of the German city of Lubeck, in the northern German state Schleswig-Holstein was published in the German Section of Sebastian Munsters 1574 edition of Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung (Cosmographia, that is: description of the whole world, in it all monarchies Keyser thumben, kingdoms, prince thumben, graff and herrschafften, countries, places and municipalities.)

Lübeck is a city in Schleswig-Holstein, northern Germany, and one of the major ports of Germany, on the river Trave.
In the 14th century Lübeck became the Queen of the Hanseatic League, being by far the largest and most powerful member of that medieval trade organization. In 1375 Emperor Charles IV named Lübeck one of the five Glories of the Empire, a title shared with Venice, Rome, Pisa and Florence. Several conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in the Count\'s Feud, a civil war that raged in Denmark from 1534 to 1536. Lübeck also joined the pro-Lutheran Schmalkaldic League of the mid-16th century.
After its defeat in the Count\'s Feud, Lübeck\'s power slowly declined. The city remained neutral in the Thirty Years\' War of 1618–1648, but the combination of the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However, even after the de facto disbanding of the Hanseatic League in 1669, Lübeck still remained an important trading town on the Baltic Sea.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
Cosmographia, Das ist: Beschreibung der gantzen Welt, Darinnen Aller Monarchien Keyserthumben, Königreichen, Fürstenthumben, Graff- und Herrschafften, Länderen, Stätten und Gemeinden.Ursprung, Regiment, Reichthumb, Gewalt und.Beschaffenheit. Dessgleichen Aller deren, beyder Ständen, Regenten: Keysern, Königen, Bäpsten, Bischoffen.Genealogien und Stammbäumen.zusammen getragen. by Sebastian Münster was first published in 1544 and is the earliest German-language description of the world. It had numerous editions in different languages including Latin, French (translated by François de Belleforest), Italian, English, and Czech. The last German edition was published in 1628, long after Munsters death. The Cosmographia was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the notable woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th-century Europe. Among the notable maps within Cosmographia is the map Tabula novarum insularum, which is credited as the first map to show the American continents as geographically discrete.
Munsters earlier geographic works were Germania descriptio (1530) and Mappa Europae (1536). In 1540, he published a Latin edition of Ptolemys Geographia with illustrations.

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1807 Marshall Antique Print Pennsylvania Treaty Elm, W Penn & Lenape Indian 1683

1807 Marshall Antique Print Pennsylvania Treaty Elm, W Penn & Lenape Indian 1683

  • Title : Orme sous lequel Guillaume Penn, conclut, a Kensington, son primier traite avec les Indiancl.
  • Size: 10 1/2in x 7 3/4in (265mm x 195mm)
  • Ref #:  50122
  • Date : 1807
  • Condition: (A) Very Good Condition

Description:
This fine original copper-plate engraved antique print of the Treaty Elm, where William Penn signed a Treaty with the Lenape Indians in 1683, was published in the 1807 French edition of John Marshall\'s The Life of George Washington.

This 5 volume publication outlined the life & times of Washington, containing an atlas volume with numerous maps and engravings of the campaigns and battles of Washington from the American Revolutionary Wars. (Ref: Tooley; M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 10 1/2in x 7 3/4in (265mm x 195mm)
Plate size: - 10 1/2in x 7 3/4in (265mm x 195mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

Background: 
In the year 1683, the land that is now Penn Treaty Park was part of the Lenape village of Shackamaxon. Under an elm tree immortalized in a painting by Benjamin West, William Penn famously entered into a treaty of peace with a chief of the Lenape Turtle Clan named Tamanend (later referred to by the Dutch as Tammany or Saint Tammany).
Penn, unarmed in accord with Quaker custom and speaking the Algonquian language, proclaimed that, We meet on the broad pathway of good faith and good-will; no advantage shall be taken on either side, but all shall be openness and love. We are the same as if one man’s body was to be divided into two parts; we are of one flesh and one blood. Tamanend replied, We will live in love with William Penn and his children as long as the creeks and rivers run, and while the sun, moon, and stars endure.
This peace between the Lenape Turtle Clan and Penn\'s successors would endure almost a century, until the Penn\'s Creek Massacre of 1755. It was remarked upon by Voltaire, who called it ... the only treaty never sworn to and never broken.
This location became part of the Fairman Estate and was purchased by Captain Anthony Palmer around 1730 just before he founded the town of Kensington.
The famous elm tree under which the treaty was conducted fell during a storm in 1810. Soon thereafter, a monument was erected on the site where the elm tree was located to commemorate the treaty. The small obelisk remained tucked away in the northwest corner of a lumber yard that sat on the site, until actions were taken in 1893 to acquire the land and build the park that exists today. The park officially opened on October 28, 1893.
After the original tree fell, the Oliver and Vanduzen families took cuttings and seedlings from the tree at that time. They gave offspring of the great Elm to Pennsylvania Hospital, University of Pennsylvania and Haverford College.
On May 6, 2010 at Penn Treaty Park an Elm Tree descendant was planted again. Haverford College Arboretum donated a descendant of the Treaty Elm. The Friends of Penn Treaty Park provided the funding to transport the tree and plant the new tree. Pastor Norwood, from the Tribal Council of the Nanticoke Lenni Lenape and Board member of the Penn Treaty Museum provided a blessing. Fairmount Park assisted.

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1807 Marshall Antique Print Pennsylvania Treaty Elm, W Penn & Lenape Indian 1683

1807 Marshall Antique Print Pennsylvania Treaty Elm, W Penn & Lenape Indian 1683

  • Title : Orme sous lequel Guillaume Penn, conclut, a Kensington, son primier traite avec les Indiancl.
  • Size: 11 1/2in x 9in (295mm x 230mm)
  • Ref #:  33641
  • Date : 1807
  • Condition: (A+) Fine Condition

Description:
This fine original copper-plate engraved antique print of the Treaty Elm, where William Penn signed a Treaty with the Lenape Indians in 1683, was published in the 1807 French edition of John Marshall\'s The Life of George Washington.

This 5 volume publication outlined the life & times of Washington, containing an atlas volume with numerous maps and engravings of the campaigns and battles of Washington from the American Revolutionary Wars. (Ref: Tooley; M&B)

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 11 1/2in x 9in (295mm x 230mm)
Plate size: - 10in x 8in (255mm x 205mm)
Margins: - Min 1in (25mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
In the year 1683, the land that is now Penn Treaty Park was part of the Lenape village of Shackamaxon. Under an elm tree immortalized in a painting by Benjamin West, William Penn famously entered into a treaty of peace with a chief of the Lenape Turtle Clan named Tamanend (later referred to by the Dutch as Tammany or Saint Tammany).
Penn, unarmed in accord with Quaker custom and speaking the Algonquian language, proclaimed that, We meet on the broad pathway of good faith and good-will; no advantage shall be taken on either side, but all shall be openness and love. We are the same as if one man’s body was to be divided into two parts; we are of one flesh and one blood. Tamanend replied, We will live in love with William Penn and his children as long as the creeks and rivers run, and while the sun, moon, and stars endure.
This peace between the Lenape Turtle Clan and Penn\'s successors would endure almost a century, until the Penn\'s Creek Massacre of 1755. It was remarked upon by Voltaire, who called it ... the only treaty never sworn to and never broken.
This location became part of the Fairman Estate and was purchased by Captain Anthony Palmer around 1730 just before he founded the town of Kensington.
The famous elm tree under which the treaty was conducted fell during a storm in 1810. Soon thereafter, a monument was erected on the site where the elm tree was located to commemorate the treaty. The small obelisk remained tucked away in the northwest corner of a lumber yard that sat on the site, until actions were taken in 1893 to acquire the land and build the park that exists today. The park officially opened on October 28, 1893.
After the original tree fell, the Oliver and Vanduzen families took cuttings and seedlings from the tree at that time. They gave offspring of the great Elm to Pennsylvania Hospital, University of Pennsylvania and Haverford College.
On May 6, 2010 at Penn Treaty Park an Elm Tree descendant was planted again. Haverford College Arboretum donated a descendant of the Treaty Elm. The Friends of Penn Treaty Park provided the funding to transport the tree and plant the new tree. Pastor Norwood, from the Tribal Council of the Nanticoke Lenni Lenape and Board member of the Penn Treaty Museum provided a blessing. Fairmount Park assisted.

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1755 Prevost & Schley Antique Print City View of Mbanza Loango West Congo Africa

1755 Prevost & Schley Antique Print City View of Mbanza Loango West Congo Africa

  • Title:Cite De Loango Tiree de Dapper
  • Date: 1755
  • Condition : (A+) Fine Condition
  • Ref: 25755
  • Size: 14in x 10in (355mm x 255mm)

Description:
This fine, original copper-plate engraved antique print, view of the city of Mbanza Loango in the pre-colonial African Kingdom of Loango - now part of the of western part of the Republic of the Congo - by Jakob van Schley in 1755 - after Olfert Dapper - was published in Antoine François Prevosts 15 volumes of Histoire Generale des Voyages written by Prevost & other authors between 1746-1789.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 14in x 10in (355mm x 255mm)
Plate size: - 12 1/2in x 9 1/2in (320mm x 240mm)
Margins: - Min 1/2in (5mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

Background: 
The Kingdom of Loango was a pre-colonial African state, during approximately the 16th to 19th centuries in what is now the western part of the Republic of the Congo. Situated to the north of the more powerful Kingdom of Kongo, at its height in the 17th century Loango influence extended from Cape St Catherine in the north to almost the mouth of the Congo River.
Loango exported copper to the European market, and was a major producer and exporter of cloth.
The English traveller Andrew Battel, when he was there in about 1610, recorded that the predecessor of the unnamed king ruling at that time was named \"Gembe\" or Gymbe (modernized as Njimbe), possibly the founder of the kingdom. With the death of King Buatu in 1787, the succession of leadership is uncertain.
The kingdom is certain to have come to an end with the Conference of Berlin (1884–1885) at the latest, when European colonial powers divided most of Central Africa between them.
The origins of the kingdom are obscure. The most ancient complex society in the region was at Madingo Kayes, which was already a multi-site settlement in the first century CE. At present archaeological evidence is too scarce to say much more about developments until the late fifteenth or early sixteenth centuries.
Loango is not mentioned in early travelers\' accounts of the region, nor is it mentioned in the titles of King Afonso I of Kongo in 1535, though Kakongo, Vungu, and Ngoyo, its southern neighbors. It is therefore unlikely that there was a major power on the coast of Central Africa north of the Congo River.
The earliest reference to Loango in a documentary source is a mention around 1561 by Sebastião de Souto, a priest in Kongo, that King Diogo I (1545–61) sent missionaries to convert Loango to Christianity. Duarte Lopes, ambassador from Kongo to the Holy See in Rome in 1585, related that \"Loango is a friend of the King of Congo and it is said that he was a vassal in past times\" which is consistent with Loango\'s origins from Kakongo, a vassal of Kongo.
Dutch visitors recorded the first traditional account of the kingdom\'s origin in the 1630s or \'40s. In their account as reported by the geographer Olfert Dapper, the region where Loango would be constructed was populated by a number of small polities including Mayumba, Kilongo, Piri and Wansi, \"each with their own leader\" who \"made war on each other.\" He recorded that the founder of Loango, who boasted hailing from the district in Nzari in the small coastal kingdom of Kakongo, itself a vassal of Kongo, triumphed over all his rivals through the skillful use of alliances to defeat those who opposed him, particularly Wansa, Kilongo and Piri, the latter two of which required two wars to subdue. Once this had been effected, however, a range of more northern regions, including Docke and Sette submitted voluntarily. Having succeeded in the conquest, the new king moved northward and after having founded settlements in a variety of places, eventually built his capital in Buali in the province of Piri (from which the ethnic name \"Muvili\" eventually derived).
The English traveller Andrew Battel wrote when he was there in about 1610, that the predecessor of the unnamed king ruling at that time was named \"Gembe\" or \"Gymbe\" (modernized as \"Njimbe\"). A Dutch description published in 1625 said that a ruler who had died sometime before that date had ruled for 60 years and thus had taken the throne around 1565. The documentary chronology thus makes it very likely that Njimbe was the founder and first ruler mentioned in the traditions, and this supposition is supported by traditions recorded around 1890 by R. E. Dennett which also named Njimbe as the first ruler.
On the basis of later traditions from the nineteenth and twentieth centuries that linked the founding of Loango to that of Kongo, Phyllis Martin posited a much earlier foundation, the late fourteenth or early fifteenth centuries. She then argues that the absence of Loango from early titles of the king of Kongo is evidence that Loango was already independent at that time.
Njimbe had created a rule of succession which was in place around 1600, in which the king gave command over four provinces to members of his family, called the provinces of Kaye, Boke, Selage, and Kabango, and the king was to be chosen from a rotation between them. When the king died the ruler of Kaye took over, as he did indeed in the pre-1624 succession, and if the rule was followed then the ruler of Boke took his place; the other two provincial rulers advanced as well, and the king appointed a new ruler for Kabango.
In 1663, the king ruling then was baptized as Afonso by the Italian Capuchin priest Bernardo Ungaro, but there was considerable opposition to this from within the country, and indeed when he died, a non-Christian took over, but this one was himself overthrown by one of the Christian party in 1665. This civil war was still ongoing in the 1670s. In the aftermath of this civil war, a number of the Christian party fled to neighboring territories, one of whom, known to history as Miguel da Silva, was elected ruler of Ngoyo and was ruling there in 1682.
When Nathaniel Uring, an English merchant came to Loango to trade in 1701, he reported that the king had died and the power of the administration was in the hands of the \"Queen or Chief Governess of that Country,\" named \"Mucundy\" and with whom he had to deal as if with the ruler.[20] This title referred to a woman with a regular role in the administration as overseer of women\'s affairs.
Many years elapsed before we have another snapshot of Loango\'s government; during this time the rules of succession, whether formal or informal seem to have changed. When the French missionaries directed by Abbé Liévin-Bonaventure Proyart came to Loango in 1766, they noted that there was no clear succession to the throne, that anyone born of a person regarded as a princess (only female succession mattered) could aspire to the throne. Moreover, the death of a king was cause for a frequently long interregnum; the king ruling in 1766 had come to power only after an interregnum of seven years, during which time the affairs of the country were managed by a regent called Mani Boman. The Mani Boman was appointed by the king during his lifetime. Usually two were appointed to cover the eventuality of the death of one of the two. They, in turn received the petitions of a number of eligible candidates for the throne.
Eventually, the electors of the kingdom, who were those who held offices appointed by the late king, met to decide on the next king. In theory, as the old constitution maintained, the king named his successor as well and placed him as ruler of Kaye, to succeed him at his death, but as there was so much contention as to who should hold the position, the late king died without naming a Ma-Kaye.
Historian Phyllis Martin contends that the external trade of the country had enriched some members of the nobility ahead of others and had thus put pressure on the older constitution as wealthier upstart princes pressed their case forward. She argues that important members of the council were people who had obtained their positions through contact with external trade, particularly the slave trade, and they had come to share power with the king. She posits that this alteration in relative power allowed the council to dominate the king by forcing longer and longer interregna. In fact, after the death of King Buatu in 1787, no king was elected for over 100 years.However, to some extent royal authority remained in the hands of a person entitled the Nganga Mvumbi (priest of the corpse) who oversaw the body of the dead king awaiting burial. Several of these Nganga Mvumbi succeeded each other in the late eighteenth and through the nineteenth centuries.

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1574 Munster Large Antique Print - View of The German City of Landau, Bavaria

1574 Munster Large Antique Print - View of The German City of Landau, Bavaria

Description: 
This large finely engraved original antique print a view of the Bavarian City of Landau  NE of Munich was engraved in 1547 - the date is engraved at the foot of the image - and was published by Sebastian Munster in the 1574 edition of Cosmographia.

Landau or Landau in der Pfalz (pop. 41,821) is an autonomous (kreisfrei) city surrounded by the Südliche Weinstraße ("Southern Wine Route") district of southern Rhineland-Palatinate, Germany. It is a university town (since 1990), a long-standing cultural centre, and a market and shopping town, surrounded by vineyards and wine-growing villages of the Palatinate wine region. Landau lies east of the Palatinate forest, Europe's largest contiguous forest, direct on the German Wine Route.

Background: For a variety of reasons town plans were comparatively latecomers in the long history of cartography. Few cities in Europe in the middle ages had more than 20,00 inhabitants and even London in the late Elizabethan period had only 100-150,000 people which in itself was probably 10 times that of any other English city. The Nuremberg Chronicle in 1493 included one of the first town views of Jerusalem, thereafter, for most of the sixteenth century, German cartographers led the way in producing town plans in a modern sense. In 1544 Sebastian Munster issued in Basle hisCosmographia containing roughly sixty-six plans and views, some in the plan form, but many in the old panorama or birds eye view.

Sebastian Münster (1488-1552) was a German cartographer, cosmographer, and Hebrew scholar whose work Cosmographia (1544; "Cosmography") was the earliest German description of the world and a major work in the revival of geographic thought in 16th-century Europe. It had numerous editions in different languages including Latin, French, Italian, English, and even Czech. Altogether, about 40 editions of the Cosmographiaappeared between 1544 and 1628 and was one of the most successful and popular books of the 16th century. Münster was a major influence in popular thinking in Europe for the next 200 years.
This success was due not only to the level of descriptive detail but also to the fascinating full page maps & views as well as smaller woodcuts that were included in the text. Many of the woodcuts were executed by famous engravers of the time including Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel. 
Aside from the well-known maps present in the Cosmographia, the text is thickly sprinkled with vigorous views: portraits of kings and princes, costumes and occupations, habits and customs, flora and fauna, monsters, wonders, and horrors about the known -- and unknown -- world, and was undoubtedly one of the most widely read books of its time.
Münster acquired the material for his book in three ways. Firstly he researched all available literary sources across Germany, Switzerland and other parts of Europe. Secondly he obtained original manuscript material from locals all over Europe for description of the countryside, cities, villages, towns, rivers and local history. Finally, he obtained further material first hand on his travels (primarily in south-west Germany, Switzerland, and Alsace). 

In 1588 Sebastian Petri re-released Cosomgraphia and re-issued many of Munsters maps and views in the "copperplate style". The maps in this release were more sophisticated than with earlier publications ofCosomgraphia and were based on the 1570 release of Abraham Ortelius monumental work Theatrum Orbis Terrarum.(Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Light and stable
Paper color: - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 16in x 13in (410mm x 330mm)
Plate size: - 16in x 13in (410mm x 330mm)
Margins: - 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: -None
Verso: - None

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1802 J B Lechevalier Antique Print Tomb of Hector, Ophryneion in Troad, Turkey

1802 J B Lechevalier Antique Print Tomb of Hector, Ophryneion in Troad, Turkey

Description:
This original copper-plate engraved antique print a view of the Tombs of Hector & Aesyetes located in the ancient Greek city of Ophryneion in the Troad region of Çanakkale, now in NW modern Turkey, was published in the 1802 edition of Jean-Baptiste Lechevaliers of Voyage de la Troade, fait dans les années 1785 et 1786

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 19 1/2in x 13 1/2in (495mm x 345mm)
Plate size: - 17 1/2in x 10 3/4in (445mm x 275mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - Light toning along centerfold
Verso: - Light soiling

Background: 
Ophryneion was an ancient Greek city in the northern Troad region of Anatolia. Its territory was bounded to the west by Rhoiteion and to the east by Dardanos. It was located about 1.5 km north-east of the village of İntepe (previously known as Erenköy) in Çanakkale Province, Turkey. The city was situated on the steep brow of a hill overlooking the Dardanelles, hence the origin of its Ancient Greek name ὀφρῦς (ophrus), meaning \'brow of a hill\', crag

In Greek mythology, Aesyetes was a Trojan hero and father of Alcathous. His tomb was the vantage point which Polites, son of Priam, used to scout the Greek camp during the Trojan War.
Aesyetes was also given as the father of Antenor by Cleomestra.

In Greek mythology and Roman mythology, Hector was a Trojan prince and the greatest fighter for Troy in the Trojan War. As the first-born son of King Priam and Queen Hecuba, who was a descendant of Dardanus and Tros, the founder of Troy, he was a prince of the royal house and the heir apparent to his fathers throne. He was married to Andromache, with whom he had an infant son, Scamandrius (whom the people of Troy called Astyanax). He acted as leader of the Trojans and their allies in the defence of Troy, killing 31,000 Greek fighters, offers Hyginus. During the European Middle Ages, Hector figures as one of the Nine Worthies noted by Jacques de Longuyon, known not only for his courage but also for his noble and courtly nature. Indeed, Homer places Hector as peace-loving, thoughtful as well as bold, a good son, husband and father, and without darker motives. James Redfield describes Hector as a martyr to loyalties, a witness to the things of this world, a hero ready to die for the precious imperfections of ordinary life.
The most valuable historical evidence for the Battle of Troy are treaties and letters mentioned in Hittite cuneiform texts of the same approximate era, which mention an unruly Western Anatolian warlord named Piyama-Radu (possibly Priam) and his successor Alaksandu (possibly Alexander, the nickname of Paris) both based in Wilusa (possibly Ilion/Ilios), as well as the god Apaliunas (possibly Apollo).
Other such pieces of evidence are names of Trojan heroes in Linear B tablets. Twenty out of fifty-eight men\'s names also known from Homer, including E-ko-to (Hector) are Trojan warriors and some, including Hector, are in a servile capacity. No such conclusion that they are the offspring of Trojan captive women is warranted. Generally the public has to be content with the knowledge that these names existed in Greek in Mycenaean times, although Page hypothesizes that Hector may very well be ... a familiar Greek form impressed on a similar-sounding foreign name.
When Pausanias visited Thebes in Boeotia, in the second century AD, he was shown Hector\'s tomb and was told that the bones had been transported to Thebes according to a Delphic oracle. Moses I. Finley observes this typical bit of fiction must mean that there was an old Theban hero Hector, a Greek, whose myths antedated the Homeric poems. Even after Homer had located Hector in Troy for all time, the Thebans held on to their hero, and the Delphic oracle provided the necessary sanction.
The pseudepigraphical writer Dares Phrygius states that Hector \"spoke with a slight lisp. His complexion was fair, his hair curly. His eyes would blink attractively. His movements were swift. His face, with its beard, was noble. He was handsome, fierce, and high-spirited, merciful to the citizens, and deserving of love

Jean-Baptiste Lechevalier was the secretary of the Ambassador of France in Constantinople. In the year 1788 he visited the plain of Troy, and was enthusiastically in favour of the theory that the site of Homers Troy was to be found at the village of Bunarbashi. His publication about Troy Voyage de la Troade.....was first published in 1799.
The Troad, also known as Troas, is the historical name of the Biga peninsula (Biga Yarımadası, Τρωάς) in the northwestern part of Anatolia, Turkey. This region now is part of the Çanakkale province of Turkey. Bounded by the Dardanelles to the northwest, by the Aegean Sea to the west and separated from the rest of Anatolia by the massif that forms Mount Ida, the Troad is drained by two main rivers, the Scamander (Karamenderes) and the Simois, which join at the area containing the ruins of Troy. Grenikos, Kebren, Simoeis, Rhesos, Rhodios, Heptaporos and Aisepos were seven rivers of the Troad and the names of the river gods that inhabited each river.

Troy (Ancient Greek: Τροία, Troia or Τροίας, Troias, Truva or Troya) was a city in the far northwest of the region known in late Classical antiquity as Asia Minor, now known as Anatolia in modern Turkey, just south of the southwest mouth of the Dardanelles strait and northwest of Mount Ida. The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, one of the two epic poems attributed to Homer. Metrical evidence from the Iliad and the Odyssey suggests that the name λιον (Ilion) formerly began with a digamma: Ϝίλιον (Wilion); this is also supported by the Hittite name for what is thought to be the same city, Wilusa.
A new capital called Ilium (from Greek: λιον, Ilion) was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople, became a bishopric and declined gradually in the Byzantine era, but is now a Latin Catholic titular see.
In 1865, English archaeologist Frank Calvert excavated trial trenches in a field he had bought from a local farmer at Hisarlik, and in 1868, Heinrich Schliemann, a wealthy German businessman and archaeologist, also began excavating in the area after a chance meeting with Calvert in Çanakkale. These excavations revealed several cities built in succession. Schliemann was at first skeptical about the identification of Hisarlik with Troy, but was persuaded by Calvert and took over Calverts excavations on the eastern half of the Hisarlik site, which was on Calvert\'s property. Troy VII has been identified with the city called Wilusa by the Hittites (the probable origin of the Greek λιον) and is generally (but not conclusively) identified with Homeric Troy.
Today, the hill at Hisarlik has given its name to a small village near the ruins, which supports the tourist trade visiting the Troia archaeological site. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, also called Çanakkale. The nearest village is Tevfikiye. The map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Due to Troys location near the Aegean Sea, the Sea of Marmara, and the Black Sea, it was a central hub for the military and trade(Ref: M&B; Tooley)

$105.00 USD
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1820 Fischer Large Antique Print View of the City & Harbour of Liverpool England

1820 Fischer Large Antique Print View of the City & Harbour of Liverpool England

  • Title View of The Town and Harbour of Liverpool, from Seacombe....1820
  • Ref  :  92895
  • Size: 16 1/2in x 10 1/2in (420mm x 270mm)
  • Date : 1820
  • Condition: (A+) Fine Condition

Description: 
This large fine original antique print a view of the very important and busy town and port of Liverpool in Northern England at the turn of the 19th century was engraved in 1820 - dated at the foot of the print - and published by Henry Fisher & co.. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - 
Colors used: -  
General color appearance: -  
Paper size: - 16 1/2in x 10 1/2in (420mm x 270mm)
Plate size: - 16 1/2in x 10 1/2in (420mm x 270mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - None
Plate area: - Folds as issued
Verso: - None

$105.00 USD
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1886 Picturesque Atlas of Australasia Large Antique Print of The Melbourne Cup

1886 Picturesque Atlas of Australasia Large Antique Print of The Melbourne Cup

  • TitleMelbourne Cup - Race Course From Members Stand
  • Ref #:  92164
  • Size:  17 1/2in x 13 1/2in (440mm x 340mm)
  • Date : 1886
  • Condition: (A+) Fine Condition

Description: 
This fine large original antique lithograph print was published in the extremely significant Australian & New Zealand publication The Picturesque Atlas of Australasia between 1886-88.

The Picturesque Atlas of Australasia was published in Sydney between 1886-88. Many of its over 700 wood-engraved illustrations were specially commissioned works by leading Australian artists. It was released in 42 separate editions usually bound into three large volumes and sold a remarkable 50,000 copies. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Light & stable
Paper color: - White
Age of map color: - Original 
Colors used: - Pink, green, yellow, orange    
General color appearance: - Authentic  
Paper size: - 17 1/2in x 13 1/2in (440mm x 340mm)
Margins: - Min 2in (50mm)

Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$105.00 USD
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1797 Laperouse Antique Print View De Kastri Bay, Ulchsky Khabarovsk Kai, Russia

1797 Laperouse Antique Print View De Kastri Bay, Ulchsky Khabarovsk Kai, Russia

Description:
This large original copper plate engraved antique print, a view of the very early settlement at De Kastri Bay, in the Ulchsky District of Khabarovsk Kai, Eastern Russia - opposite the Sakhalin Islands - by Jean-François de Galaup, Comte de la Pérouse was published in the 1st edition of the Atlas du voyage de La Perouse, Paris 1797.

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 17in x 11in (435mm x 280mm)
Plate size: - 17in x 11in (435mm x 280mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Small repairs to margins, no loss
Plate area: - None
Verso: - None

Background: 
De-Kastri was named for the former name of the bay on which it stands. The bay was discovered by La Pérouse on July 25, 1787 and named after the sponsor of the expedition—the then Secretary of State of the French Navy, the Marquis de Castries. The bay is a convenient natural refuge for vessels, giving it strategic importance from a military viewpoint.
The settlement was officially founded in 1853, although the land where it was situated would not officially be Russian territory until the signing of the Treaty of Aigun five years later.
In 1854, the difficult task of defending Petropavlovsk-Kamchatsky when it came under siege from the British and French forces during the Crimean War brought to attention the difficulties of supply and defense of the Kamchatka Peninsula, where a large section of the Russian Pacific Fleet was based. It was decided to move the port from Kamchatka without waiting for another attack. In the spring of 1855, the Russian navy\'s weapons and sailors under the leadership of Rear Admiral Vasily Zavoyko headed toward the mouth of the Amur River; however, the river mouth was still covered with ice. It was decided to wait for the break-up, hiding in the Bay of de Castries from the superior forces of French and English. Russian ships were discovered there, but managed to escape to the Amur River in the Strait of Tartary before the arrival of enemy reinforcements. The British and French did not know that Sakhalin was an island, and spent the later years of the war waiting in vain for the Russian fleet at its southern coast.

$100.00 USD
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1720 Stow Large Antique Print St Thomas Hospital View Southwark, London, England

1720 Stow Large Antique Print St Thomas Hospital View Southwark, London, England

Description: 

This large fine original antique print a view of St Thomas Hospital & view of Southwark, London was published in the 1720 revised edition of John Stow's Survey of the Cities of London and Westminster.

The hospital was described as ancient in 1215 and was named after Thomas Becket — which suggests it may have been founded after 1173 when Becket was canonised. However, it is possible it was only renamed in 1173 and that it was founded when St Mary Overie Priory founded in 1106 in Southwark.

Originally it was run by a mixed order of Augustinian monks and nuns, dedicated to Thomas Becket. It provided shelter and treatment for the poor, sick, and homeless. In the fifteenth century, Richard Whittington endowed a laying-in ward for unmarried mothers. The monastery was dissolved in 1539 during the Reformation, but reopened in 1551 and rededicated to Thomas the Apostle. It was reopened through the efforts of the City of London who obtained the grant of the site and a charter from Edward VI and has remained open ever since. The hospital was also the site of the first printed English Bible in 1537.

At the end of the 17th century, the hospital and church were largely rebuilt by Sir Robert Clayton, president of the hospital and a former Lord Mayor of the City of London. He employed Thomas Cartwright as architect. Sir Thomas Guy, a governor of St Thomas', founded Guy's Hospital in 1721 as a place to treat 'incurables' discharged from St Thomas'

John Stow's work A Survey of the Cities of London and Westminster and the Borough of Southwark was originally published in 1598 and 1603. Many editions followed which included revisions, additions, and enlargements, both by the original author and others including John Strype. (Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 16in x 10in (410mm x 255mm)
Plate size: - 13in x 9in (330mm x 230mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - None
Plate area: - Small hole to top of image
Verso: - None

$100.00 USD
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1760 Vue D Optic Large Antique Print View of Old Somerset House, Thames London

1760 Vue D Optic Large Antique Print View of Old Somerset House, Thames London

  • Title : Vue du Palias Royal Somerset du cote de la Thamise
  • Ref  :  26261
  • Size: 16in x 9 1/2in (405mm x 240mm)
  • Date : 1756
  • Condition: (B) Good Condition

Description:
This hand coloured original antique print, a view of the old Somerset House, prior to the late 18th century refurbishment, on the River Thames, London was published as part of the Vues d’Optique in 1760.

Somerset House is a large Neoclassical building situated on the south side of the Strand in central London, overlooking the River Thames, just east of Waterloo Bridge. The building, originally the site of a Tudor Palace was designed by Sir William Chambers in 1776, and further extended with Victorian wings to the east and west in 1831 and 1856 respectively. The East Wing forms part of the adjacent Strand campus of King's College London

Vues d'Optique or Perspective Views: Perspective views, or "vues d'optique," are a special type of popular print published in Europe during the 18th century. These prints provided a form of entertainment when viewed through a device called an "optical machine" or an "optique." The most characteristic feature of the perspective views is their emphasized linear perspective, done to further intensify the enhanced appearance of depth and illusionistic space in the prints when viewed through an optique. When displayed in the optique, the prints might transport the viewer into a far away place---an unknown city, or perhaps into the midst of a dramatic bit of contemporary history. Another attribute of these prints is their bright, often heavy hand coloring, applied boldly so as to show the tints when viewed through the lens. 
A number of perspective prints depicted American scenes at the time of the Revolution for a European audience hungry for news of the events in the British colonies. As documents of American history and European printmaking, these are unusual and appealing eighteenth-century prints. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - Original
Colors used: - Blue, yellow, green, red
General color appearance: - Authentic & bright
Paper size: - 16in x 9 1/2in (405mm x 240mm)
Plate size: - 16in x 9 1/2in (405mm x 240mm)
Margins: - Min 0in (0mm)

Imperfections:
Margins: - Left margin cropped to image edge
Plate area: - Soiling and creasing the bottom left edge
Verso: - Soiling

$85.00 USD
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1756 Maitland Large Antique Print of Bridewell Palace, Prison London, England

1756 Maitland Large Antique Print of Bridewell Palace, Prison London, England

Description:
This fine hand coloured original antique print of Bridewell Palace as it was as a prison in the 18th century was engraved by Benjamin Cole and published in the 1756 edition of The History of London from its Foundation to the Present Time...', by William Maitland, Osborne & Shipton and Hodges, London.

Bridewell Palace in London was built as a residence of King Henry VIII and was one of his homes early in his reign for eight years. Given to the City of London Corporation by his son King Edward VI for use as an orphanage and place of correction for wayward women, Bridewell later became the first prison/poorhouse to have an appointed doctor.
It was built on the banks of the Fleet River in the City of London between Fleet Street and the River Thames in an area today known as 'Bridewell Court' off New Bridge Street. By 1556 part of it had become a jail known as Bridewell Prison. It was reinvented with lodgings and was closed in 1855 and the buildings demolished in 1863–1864. (Ref: Tooley; M&B)

General Description:
Paper thickness and quality: - Heavy and stable
Paper color: - off white
Age of map color: - Early 
Colors used: - Red, yellow, green
General color appearance: -  Authentic
Paper size: - 15in x 9 1/2in (380mm x 245mm)
Plate size: -  13 3/4in x 8 1/4in (350mm x 210mm)
Margins: - Min 1in (25mm)
 
Imperfections:
Margins: - None
Plate area: - None
Verso: - None

$85.00 USD
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1802 J B Lechevalier Antique Print Temple Apollo Ruins Gülpınar Çanakkale Turkey

1802 J B Lechevalier Antique Print Temple Apollo Ruins Gülpınar Çanakkale Turkey

  • Title : Ruines Du Temple D Apollon Thymbreen; Inscription Trouvee dans les Ruines du Temple d Apollon
  • Date : 1802
  • Condition: (A+) Fine Condition
  • Ref:  70222
  • Size: 19 1/4in x 14in (495mm x 355mm)

Description:
This original copper-plate engraved antique print view of the ruins of the Temple of Apollo in the ancient city of Hamaxitus in the Troad region of NW Turkey - with Greek inscription from the temple - was published in the 1802 edition of Jean-Baptiste Lechevaliers of Voyage de la Troade, fait dans les années 1785 et 1786

General Definitions:
Paper thickness and quality: - Heavy and stable
Paper color : - off white
Age of map color: -
Colors used: -
General color appearance: -
Paper size: - 20in x 14in (510mm x 360mm)
Plate size: - 15in x 9 1/2in (380mm x 240mm)
Margins: - Min 1/2in (12mm)

Imperfections:
Margins: - Light soiling
Plate area: - Light toning along centerfold
Verso: - Light soiling

Background: 
Hamaxitus was an ancient Greek city in the south-west of the Troad region of Anatolia which was considered to mark the boundary between the Troad and Aeolis. Its surrounding territory was known in Greek as Ἁμαξιτία (Hamaxitia) and included the temple of Apollo Smintheus, the salt pans at Tragasai, and the Satnioeis river (modern Tuzla Çay). It has been located on a rise called Beşiktepe near the village of Gülpınar (previously Külahlı) in the Ayvacık district of Çanakkale Province, Turkey


Jean-Baptiste Lechevalier was the secretary of the Ambassador of France in Constantinople. In the year 1788 he visited the plain of Troy, and was enthusiastically in favour of the theory that the site of Homers Troy was to be found at the village of Bunarbashi. His publication about Troy Voyage de la Troade.....was first published in 1799.
The Troad, also known as Troas, is the historical name of the Biga peninsula (Biga Yarımadası, Τρωάς) in the northwestern part of Anatolia, Turkey. This region now is part of the Çanakkale province of Turkey. Bounded by the Dardanelles to the northwest, by the Aegean Sea to the west and separated from the rest of Anatolia by the massif that forms Mount Ida, the Troad is drained by two main rivers, the Scamander (Karamenderes) and the Simois, which join at the area containing the ruins of Troy. Grenikos, Kebren, Simoeis, Rhesos, Rhodios, Heptaporos and Aisepos were seven rivers of the Troad and the names of the river gods that inhabited each river.

Troy (Ancient Greek: Τροία, Troia or Τροίας, Troias, Truva or Troya) was a city in the far northwest of the region known in late Classical antiquity as Asia Minor, now known as Anatolia in modern Turkey, just south of the southwest mouth of the Dardanelles strait and northwest of Mount Ida. The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, one of the two epic poems attributed to Homer. Metrical evidence from the Iliad and the Odyssey suggests that the name λιον (Ilion) formerly began with a digamma: Ϝίλιον (Wilion); this is also supported by the Hittite name for what is thought to be the same city, Wilusa.
A new capital called Ilium (from Greek: λιον, Ilion) was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople, became a bishopric and declined gradually in the Byzantine era, but is now a Latin Catholic titular see.
In 1865, English archaeologist Frank Calvert excavated trial trenches in a field he had bought from a local farmer at Hisarlik, and in 1868, Heinrich Schliemann, a wealthy German businessman and archaeologist, also began excavating in the area after a chance meeting with Calvert in Çanakkale. These excavations revealed several cities built in succession. Schliemann was at first skeptical about the identification of Hisarlik with Troy, but was persuaded by Calvert and took over Calverts excavations on the eastern half of the Hisarlik site, which was on Calvert\'s property. Troy VII has been identified with the city called Wilusa by the Hittites (the probable origin of the Greek λιον) and is generally (but not conclusively) identified with Homeric Troy.
Today, the hill at Hisarlik has given its name to a small village near the ruins, which supports the tourist trade visiting the Troia archaeological site. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, also called Çanakkale. The nearest village is Tevfikiye. The map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Due to Troys location near the Aegean Sea, the Sea of Marmara, and the Black Sea, it was a central hub for the military and trade(Ref: M&B; Tooley)

$75.00 USD
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1888 Large Antique Print Views of Melbourne, Australia

1888 Large Antique Print Views of Melbourne, Australia

Description: 
This fine original antique lithograph print four views Melbourne, The City, Harbour, Gov. House & Collins St, was published in ca 1888. (Ref: M&B; Tooley)

General Description:
Paper thickness and quality: - Heavy & stable
Paper color: - White
Age of map color: - 
Colors used: - 
General color appearance: - 
Paper size: - 14 1/2in x 11in (370mm x 280mm)
Plate size: - 14 1/2in x 11in (370mm x 280mm)
Margins: - Min 1/2in (10mm)

Imperfections:
Margins: - Light soiling
Plate area: - None
Verso: - None

$75.00 USD
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